Cantitate/Preț
Produs

In(ter)discipline: New Languages for Criticism

Autor Gillian Beer, Beate Perrey, Malcom Bowie
en Limba Engleză Paperback – 30 iun 2020
This book examines and breaks the routine to propose alternative languages for criticism. It shows the commitments of some of the most distinctive voices in criticism, from literature, music, the visual arts, psychoanalysis, and philosophy, amongst others, to comparative thinking.
Citește tot Restrânge

Preț: 25957 lei

Preț vechi: 31141 lei
-17% Nou

Puncte Express: 389

Preț estimativ în valută:
4968 5160$ 4126£

Carte tipărită la comandă

Livrare economică 04-18 februarie 25

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9780367602611
ISBN-10: 036760261X
Pagini: 264
Dimensiuni: 174 x 246 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom

Cuprins

1. What If? The Language of Affect 2. Nuisance Value 3. Borges's Blindness and Giacometti's Eyes 4. Wittgenstein's Chopin: Interdisciplinarity and 'the Music Itself' 5. Preserving the Performance: Scholarship as Art? 6. Echoing the 'Mortal Ear': Orfeo's Indiscipline 7. Is Music Criticism Criticism? 8. Modernist Futures 9. Conversation, Sport, or Hatchet Job? Criticism and the Power of Metaphor 10. Set Adrift in Style: The Scholar as Fiction and Film-Maker in Jacob's Room 11. Languages for Learning to Delight in Art 12. Loopholes in Performance 13. Etymology and its Others 14. Yves Bonnefoy's Récits en rêve: The Intersection of Creativity and Critique 15. On Touching: War, Art, and the Realm of the Senses 16. Snapshots from the Hereafter: Benjamin, Adorno, and the Critic as Photographer 17. Faith and Doubt: An Alternative Dialectic 18. Literature and the Theory of Games: Kleist's Verlobung in St Domingo as an Example 19. Towards Discursive Discipline: Dance beyond Metaphor in Critical Writing 20. Interdisciplinarity and Public Engagement

Descriere

This book examines and breaks the routine to propose alternative languages for criticism. It shows the commitments of some of the most distinctive voices in criticism, from literature, music, the visual arts, psychoanalysis, and philosophy, amongst others, to comparative thinking.