In the Shadow of Empire: Art in Occupied Japan
Autor Alicia Volken Limba Engleză Hardback – 9 mai 2025
Alicia Volk brings to light a significant body of postwar Japanese art, exploring how it accommodated and resisted the workings of the American empire during the early Cold War. Volk’s groundbreaking account presents the points of view of Japanese artists and their audiences under American occupation and amid the ruins of war. Each chapter reveals how artists embraced new roles for art in the public sphere—at times by enacting radical critiques of established institutions, values, and practices—and situates a range of compelling art objects in their intersecting artistic and political worlds.
Centering on the diverse and divisive terrain of Japanese art between 1945 and 1952, In the Shadow of Empire creates a fluid map of relationality that brings multiple Cold War spheres into dialogue, stretching beyond US-occupied Japan to art from China, Europe, the Soviet Union, and the United States, and demonstrates the rich potential of this transnational site of artmaking for rethinking the history of Japanese and global postwar art.
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Specificații
ISBN-13: 9780226837901
ISBN-10: 0226837904
Pagini: 464
Ilustrații: 44 color plates, 78 halftones
Dimensiuni: 178 x 254 mm
Greutate: 0.45 kg
Ediția:First Edition
Editura: University of Chicago Press
Colecția University of Chicago Press
ISBN-10: 0226837904
Pagini: 464
Ilustrații: 44 color plates, 78 halftones
Dimensiuni: 178 x 254 mm
Greutate: 0.45 kg
Ediția:First Edition
Editura: University of Chicago Press
Colecția University of Chicago Press
Notă biografică
Alicia Volk is professor of Japanese art at the University of Maryland. She is the author of Made in Japan: The Postwar Creative Print Movement and In Pursuit of Universalism: Yorozu Tetsugorō and Japanese Modern Art, a recipient of the Phillips Book Prize. She has been a J. Paul Getty Postdoctoral Fellow, an Ishibashi Foundation-Japan Foundation Fellow, a Robert and Lisa Sainsbury Fellow at the University of London, and a Fulbright Research Scholar at Waseda University in Tokyo.
Cuprins
Preface
Notes to the Reader
Introduction Terra Incognita: Art in the Ruins
1 Democratizing Japanese Art: Autonomy, Authority, and the Art World
2 Monument to Defeat in War: Out of the Ruins, a Bright Dawn
3 Cold War Alignments: Modernism and Populism in Creative Prints and People’s Prints
4 Listen to the Voices of the Sea: Memory and Monumentality in War and Peace, and War
5 Art and Women’s Liberation: History Has Given Us Our First Chance
Epilogue The Limits of Peace and Freedom, and the Ends of Art under the Shadow of Empire
Acknowledgments
Glossary of Major Artists and Art Organizations
Notes
Bibliography
Index
Notes to the Reader
Introduction Terra Incognita: Art in the Ruins
1 Democratizing Japanese Art: Autonomy, Authority, and the Art World
2 Monument to Defeat in War: Out of the Ruins, a Bright Dawn
3 Cold War Alignments: Modernism and Populism in Creative Prints and People’s Prints
4 Listen to the Voices of the Sea: Memory and Monumentality in War and Peace, and War
5 Art and Women’s Liberation: History Has Given Us Our First Chance
Epilogue The Limits of Peace and Freedom, and the Ends of Art under the Shadow of Empire
Acknowledgments
Glossary of Major Artists and Art Organizations
Notes
Bibliography
Index
Recenzii
“This marvelous book succeeds in transforming Japanese art of the American occupation (1945–1952) from what once seemed like the nadir of twentieth-century Japanese art history into the key that unlocks some of the most important patterns of its development. This compelling narrative scrutinizes a wide selection of little-studied archival materials to generate a fascinating panorama of diverse media and contentious debates in the troubled years immediately following war defeat.”
“Volk’s work is wholly original, providing new and creative interpretations of a wide array of Japanese artworks produced under the Allied occupation and calling attention to transwar continuities. Volk completely revises previous interpretations that have treated this period as static and largely unproductive, instead revealing a lively and compelling narrative about contested identities negotiated through art. In the Shadow of Empire builds on an important scholarly trajectory, and it will make a major contribution to the field.”
“A rich and revealing account of Japanese visual arts in the decade after the end of World War II, this strongly argued study follows artists as they navigated their own, often sudden, transition from war to peace in the double shadow of the defeated Japanese and ascendant American empires. Focusing on figures frequently neglected in the West-inflected art-historical narrative, the book contributes a fresh perspective both to art history and to postwar Japanese history as a whole. Fascinating.”
“In the Shadow of Empire elegantly foregrounds visual art as a way to understand the two central dilemmas for postwar Japanese: how to come to terms with their complicated feelings about participation in the disastrous war and how to build a better society from its ruins. Doing so meant choosing what to repudiate, what to keep, and what to refashion from the recent past. It also meant navigating the equally politically compromised terrain of the US-led occupation and the Cold War. In this creative and sensitive analysis of shrewdly selected painters, printmakers, and sculptors, Volk shows the varied ways that artists debated how to make art that appropriately responded to these urgent questions, producing images that have profoundly shaped postwar Japanese—and global—culture through today.”