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Ingar Krauss: Huts Heaps Hedges

Autor Ingar Krauss, Kenneth Anders
en Limba Engleză Hardback – 30 apr 2025
The book Huts Hedges Heaps (Ingar Krauss’s second publication with Hartmann Books after 39 Bilder of 2016) is about human order in nature. The laconic photographs of small, rural gardens that Krauss shot between 2010 and 2017 particularly in Brandenburg show concentrated traces of human efforts to create order, which take on graphic and sculptural dimensions in the pictures’ structure. In the Black Forest he produced pictures of wood piles, whose man-made forms seem even more abstract because they organically fit into the structures of their natural surroundings, recalling the work of Land artists. The huts, hedges, and heaps are connected to the American New Topographic movement of the 1970s insofar as they “fulfill everything that people wanted in a picture in those days, overturning an observation into a ‘higher’ order of some kind; the monumentalization of the everyday, not by resorting to monumentalizing genres, but by the captivating composition of the image,” as Ulf Erdmann Ziegler writes.
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Specificații

ISBN-13: 9783960700388
ISBN-10: 3960700385
Pagini: 88
Ilustrații: 54
Dimensiuni: 241 x 259 x 17 mm
Greutate: 0.45 kg
Editura: Unicorn Publishing Group
Colecția Hartmann

Notă biografică

Ingar Krauss has been depicting sugar beets in their individual form since 2017. As he did in his book 2016 book of still lifes '39 Bilder' , he also stages the sugar beets in natural light against a dark background, photographing them in black-and-white using analog methods and reducing them to the essentials of their appearance. Thus, over the years, a typology of this 'Beta Vulgaris' has emerged. His sugar beet physiognomies allow the cultivar to appear in its simple dignity and melancholy, while at the same time providing the opportunity to contemplate human perception of, and appreciation, for nature and its products. To avoid superficial, quick browsing, this publication was not conceived as a classic book, but as a lavishly produced portfolio box, with 36 individual picture cards printed in strong tritone on cardboard, a poster featuring the complete typology, and a text booklet with an essay by Eugen Blume. Ingar Krauss (*1965) works exclusively in analog, makes all the prints himself, and understands photography as an “alchemical image process that is also related to fine art, painting, and printmaking, in terms of craftsmanship” (from the accompanying text by Eugen Blume). Eugen Blume lives and works as a freelance curator and author in Berlin, where he was director of the Hamburger Bahnhof, Museum für Gegenwartskunst until 2016