Ingenuity in the Making: Matter and Technique in Early Modern Europe
Editat de Richard J. Oosterhoff, José Ramón Marcaida, Alexander Marren Limba Engleză Hardback – 9 noi 2021
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Specificații
ISBN-13: 9780822946885
ISBN-10: 0822946882
Pagini: 394
Dimensiuni: 152 x 229 x 41 mm
Greutate: 0.82 kg
Editura: University of Pittsburgh Press
Colecția University of Pittsburgh Press
ISBN-10: 0822946882
Pagini: 394
Dimensiuni: 152 x 229 x 41 mm
Greutate: 0.82 kg
Editura: University of Pittsburgh Press
Colecția University of Pittsburgh Press
Recenzii
“Ingenuity in the Making offers a cornucopia of new insights into the ways in which early modern women and men attributed powerful qualities to the processes of nature and the acts of their own bodies and minds. It expands the notion of ingenuity from its narrow definition as intellectual creativity into the much broader realm of mechanical, technical, and perceptual skills, and thus sheds new light on makers and innovators outside the accepted notion of artists who were still struggling for social recognition and institutional acceptance.” —Christine Göttler, University of Bern
“A rich treasure chamber full of carefully crafted gems of scholarship, this collection brings together abundant and original evidence that concepts of ingenuity in early modern Europe had as much to do with the making and materials of art as with the excellence of intellect. The fascinating case studies assembled in this volume illuminate the polyvalent cultural meanings of materials and of artistic processes at this time.” —Pamela H. Smith, Columbia University
"The book gives a great overview of the different uses and approaches to ingenuity in early modern Europe and may be of interest for historians and philosophers alike. In addition, the book is well written, by leading scholars in their fields, and relies on very relevant sources."
—Centaurus
“A rich treasure chamber full of carefully crafted gems of scholarship, this collection brings together abundant and original evidence that concepts of ingenuity in early modern Europe had as much to do with the making and materials of art as with the excellence of intellect. The fascinating case studies assembled in this volume illuminate the polyvalent cultural meanings of materials and of artistic processes at this time.” —Pamela H. Smith, Columbia University
"The book gives a great overview of the different uses and approaches to ingenuity in early modern Europe and may be of interest for historians and philosophers alike. In addition, the book is well written, by leading scholars in their fields, and relies on very relevant sources."
—Centaurus
Notă biografică
Richard J. Oosterhoff is lecturer in early modern history at the University of Edinburgh. He is the author of Making Mathematical Culture: University and Print in the Circle of Lefèvre d’Étaples and coauthor of Logodaedalus: Word Histories of Ingenuity in Early Modern Europe.
José Ramón Marcaida is lecturer in art history at the University of St Andrews, where he works on the intersections of art and science in the early modern Hispanic world. He is the author of Arte y ciencia en el Barroco español. Historia natural, coleccionismo y cultura visual and coauthor of Logodaedalus: Word Histories of Ingenuity in Early Modern Europe.
Alexander Marr is professor of the history of early modern art at the University of Cambridge and a fellow and dean of disciple of Trinity Hall. He is the author of Rubens’s Spirit: From Ingenuity to Genius and coauthor of Logodaedalus: Word Histories of Ingenuity in Early Modern Europe.
José Ramón Marcaida is lecturer in art history at the University of St Andrews, where he works on the intersections of art and science in the early modern Hispanic world. He is the author of Arte y ciencia en el Barroco español. Historia natural, coleccionismo y cultura visual and coauthor of Logodaedalus: Word Histories of Ingenuity in Early Modern Europe.
Alexander Marr is professor of the history of early modern art at the University of Cambridge and a fellow and dean of disciple of Trinity Hall. He is the author of Rubens’s Spirit: From Ingenuity to Genius and coauthor of Logodaedalus: Word Histories of Ingenuity in Early Modern Europe.