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Ingenuity in the Making: Matter and Technique in Early Modern Europe

Editat de Richard J. Oosterhoff, José Ramón Marcaida, Alexander Marr
en Limba Engleză Hardback – 8 noi 2021
Ingenuity in the Makingexplores the myriad ways in which ingenuity shaped the experience and conceptualization of materials and their manipulation in early modern Europe. Contributions range widely across the arts and sciences, examining objects and texts, professions and performances, concepts and practices. The book considers subjects such as spirited matter, the conceits of nature, and crafty devices, investigating the ways in which ingenuity acted in and upon the material world through skill and technique. Contributors ask how ingenuity informed the “maker’s knowledge” tradition, where the perilous borderline between the genius of invention and disingenuous fraud was drawn, charting the ambitions of material ingenuity in a rapidly globalizing world.
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Specificații

ISBN-13: 9780822946885
ISBN-10: 0822946882
Pagini: 394
Dimensiuni: 152 x 229 x 41 mm
Greutate: 0.82 kg
Editura: University of Pittsburgh Press
Colecția University of Pittsburgh Press

Recenzii

Ingenuity in the Makingoffers a cornucopia of new insights into the ways in which early modern women and men attributed powerful qualities to the processes of nature and the acts of their own bodies and minds. It expands the notion of ingenuity from its narrow definition as intellectual creativity into the much broader realm of mechanical, technical, and perceptual skills, and thus sheds new light on makers and innovators outside the accepted notion of artists who were still struggling for social recognition and institutional acceptance.”  —Christine Göttler, University of Bern
“A rich treasure chamber full of carefully crafted gems of scholarship, this collection brings together abundant and original evidence that concepts of ingenuity in early modern Europe had as much to do with the making and materials of art as with the excellence of intellect. The fascinating case studies assembled in this volume illuminate the polyvalent cultural meanings of materials and of artistic processes at this time.”—Pamela H. Smith, Columbia University

Notă biografică

Richard J. Oosterhoffis lecturer in early modern history at the University of Edinburgh. He is the author ofMaking Mathematical Culture: University and Print in the Circle of Lefèvre d’Étaplesand coauthor ofLogodaedalus: Word Histories of Ingenuity in Early Modern Europe.
José Ramón Marcaidais lecturer in art history at the University of St Andrews, where he works on the intersections of art and science in the early modern Hispanic world. He is the author ofArte y ciencia en el Barroco español.Historia natural, coleccionismo y cultura visualand coauthor ofLogodaedalus: Word Histories of Ingenuity in Early Modern Europe.
Alexander Marris professor of the history of early modern art at the University of Cambridge and a fellow and dean of disciple of Trinity Hall.     He is the author ofRubens’s Spirit: From Ingenuity to Geniusand coauthor ofLogodaedalus: Word Histories of Ingenuity in Early Modern Europe.