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Inside Tenement Time: Suss, Spirit, and Surveillance: Critical Caribbean Studies

Autor Kezia Page
en Limba Engleză Paperback – 14 noi 2024 – vârsta ani
Inside Tenement Time is the first comprehensive treatment of literary and cultural texts on surveillance in the Caribbean. Covering the long historical arc of the twentieth to the twenty-first centuries, Inside Tenement Time uses Jamaica as a case study to examine moments of crisis and particular spaces, especially urban yard enclaves and their environs, in the Caribbean encounter with surveillance. Making the argument that the Caribbean situation reveals flexible hegemonies rather than provinces of exclusive control, the book demonstrates the countervailing force of sussveillance and spiritveillance, Afro-Indigenous variations on surveillance. Sussveillance and spiritveillance are exemplars of vernacular arts and sciences that operate at and within the frangible borders of state power, exposing the unique dynamics of surveillance in the region and marshalling the acts of imagination with which it contends. For example, the Smile Jamaica concert of 1976, headlined by reggae Superstar Bob Marley, and the reputedly US government-backed 2010 Tivoli Gardens incursion in West Kingston, both moments that have dramatic, even mythic residue in Caribbean and global memory, are among the real-life events brought into conversation with literary representations of this history.
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Specificații

ISBN-13: 9781978837881
ISBN-10: 1978837887
Pagini: 178
Ilustrații: 1 color and 3 B-W images
Dimensiuni: 156 x 235 mm
Greutate: 0 kg
Editura: Rutgers University Press
Colecția Rutgers University Press
Seria Critical Caribbean Studies


Recenzii

"Inside Tenement Time: Suss, Spirit and Surveillance is an outstanding and timely work that Caribbeanizes surveillance studies. Its narrative arc is neither triumphant nor tragic; instead, it carefully attends to what is possible (and impossible) for postcolonial states."

Descriere

Inside Tenement Time is a study of Jamaican literary and cultural texts presenting surveillance in the Caribbean. The project introduces two Afro-Indigenous variations on surveillance--sussveillance and spiritveillance--as exemplars of vernacular arts and shows that Caribbean hegemonies are flexible. The book reads the Smile Jamaica concert (1976) and the Tivoli Incursion (2010) as states of high surveillance emergency.