Installation Art and the Museum: Presentation and Conservation of Changing Artworks
Autor Vivian van Saazeen Limba Engleză Paperback – 31 ian 2013
Installation art has become mainstream in artistic practices. However, acquiring and displaying such artworks means that curators and conservators are challenged to deal with obsolete technologies, ephemeral materials, and other issues concerning care and management of these artworks. By analyzing three in-depth case studies, the author sheds new light on the key concepts of traditional conservation—authenticity, artist’s intention, and the notion of ownership—while exploring how these concepts apply in contemporary art conservation.
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Specificații
ISBN-13: 9789089644596
ISBN-10: 9089644598
Pagini: 220
Ilustrații: 35 color plates
Dimensiuni: 165 x 229 x 18 mm
Greutate: 0.45 kg
Editura: Amsterdam University Press
Colecția Amsterdam University Press
ISBN-10: 9089644598
Pagini: 220
Ilustrații: 35 color plates
Dimensiuni: 165 x 229 x 18 mm
Greutate: 0.45 kg
Editura: Amsterdam University Press
Colecția Amsterdam University Press
Notă biografică
Vivian van Saaze is postdoctoral researcher at the Faculty of Arts and Social Sciences of Maastricht University in the Netherlands.
Cuprins
Acknowledgments
Introduction: Challenges of Installation Art
On Changes and Challenges
Installation Art and the Museum
Decisions and Discussions
Doing Artworks
Outline of the Book
1. Key Concepts and Developments in Conservation Theory and Practice
Introduction
The Emergence of Conservation as a Profession
Authenticity and Artist’s Intent: Key Concepts and Stumbling Blocks
Conclusion
2. From Singularity to Multiplicity: Authenticity in Practice
2.1 Introduction
2.2 More than One One Candle?
2.3 Authenticity as a Matter of Perspective
2.4 From Perspectives to Practices
2.5 One Candle as Singular
2.6 Disruptions and Dispersion
2.7 External Multiple One Candles
2.8 One Candle: More than One, Less than Many
3. From Intention to Interaction: Artist’s Intention Reconsidered
3.1 Introduction
3.2 Problems of Reinstallation: Artist’s Intent in Practice
3.3 By Means of Measuring: A Stretch Museum Scale 1:1
3.4 Never Stop Starting: ensemble autor de mur
3.5 Conclusion: Multiple Practices
4. From Object to Collective, from Artists to Actants: Ownership Reframed
4.1 Introduction
4.2 The Emergence of No Ghost Just a Shell
4.3 Searching for New Concepts
4.4 Acquiring No Ghost Just a Shell: From Artists to Museum
4.5 A New Artwork: Travelling Pod
4.6 The Museum System
4.7 ‘What Exactly Have We Acquired?’
4.8 Another No Ghost Just a Shell
4.9 By Way of Conclusion
Conclusion: Challenges and Potentialities of Installation Art
On Challenges and Potentialities
Foregrounding Practices
New Vistas
List of Illustrations
References
Interviews
Index
Introduction: Challenges of Installation Art
On Changes and Challenges
Installation Art and the Museum
Decisions and Discussions
Doing Artworks
Outline of the Book
1. Key Concepts and Developments in Conservation Theory and Practice
Introduction
The Emergence of Conservation as a Profession
Authenticity and Artist’s Intent: Key Concepts and Stumbling Blocks
Conclusion
2. From Singularity to Multiplicity: Authenticity in Practice
2.1 Introduction
2.2 More than One One Candle?
2.3 Authenticity as a Matter of Perspective
2.4 From Perspectives to Practices
2.5 One Candle as Singular
2.6 Disruptions and Dispersion
2.7 External Multiple One Candles
2.8 One Candle: More than One, Less than Many
3. From Intention to Interaction: Artist’s Intention Reconsidered
3.1 Introduction
3.2 Problems of Reinstallation: Artist’s Intent in Practice
3.3 By Means of Measuring: A Stretch Museum Scale 1:1
3.4 Never Stop Starting: ensemble autor de mur
3.5 Conclusion: Multiple Practices
4. From Object to Collective, from Artists to Actants: Ownership Reframed
4.1 Introduction
4.2 The Emergence of No Ghost Just a Shell
4.3 Searching for New Concepts
4.4 Acquiring No Ghost Just a Shell: From Artists to Museum
4.5 A New Artwork: Travelling Pod
4.6 The Museum System
4.7 ‘What Exactly Have We Acquired?’
4.8 Another No Ghost Just a Shell
4.9 By Way of Conclusion
Conclusion: Challenges and Potentialities of Installation Art
On Challenges and Potentialities
Foregrounding Practices
New Vistas
List of Illustrations
References
Interviews
Index
Recenzii
“Installation Art and the Museum will become essential reading for scholars and professionals who work in the art world, along with anyone with serious interest in contemporary art and its display.”