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Intercultural Communication and Creative Practice: Music, Dance, and Women's Cultural Identity

Autor Laura Lengel
en Limba Engleză Hardback – 29 sep 2004 – vârsta până la 17 ani
Lengel takes the reader on a journey from India and Romania, where women preserve cultural rituals through mourning songs, to South Africa, where the body is a site of struggle for meaning and power in contemporary dance. This volume examines the interrelationship of cultural and national identity, ethnicity, gender, performance, and lived experience. It offers an understanding of how music and dance function within the lives of its performers and audiences, and how they embody meaning, carry social value, and act as a vehicle for intercultural communication.This book analyzes the communicative impact of women's cultural products and creative practice and creates links across disciplines such as communication, cultural studies, and performance studies. Contributors have lived, researched, and performed in the United States, Australia, Belize, Barbados, Canada, China, England, India, the Pacific, Romania, and Yemen. Their chapters address women's creative performance as a means of political and ideological expression.
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Specificații

ISBN-13: 9780275982409
ISBN-10: 0275982408
Pagini: 312
Dimensiuni: 156 x 235 x 30 mm
Greutate: 0.6 kg
Editura: Bloomsbury Publishing
Colecția Praeger
Locul publicării:New York, United States

Notă biografică

LAURA LENGEL is Associate Professor, School of Communication Studies, Bowling Green State University. She began researching women and performance as a Fulbright Scholar in Tunisia. She is also the author of Culture and Technology in the New Europe (Ablex, 2000).

Cuprins

Intercultural Communication and Creative Practice: Dance, Music and Women's Cultural Identity by Laura LengelPreface by LengelIntercultural Communication and Creative Practice by Laura LengelVoicing the Unspoken: 'Interculturally' Connecting Race, Gender and Nation in Women's Creative Practice by Lliane LootsMoving Contexts: Dance and Difference in the 21st Century by Ann Cooper AlbrightClaiming the Empire: Women's Marginalization in 19th Century Ballet and Opera by Margaret LindleyDance of the Red Dog: Na Wahine Kumu Hula and Hawai'ian Cultural Identity by Fay Yokomizo AkindesThe Feminist vs. the Dancing Girl: The Devadasis, the Indian Women's Movement and a Lost Opportunity by Teresa HubelCorporeality and Discipline of the Performing Body: Women, Representation, and International Ballet Companies by Ginger Bihn and Paige P. EdleyVietnamese Women Performing Artists: Making a Song and Dance Out of Patriarchal Submission by Ly Hoang NguyenRudaali (The Crier): Performing the Music of Mourning by Priya KapoorRomanian Dirge: Women's Ritualistic Narratives of Life and Death as Cultural Construction of Identity in Southeastern Europe by Noemi MarinGender, Genre, Race and Identity in Barbadian Female Musicianship by Keri McCleanShifting the Performance Characteristics of Opera and the Status Quo for Women in China by Xiaoyu Xiao and D. Ray HeiseyMarriage Customs as Creative Practice among Yemeni Women by Margaret CurtisWomen's Stages/Women's Management: An International Study by Sharon FoleyShifting Matriarchal Traditions to the Mainstream: Articulating Ethnicity, Gender, Nation and Cultural Identity through Creative Practice by Laura Lengel