Intermedial Theatre: Principles and Practice
Editat de Dr Mark Crossleyen Limba Engleză Paperback – 9 mai 2019
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Specificații
ISBN-13: 9781137611574
ISBN-10: 113761157X
Pagini: 240
Dimensiuni: 148 x 210 x 14 mm
Greutate: 0.27 kg
Ediția:1st ed. 2019
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Locul publicării:London, United Kingdom
ISBN-10: 113761157X
Pagini: 240
Dimensiuni: 148 x 210 x 14 mm
Greutate: 0.27 kg
Ediția:1st ed. 2019
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Locul publicării:London, United Kingdom
Caracteristici
Brings together a range of international contributions, with chapters written by top thinkers and case studies from practitioners working in the field
Notă biografică
Mark Crossley is a Senior Lecturer in Drama and Performing Arts at De Montfort University Leicester, UK. His work on intermediality has been published in a range of journals and he is co-editor for the RiDE (Research in Drama Education) special edition 21.3 entitled 'Responding to Intermediality'.
Cuprins
Introduction; Mark Crossley 1. Theatre (and you) as medium and intermedium; Mark Crossley with contributions from LarsElleström 2. Twenty-First Century Intermediality; Andy Lavender 3. The Performer in Intermedial Theatre; Joanne Scott and Bruce Barton 4. Time in Intermedial Theatre; Joanne Scott 5. Technology and Intermedial Theatre; Rosemary Klich 6. The Audience in Intermedial Theatre; Gareth White 7. Practitioner Case Studies.
Recenzii
Written in a highly engaging and accessible manner, Crossley and his excellent contributors provide robust and multidimensional analytical frameworks alongside vivid descriptions of recent performance work. This work will be of use immediately in today's classrooms, rehearsal rooms, and libraries, and will be a guide for future experimentations in this performance genre for years to come.
There are seismic changes going on in the way we both create and engage with theatre. This excellent collection of writings recognises and discusses these changes in an accessible and engaging manner.
There are seismic changes going on in the way we both create and engage with theatre. This excellent collection of writings recognises and discusses these changes in an accessible and engaging manner.