International Design Organizations: Histories, Legacies, Values
Editat de Jeremy Aynsley, Alison J. Clarke, Tania Messellen Limba Engleză Hardback – 9 feb 2022
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Specificații
ISBN-13: 9781350112513
ISBN-10: 1350112518
Pagini: 352
Ilustrații: 65 bw illus
Dimensiuni: 156 x 234 x 24 mm
Greutate: 1.27 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Locul publicării:London, United Kingdom
ISBN-10: 1350112518
Pagini: 352
Ilustrații: 65 bw illus
Dimensiuni: 156 x 234 x 24 mm
Greutate: 1.27 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Locul publicării:London, United Kingdom
Caracteristici
International
spread
of
contributors
from
Argentina,
Austria,
Belgium,
Colombia,
Estonia,
the
Netherlands,
South
Africa,
Switzerland,
Turkey,
the
UK
and
the
USA
Notă biografică
Jeremy
Aynsleyis
Professor
of
Design
History
and
founding
Director
of
the
Centre
for
Design
History
at
the
University
of
Brighton,
UK.Alison
J.
Clarkeis
Professor
of
Design
History
and
Theory
and
founding
Director
of
the
Papanek
Foundation
at
the
University
of
Applied
Arts
Vienna,
Austria.Tania
Messellis
Researcher
in
Design
History
at
the
University
of
Applied
Sciences
and
Arts
Northwestern
Switzerland
(FHNW)
in
Basel,
Switzerland.
Cuprins
List
of
FiguresList
of
TablesList
of
ContributorsPrefaceIntroduction,Jeremy
Aynsley
(University
of
Brighton,
UK),
Alison
J.
Clarke
(University
of
Applied
Arts
Vienna,
Austria)
and
Tania
Messell
(University
of
Applied
Sciences
and
Arts
Northwestern
Switzerland)Part
One:
Professions
-
Rules
-
Institutions
-
Personalities1.
Professional
Graphic
Design
and
Cold
War
Politics:
National
and
Transnational
Design
Organizations,Dora
Souza
Dias
(Brunel
University,
UK)2.
One
Step
before
Organizations:
Networks,
Actors
and
Trajectories
in
Argentine
Design
(1938-1962),Verónica
Devalle
(University
of
Buenos
Aires,
Argentina)3.
International
Design
Organizations
and
Emigré
Identity:
Peter
Muller-Munk
and
American
Representation
in
ICSID,
1950-1967,Tania
Messell
(University
of
Applied
Sciences
and
Arts
Northwestern
Switzerland)4.
International
Design
Organizations
as
Global
Design
Advocates:
Romance,
Reality
and
Relevance?Jonathan
M.
Woodham
(University
of
Brighton,
UK)Part
Two:
National
-
International
-
Transnational5.
Becoming
the
International
Design
Conference
in
Aspen,Robert
Gordon-Fogelson
(University
of
Southern
California,
USA)6.
ALADI,
a
Latin
American
Voice
of
Design,Juan
Buitrago
(University
of
the
Valley,
Colombia)7.
Internationalizing
Japanese
Graphic
Design:
From
the
Pre-War
Period
to
Today,Yasuko
Suga-Ida
(Tsuda
University,
Japan)8.
Shaping
National
and
International
Design
Policies:
the
Transnational
Trajectory
of
the
Belgian
Policymaker
Josine
des
Cressonnières
(1926-1985),Katarina
Serulus
(KU
Leuven,
Belgium)Part
Three:
Design
Definitions
-
Epistemologies
-
Differences9.
Negotiating
Graphic
Design
between
National
and
International
Design
Organizations:
the
Case
of
the
Associazione
per
il
Design
Industriale
in
Milan,Chiara
Barbieri
(ECAL,
Switzerland)10.
Tööstuskunsti
Komitee:
a
Case
Study
of
an
Invisible
Design
Organization
in
Soviet
Estonia,Tr'in
Jerlei
(Estonian
Academy
of
Arts,
Estonia)11.
Design
for
Development,
ICSID
and
UNIDO:
the
Anthropological
Turn
in
1970s
Design,Alison
J.
Clarke
(University
of
Applied
Arts
Vienna,
Austria)12.
No
"Good
Design"
Would
Come
of
It:
The
International
Design
Conference
in
Aspen,
1977-2004,Penelope
Dean
(University
of
Illinois
at
Chicago,
USA)13.
XIN,
A
Message
with
Strategic
Vision
-
An
Analysis
of
the
Meaning
of
the
2009
Icograda
Bei-jing
Congress,Yun
Wang
(China
Design
Museum,
Republic
of
China)Select
Bibliography
Recenzii
International,
regional
and
national
organizations
have
been
essential
in
negotiating
the
political,
economic
and
social
standings
and
functions
of
the
design
professions
since
the
mid-twentieth
century.
This
volume
brings
together
an
impressive
array
of
new
research
on
these
networks
and
their
role
in
the
consolidation
of
the
culture
and
practice
of
design
as
we
know
it
today.
In the past 80 years, international organizations have greatly shaped discourse and practice in industrial and graphic design.International Design Organizationsprovides a refreshingly diverse array of critical perspectives into the designers' interactions with and through international organizations, with a focus on lived experience and the political ramifications of the ideal of the 'international', within design communities. Chapters clearly demonstrate how international design organizations are constituted both by regional and local ways of working brought into dialogue and by an often-illusory proposal for 'universal' design approaches, values or standards, showing how the resulting communities of practitioners, researchers and educators both link design culture across geographical and cultural divides and reflect deeper political inequalities between continents and nations.
This new edited volume presents pioneering research in predominantly postwar design histories and successfully applies network research methods onto yet unexplored design history material. Thirteen essays analyse histories of institutions transnationally and reveal the complex functioning of design institutions and their contributions to the narrative of design history as a whole. This fascinating and engaging book will captivate its readers but should also become a useful teaching tool for understanding this net of stories and histories.
An invaluable retrospective for students of design management and design history and a rare treat for graphic design students, tracing the historical underpinning of paradigm shifts that have informed a century of design. This volume provides a unique insight and perspective on the evolution and impact of key international design organizations and influential personalities instrumental in shaping the international discourse on design. This is a timely reminder of the importance of international collaboration in a time of resurgent nationalism.
In the past 80 years, international organizations have greatly shaped discourse and practice in industrial and graphic design.International Design Organizationsprovides a refreshingly diverse array of critical perspectives into the designers' interactions with and through international organizations, with a focus on lived experience and the political ramifications of the ideal of the 'international', within design communities. Chapters clearly demonstrate how international design organizations are constituted both by regional and local ways of working brought into dialogue and by an often-illusory proposal for 'universal' design approaches, values or standards, showing how the resulting communities of practitioners, researchers and educators both link design culture across geographical and cultural divides and reflect deeper political inequalities between continents and nations.
This new edited volume presents pioneering research in predominantly postwar design histories and successfully applies network research methods onto yet unexplored design history material. Thirteen essays analyse histories of institutions transnationally and reveal the complex functioning of design institutions and their contributions to the narrative of design history as a whole. This fascinating and engaging book will captivate its readers but should also become a useful teaching tool for understanding this net of stories and histories.
An invaluable retrospective for students of design management and design history and a rare treat for graphic design students, tracing the historical underpinning of paradigm shifts that have informed a century of design. This volume provides a unique insight and perspective on the evolution and impact of key international design organizations and influential personalities instrumental in shaping the international discourse on design. This is a timely reminder of the importance of international collaboration in a time of resurgent nationalism.