Contents: J.R.J. van Asperen de Boer, Laudatio Molly Faries; Julien Chapuis, Introduction: Engaging Tradition in Fifteenth-Century Art; Victor Schmidt, Johan Maelwael and the Beginnings of Netherlandish Canvas Painting; Timothy Husband, The Pictorial Intelligence in the Belles Heures of Jean de France, Duke of Berry; Carol Purtle, Intention and Invention in Jan van Eycks Panel of Saint Barbara; Alfred Acres, Posing Intentions in Renaissance Painting; Catherine Metzger and Michael Palmer, The Creative Process in Rogier van der Weyden's Portraits; Till-Holger Borchert, Hans Memling and Early Netherlandish Painting; Maryan Ainsworth, Juan de Flandes, Chameleon Painter; Anne van Buren, Van Lathems Costumes; Larry Silver, Translating Durer into Dutch; Walter Gibson, An Infernal Invention: Boschs Tree-Man; Corine Schleif and Volker Schier, Puzzles on and beneath the Surface: Matching Technical Discoveries with Historical Narratives, the Case of Changed Subjectivity in the Imhoff Epitaph; Martha Wolff, Observations on Underdrawings in the Paintings of the Master of Moulins; Philippe Lorentz, The Painters Role in the Conception of Sculpture: Jean Hey and the Statues from Chantelle; Jeffrey Chipps Smith, Master H. L. and the Challenge of Translating Invention in Different Media; Matt Kavaler, Jacques Dubroeucq and Northern Perspectives on the Antique Mode; Bibliography of Molly Faries.