Jack Spencer alters the surfaces of his photographs with techniques suggestive of painting - rich patinas and luminous colours, softly-focused or veiled forms, and traces of the artist's hand: imperfections, marks, and painterly textures. This exhibition catalogue consists of an essay by Susan Edwards and 70 full-page colour plates that exemplify the relationship between these compelling surfaces and Spencer's interest in myth, mystery, and the ephemeral nature of existence.