Jean-Luc Godard: The Permanent Revolutionary: Wisconsin Film Studies
Autor Bert Rebhandl Traducere de Edward Maltbyen Limba Engleză Hardback – 16 mai 2023
Rebhandl skillfully weaves together biographical details; information about the cultural, intellectual, and cinematic milieu over the decades; and descriptions of Godard’s most significant films to support his assertion that the director was a permanent revolutionary—always seeking new ways to create, understand, and comment on film within a larger context. He views Godard as an artist consistently true to himself while never ceasing to change and evolve, often in unexpected, radical, and controversial ways.
Rebhandl is known as a journalist with deep insights and lucid prose. Despite the wealth of material to analyze, he neither gets lost in the details nor offers a superficial gloss, even while directly tackling such topics as the long-standing charges of antisemitism against Godard and his oeuvre. This volume will be welcome to both casual fans and dedicated devotees.
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Specificații
ISBN-13: 9780299341800
ISBN-10: 0299341801
Pagini: 240
Ilustrații: 6 b-w photos
Dimensiuni: 152 x 229 x 13 mm
Greutate: 0.51 kg
Ediția:First Edition
Editura: University of Wisconsin Press
Colecția University of Wisconsin Press
Seria Wisconsin Film Studies
ISBN-10: 0299341801
Pagini: 240
Ilustrații: 6 b-w photos
Dimensiuni: 152 x 229 x 13 mm
Greutate: 0.51 kg
Ediția:First Edition
Editura: University of Wisconsin Press
Colecția University of Wisconsin Press
Seria Wisconsin Film Studies
Recenzii
“A wonderfully fact-filled new biography of Godard. . . . You immediately want to watch the best of his films again as you read Rebhandl’s confidently narrated book about the filmmaker, which analyzes with genteel restraint.”—Der Spiegel
“Rebhandl has undoubtedly hit it big here.”—Walter Gasperi, Die Furche
“A wonderful, dense tapestry of cinematic knowledge, not without a pattern of personal enthusiasm, which lets one walk reasonably safely into the workrooms of a guy who doesn’t exactly welcome guests with open arms.”—Georg Seeßlen, epd Film
“Rebhandl’s lucidly written monograph offers a perfect introduction to Godard’s complex intellectual and cinematic world.”—Stefan Grissemann, Profil
“Rebhandl’s treatise lends itself to introductory reading, but also provides enough page-turners for Godard connoisseurs. . . . No small feat.”—Andreas Busche, Tagesspiegel
“Rebhandl’s thorough but compact account is helpful in figuring out an artist who was complex and, in later years, often elusive in his recorded utterances.”—Library Journal
“[A] comprehensive and seminal biography.”—Midwest Book Review
“Rebhandl has undoubtedly hit it big here.”—Walter Gasperi, Die Furche
“A wonderful, dense tapestry of cinematic knowledge, not without a pattern of personal enthusiasm, which lets one walk reasonably safely into the workrooms of a guy who doesn’t exactly welcome guests with open arms.”—Georg Seeßlen, epd Film
“Rebhandl’s lucidly written monograph offers a perfect introduction to Godard’s complex intellectual and cinematic world.”—Stefan Grissemann, Profil
“Rebhandl’s treatise lends itself to introductory reading, but also provides enough page-turners for Godard connoisseurs. . . . No small feat.”—Andreas Busche, Tagesspiegel
“Rebhandl’s thorough but compact account is helpful in figuring out an artist who was complex and, in later years, often elusive in his recorded utterances.”—Library Journal
“[A] comprehensive and seminal biography.”—Midwest Book Review
Notă biografică
Bert Rebhandl is a freelance journalist whose writings have appeared in such venues as Frankfurter Allgemeine and tipBerlin. He is the author of several previous books written in German.
Edward Maltby is a UK-based translator. He holds a degree in modern and medieval languages from Cambridge University.
Edward Maltby is a UK-based translator. He holds a degree in modern and medieval languages from Cambridge University.
Cuprins
List of Illustrations
Preface
Introduction
1 Modern Times: 1950 to 1959
2 Pop Art: 1959 to 1967
3 Revolutionary Cinema: 1967 to 1972
4 Video, Ergo Sum: 1973 to 1980
5 The Idiot of Cinema: 1980 to 1996
6 The Partisan of Images: 1997 to 2020
7 The Joy of Learning
Notes
Bibliography
Filmography
Chronology
Index
Preface
Introduction
1 Modern Times: 1950 to 1959
2 Pop Art: 1959 to 1967
3 Revolutionary Cinema: 1967 to 1972
4 Video, Ergo Sum: 1973 to 1980
5 The Idiot of Cinema: 1980 to 1996
6 The Partisan of Images: 1997 to 2020
7 The Joy of Learning
Notes
Bibliography
Filmography
Chronology
Index