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John Golding

Autor Charlotte De Mille
en Limba Engleză Paperback – 30 ian 2024
JohnGolding:FindingtheAbsolute,focusingonGolding'sabstractpaintingsfromthe1960s,offersauniqueopportunitytoappreciateGoldingattheoutsetofhislifelongpursuittorealizetheever-elusivepromiseoftheabsolutethroughabstraction.Theseworks,mostofwhichhavenotbeenseenfornearlyhalfacentury,aredynamic,youthful,brimmingwiththeinfluencesofthegreatexponentsofabstraction-Mondrian,Malevich,Pollock,Newman-andpalpablycreatedthroughtheartisticlanguageofthe1960s,thedecadeofswingingPopandartisticrevolution.FirstpublishedtoaccompanyPianoNobile'sexhibition,JohnGolding:FindingtheAbsolute,whichraninconjunctionwiththeKingsPlacemusicprogramfocusingonMinimalistmusic,curatorandauthorDrCharlottedeMilleaddressestheoverlapsbetweenmusicandartinGolding'searlyworks.JohnGolding'spaintingsfromthemid1960sfocusonquestionsofform,scaleandmateriality-theworksgroupedinthisexhibitioncanbeconsideredasrepetitionsonathemeasshapesrecurindifferentcolorsandcontexts.Theseaestheticresonanceswithsubtledifferentiationsorchestratearhythmicdynamismincomposition,andacrossthespaceoftheexhibitionasawhole.Evidentinthecorrespondingmusicprogram,Minimalistcompositionsoriginatefromsimilarconcernswiththemeandvariation,theprocessesandlanguageofcomposingthroughsubtlevariationinrepeatedmotifs,micro-tonalities,andalmosthypnoticevocationsoftimeandspace.Golding'spaintingssharetheexcitementofinnovationandexplorationofthemid1960sbornofacommonhistoricalcontextinwhichmodesofexpressionwerereinvented.
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Specificații

ISBN-13: 9781901192384
ISBN-10: 1901192385
Pagini: 36
Editura: PIANO NOBILE

Notă biografică

Charlotte curates the music programme for The Courtauld Gallery, where she works for the education department.Charlotte curates the music programme for The Courtauld Gallery, where she works for the education department.

With them she co-authored 'Animating Art History', a joint initiative with Central St Martin's and the University of the Creative Arts, which was long-listed for a Clore Award in Museum Learning.

Receiving her doctorate from The Courtauld Institute of Art in 2009, she has taught at The Courtauld Institute of Art, and the Universities of Sussex, Bristol, and St Andrews.

She is editor of Music and Modernism (2011), co-editor with John Mullarkey of Bergson and the Art of Immanence (2013), and has contributed to Routledge's Music and Visual Culture: A Research Guide, Modernist Games: Cézanne and The Cardplayers, Understanding Bergson, Understanding Modernism, Gothic and its Legacies, Creative Writing and Art History, and journals Art History and The Burlington Magazine.


She is Honorary Research Associate at The University of Bristol.