Kaleidoscope: F.M. Dostoevsky and the Early Dialectical Theology: Brill's Series in Church History, cartea 61
Autor Katya Tolstayaen Limba Engleză Hardback – 14 feb 2013
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Specificații
ISBN-13: 9789004244580
ISBN-10: 9004244581
Pagini: 371
Dimensiuni: 155 x 235 x 28 mm
Greutate: 0.73 kg
Editura: Brill
Colecția Brill
Seria Brill's Series in Church History
ISBN-10: 9004244581
Pagini: 371
Dimensiuni: 155 x 235 x 28 mm
Greutate: 0.73 kg
Editura: Brill
Colecția Brill
Seria Brill's Series in Church History
Cuprins
LIST OF ABBREVIATIONS
PREFACE
PART I. METHOD
1.THE POLYPHONIC NOVEL
1.1Introduction. ‘The man in man’ and the heart
1.2 Polyphony as genre of Dostoevsky’s novels (Bakhtin)
1.3 The place of the idea in the polyphonic novel
1.4Dialogue within the polyphonic novel as a condition for exposing the truth
1.5 The four entities: living person, author, narrator, hero
1.6 The relation between author, narrator and characters in the polyphonic novel
2.KALEIDOSCOPE
2.1The two types of reader of the polyphonic novel; the life of the text in ‘great time’
2.2The relation between Dostoevsky’s ego documents and the polyphonic novels
PART II. THE ROOTS OF POLYPHONY, OR: ‘HOW DO YOU BELIEVE?’ DOSTOEVSKY’S RELIGIOUS CONCEPTIONS IN THE EGO DOCUMENTS
3.INTRODUCTION
4.THE REBIRTH OF RELIGIOUS CONVICTIONS
4.1Dostoevsky’s youth
4.2The periodization of Dostoevsky’s faith
4.3The meaning of Siberia for the periodization of Dostoevsky´s faith
4.4Doubt and constants of faith. Christ as the truth
5.‘MASHA IS LYING ON THE TABLE’
5.1Introduction. The text
5.2The scientific-ethical problem of the ego documents; the lacunae
5.3Discussion of the text
5.4The form of “the 1864 entry” in relation to other genres
6.‘HOW DO YOU BELIEVE?’ PHILOSOPHICALLY
6.1Introduction. ‘A philosophical deist’
6.2Dostoevsky and Kant
7.‘HOW DO YOU BELIEVE?’ THEOLOGICALLY
7.1Introduction
7.2The conception of God in connection with Christology and ethics
7.3Christ as God and man in Dostoevsky’s conception
7.4The body of Christ in the grave, resurrection, and salvation
7.5Transfiguration into the ‘I of Christ’ in relation to the thought of A.S. Khomyakov
7.6Transfiguration into the ‘I of Christ’ in relation to the doctrine of theosis and the doctrine of the pervasion of creation by divine energies
7.7Dostoevsky’s ego documents in the light of theosis and the unity of creation
7.8The ethics of neighbourly love and the immortality of the soul
7.9Neighbourly love and the coincidence of God and immortality in ‘Unfounded Assertions’, the correspondence with A. Kovner and N. Ozmidov. The hidden personal message
7.10Realism and the hidden message
7.11Dostoevsky’s ideology
7.12 General and contemporary history in an eschatological perspective in ‘Socialism and Christianity’
7.13 Dostoevsky’s chiliasm
7.14The ‘apocalyptic’ and the ‘rose-coloured’ Christianity of Dostoevsky
7.15Belief in literal resurrection from the dead. Dostoevsky and N. F. Fedorov
7.16Freedom in the light of sin
8.CONCLUSION
PART III. DOSTOEVSKY AND EARLY DIALECTICAL THEOLOGY
9.INTRODUCTION TO THE THEME “DOSTOEVSKY AND EARLY DIALECTICAL THEOLOGY”
9.1 Introduction
9.2State of research
9.3Dostoevsky reception and translations in the German-speaking world
10. DOSTOEVSKY IN THE CORRESPONDENCE BETWEEN BARTH AND THURNEYSEN
10.1The character of the correspondence
10.2Crime and Punishment in 1915 and Barth’s interest in Dostoevsky in 1919-1920
10.3Thurneysen as Dostoevsky expert
10.4Conclusion
11. THURNEYSEN’S DOSTOJEWSKI
11.1„Was ist das: der Mensch?“ and other central themes in Thurneysen’s Dostojewski
11.2 Demarcations
11.3 Rodion Raskolnikoff
11.4 The Brothers Karamazov
11.5 The Idiot
11.6 Part three of Dostojewski
11.7Eschatology and the drunkard Marmeladov
11.8Attack on religion and the Church in the ‘poem’ about the Grand Inquisitor
11.9Ivan Karamazov
11.10A ‘dialectical turn’ in Ivan’s speech: his atheism
11.11The Creed of Ivan Karamazov
11.12‘Ivan Karamazov is the Grand Inquisitor’ and therefore the devil
11.13A kaleidoscopic twist. Thurneysen’s view of love in the teaching of Starets Zosima
11.14Thurneysen’s view of the soteriology of Starets Zosima
11.15Active love in the doctrine of Starets Zosima
11.16Conclusion in the light of the reception of Thurneysen’s Dostojewski
12. DOSTOEVSKY IN RÖMERBRIEF II EXPLAINED IN THE LIGHT OF THE BRIEFWECHSEL AND THURNEYSEN’S COMMENTARIES
12.1 Introduction
12.2 The cooling of Barth’s and Thurneysen’s interest in Dostoevsky
12.3 By Thurneysen?
12.4 ‘I have read your proofs’
12.5 Ivan Karamazov in Barth’s commentary on Rom. 8:17 and 18 and in Thurneysen’s remark on Rom. 8:18
12.6 Theodicy in Rom. 5:3-5
12.7 The polyphony of The Brothers Karamazov in the context of Römerbrief II: Zosima
12.8 The Grand Inquisitor in Römerbrief II
12.9 Römerbrief II and Marmeladov
12.10 Existential attitude in Römerbrief II
12.11 ‘God’s viewpoint’
12.12 The problems of early dialectical theology in present-day Barth studies
12.13 In conclusion
ARCHIVE MATERIAL
BIBLIOGRAPHY
INDEX
PREFACE
PART I. METHOD
1.THE POLYPHONIC NOVEL
1.1Introduction. ‘The man in man’ and the heart
1.2 Polyphony as genre of Dostoevsky’s novels (Bakhtin)
1.3 The place of the idea in the polyphonic novel
1.4Dialogue within the polyphonic novel as a condition for exposing the truth
1.5 The four entities: living person, author, narrator, hero
1.6 The relation between author, narrator and characters in the polyphonic novel
2.KALEIDOSCOPE
2.1The two types of reader of the polyphonic novel; the life of the text in ‘great time’
2.2The relation between Dostoevsky’s ego documents and the polyphonic novels
PART II. THE ROOTS OF POLYPHONY, OR: ‘HOW DO YOU BELIEVE?’ DOSTOEVSKY’S RELIGIOUS CONCEPTIONS IN THE EGO DOCUMENTS
3.INTRODUCTION
4.THE REBIRTH OF RELIGIOUS CONVICTIONS
4.1Dostoevsky’s youth
4.2The periodization of Dostoevsky’s faith
4.3The meaning of Siberia for the periodization of Dostoevsky´s faith
4.4Doubt and constants of faith. Christ as the truth
5.‘MASHA IS LYING ON THE TABLE’
5.1Introduction. The text
5.2The scientific-ethical problem of the ego documents; the lacunae
5.3Discussion of the text
5.4The form of “the 1864 entry” in relation to other genres
6.‘HOW DO YOU BELIEVE?’ PHILOSOPHICALLY
6.1Introduction. ‘A philosophical deist’
6.2Dostoevsky and Kant
7.‘HOW DO YOU BELIEVE?’ THEOLOGICALLY
7.1Introduction
7.2The conception of God in connection with Christology and ethics
7.3Christ as God and man in Dostoevsky’s conception
7.4The body of Christ in the grave, resurrection, and salvation
7.5Transfiguration into the ‘I of Christ’ in relation to the thought of A.S. Khomyakov
7.6Transfiguration into the ‘I of Christ’ in relation to the doctrine of theosis and the doctrine of the pervasion of creation by divine energies
7.7Dostoevsky’s ego documents in the light of theosis and the unity of creation
7.8The ethics of neighbourly love and the immortality of the soul
7.9Neighbourly love and the coincidence of God and immortality in ‘Unfounded Assertions’, the correspondence with A. Kovner and N. Ozmidov. The hidden personal message
7.10Realism and the hidden message
7.11Dostoevsky’s ideology
7.12 General and contemporary history in an eschatological perspective in ‘Socialism and Christianity’
7.13 Dostoevsky’s chiliasm
7.14The ‘apocalyptic’ and the ‘rose-coloured’ Christianity of Dostoevsky
7.15Belief in literal resurrection from the dead. Dostoevsky and N. F. Fedorov
7.16Freedom in the light of sin
8.CONCLUSION
PART III. DOSTOEVSKY AND EARLY DIALECTICAL THEOLOGY
9.INTRODUCTION TO THE THEME “DOSTOEVSKY AND EARLY DIALECTICAL THEOLOGY”
9.1 Introduction
9.2State of research
9.3Dostoevsky reception and translations in the German-speaking world
10. DOSTOEVSKY IN THE CORRESPONDENCE BETWEEN BARTH AND THURNEYSEN
10.1The character of the correspondence
10.2Crime and Punishment in 1915 and Barth’s interest in Dostoevsky in 1919-1920
10.3Thurneysen as Dostoevsky expert
10.4Conclusion
11. THURNEYSEN’S DOSTOJEWSKI
11.1„Was ist das: der Mensch?“ and other central themes in Thurneysen’s Dostojewski
11.2 Demarcations
11.3 Rodion Raskolnikoff
11.4 The Brothers Karamazov
11.5 The Idiot
11.6 Part three of Dostojewski
11.7Eschatology and the drunkard Marmeladov
11.8Attack on religion and the Church in the ‘poem’ about the Grand Inquisitor
11.9Ivan Karamazov
11.10A ‘dialectical turn’ in Ivan’s speech: his atheism
11.11The Creed of Ivan Karamazov
11.12‘Ivan Karamazov is the Grand Inquisitor’ and therefore the devil
11.13A kaleidoscopic twist. Thurneysen’s view of love in the teaching of Starets Zosima
11.14Thurneysen’s view of the soteriology of Starets Zosima
11.15Active love in the doctrine of Starets Zosima
11.16Conclusion in the light of the reception of Thurneysen’s Dostojewski
12. DOSTOEVSKY IN RÖMERBRIEF II EXPLAINED IN THE LIGHT OF THE BRIEFWECHSEL AND THURNEYSEN’S COMMENTARIES
12.1 Introduction
12.2 The cooling of Barth’s and Thurneysen’s interest in Dostoevsky
12.3 By Thurneysen?
12.4 ‘I have read your proofs’
12.5 Ivan Karamazov in Barth’s commentary on Rom. 8:17 and 18 and in Thurneysen’s remark on Rom. 8:18
12.6 Theodicy in Rom. 5:3-5
12.7 The polyphony of The Brothers Karamazov in the context of Römerbrief II: Zosima
12.8 The Grand Inquisitor in Römerbrief II
12.9 Römerbrief II and Marmeladov
12.10 Existential attitude in Römerbrief II
12.11 ‘God’s viewpoint’
12.12 The problems of early dialectical theology in present-day Barth studies
12.13 In conclusion
ARCHIVE MATERIAL
BIBLIOGRAPHY
INDEX
Recenzii
"In many ways Kaleidoscope is the first and certainly the most extensive work dedicated to the topic of Dostoevsky and early dialectical theology. [...] Kaleidoscope marks an important step forward in the complex relationship between Dostoevsky and early dialectical theology."
- David Tew, in: Anglican Theological Review 98.2
"Tolstaya’s book serves as an invaluable reminder of the need to read Dostoevsky through the kaleidoscope of his worldviews and not simply
to overlay his texts with our own views."
- Michael R. Kelly, Brigham Young University, in: The Russian Review Volume 71, Issue 1 (2017).
- David Tew, in: Anglican Theological Review 98.2
"Tolstaya’s book serves as an invaluable reminder of the need to read Dostoevsky through the kaleidoscope of his worldviews and not simply
to overlay his texts with our own views."
- Michael R. Kelly, Brigham Young University, in: The Russian Review Volume 71, Issue 1 (2017).
Notă biografică
Katya Tolstaya, Ph.D. (2006), Faculty of Theology, VU University, Amsterdam, is Director of the Institute For Academic Study of Eastern Christianity (INaSEC) and Assistant Professor of Dogmatics and Ecumenics . She publishes on Western systematic theology, Eastern Orthodoxy, literature, and hermeneutics.