Keeping Their Marbles: How the Treasures of the Past Ended Up in Museums - And Why They Should Stay There
Autor Tiffany Jenkinsen Limba Engleză Paperback – 8 feb 2018
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Specificații
ISBN-13: 9780198817185
ISBN-10: 0198817185
Pagini: 384
Ilustrații: 17 black & white illustrations
Dimensiuni: 138 x 215 x 20 mm
Greutate: 0.54 kg
Editura: OUP OXFORD
Colecția OUP Oxford
Locul publicării:Oxford, United Kingdom
ISBN-10: 0198817185
Pagini: 384
Ilustrații: 17 black & white illustrations
Dimensiuni: 138 x 215 x 20 mm
Greutate: 0.54 kg
Editura: OUP OXFORD
Colecția OUP Oxford
Locul publicării:Oxford, United Kingdom
Recenzii
Excellent.
Full of fascinating material.
5 stars: From Greece's Elgin Marbles to Nigeria's Benin Bronzes, archaeological finds from around the world are held by the West's top museums. This is the story of their often bloody acquisitions - and a well argued case for keeping them there.
Books of the year 2016
Ms. Jenkins has produced a courageous and well-argued book; the howls you hear in the background are those of the contrition crowd.
Brilliant and fascinating
The dubious means by which museum collections were gathered has fuelled the demands for treasures to be repatriated. Surely they ought to be returned? No, says Tiffany Jenkins, a culture writer, and she marshals a powerful case.
This book is both a lucid account of how the great world museums came by their treasures and a robust argument as to why (human remains such as bones aside) they should keep them.
An outstanding achievement, clear-headed, wide-ranging and incisive.
Tiffany Jenkins applies her considerable experience of cultural policy to construct an excellent survey ... Her level-headed and balanced book ... is a valuable contribution to the international debate, and will enrich audiences and scholars for a long time to come.
[Jenkins] has much of interest to say about the development of museums and their changing ideology.
a potted but vivid history
[An] eloquent defence of museums ... The arguments in this book are well-considered and not just one-sided ... A well-researched and thought-provoking take on a very complex and controversial subject. Using an array of captivating examples, the book addresses a range of broader heritage issues such as treatment of human remains, the role of museums today and how to protect the past.
Jenkins does an excellent job of portraying the extreme reactions elicited by repatriation conversations.
clear, informed and well-referenced ... Specialists, and anyone with an interest in contemporary culture, can equally enjoy and learn from this calm, balanced and respectful review, in a field distinguished more by polemic than wisdom.
Jenkin's book provides a welcome introduction to some of the questions facing museums today.
[Jenkins] elegantly lines up the arguments and provides careful, balanced and well-considered responses.
Jenkins skilfully critiques the manifold issues that beleaguer museums today.
Anyone who thinks that issues of cultural property and "repatriation" are simple should read this book. Jenkins elegantly explores the complexity of individual cases such as the Elgin Marbles and of the big overarching question: who owns culture?
The question of how best to protect the world's cultural heritage, and what role museums, nations states, and international bodies play in doing so, or in not doing so, is a vexed one. And in the time of IS, it is an urgent one. Tiffany Jenkins sets out a clear, compelling, and at times controversial case for, and sometimes against, museums as repositories and interpreters of the past in a time of nation building. She argues that we are asking too much of our museums, that we want them to serve narrow ideological purposes of cultural and political identity. There is much to agree with in this argument, and of course, much with which to disagree. That's what makes this book a must-read.
Full of fascinating material.
5 stars: From Greece's Elgin Marbles to Nigeria's Benin Bronzes, archaeological finds from around the world are held by the West's top museums. This is the story of their often bloody acquisitions - and a well argued case for keeping them there.
Books of the year 2016
Ms. Jenkins has produced a courageous and well-argued book; the howls you hear in the background are those of the contrition crowd.
Brilliant and fascinating
The dubious means by which museum collections were gathered has fuelled the demands for treasures to be repatriated. Surely they ought to be returned? No, says Tiffany Jenkins, a culture writer, and she marshals a powerful case.
This book is both a lucid account of how the great world museums came by their treasures and a robust argument as to why (human remains such as bones aside) they should keep them.
An outstanding achievement, clear-headed, wide-ranging and incisive.
Tiffany Jenkins applies her considerable experience of cultural policy to construct an excellent survey ... Her level-headed and balanced book ... is a valuable contribution to the international debate, and will enrich audiences and scholars for a long time to come.
[Jenkins] has much of interest to say about the development of museums and their changing ideology.
a potted but vivid history
[An] eloquent defence of museums ... The arguments in this book are well-considered and not just one-sided ... A well-researched and thought-provoking take on a very complex and controversial subject. Using an array of captivating examples, the book addresses a range of broader heritage issues such as treatment of human remains, the role of museums today and how to protect the past.
Jenkins does an excellent job of portraying the extreme reactions elicited by repatriation conversations.
clear, informed and well-referenced ... Specialists, and anyone with an interest in contemporary culture, can equally enjoy and learn from this calm, balanced and respectful review, in a field distinguished more by polemic than wisdom.
Jenkin's book provides a welcome introduction to some of the questions facing museums today.
[Jenkins] elegantly lines up the arguments and provides careful, balanced and well-considered responses.
Jenkins skilfully critiques the manifold issues that beleaguer museums today.
Anyone who thinks that issues of cultural property and "repatriation" are simple should read this book. Jenkins elegantly explores the complexity of individual cases such as the Elgin Marbles and of the big overarching question: who owns culture?
The question of how best to protect the world's cultural heritage, and what role museums, nations states, and international bodies play in doing so, or in not doing so, is a vexed one. And in the time of IS, it is an urgent one. Tiffany Jenkins sets out a clear, compelling, and at times controversial case for, and sometimes against, museums as repositories and interpreters of the past in a time of nation building. She argues that we are asking too much of our museums, that we want them to serve narrow ideological purposes of cultural and political identity. There is much to agree with in this argument, and of course, much with which to disagree. That's what makes this book a must-read.
Notă biografică
Tiffany Jenkins is an author, academic, broadcaster, and consultant on cultural policy. Her writing credits include the Independent, the Art Newspaper, the Guardian, the Scotsman (for which she was a weekly columnist on social and cultural issues) and the Spectator. She is an Honorary Fellow in Department of Art History at the University of Edinburgh; a former visiting fellow in the Department of Law at the London School of Economics and was previously the director of the Arts and Society Programme at the Institute of Ideas. She competed her PhD in Sociology at the University of Kent and divides her time between London and Edinburgh.She has advised a number of organisations on cultural policy, including Trinity College, Dublin; English Heritage; the British Council; the Norwegian government; the University of Oslo; Norwegian Theatres and Orchestras; and the National Touring Network for Performing Arts, Norway.