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Ken Gonzales-Day - History’s “Nevermade”: History’s “Nevermade”

Editat de Amelia Jones
en Limba Engleză Paperback – 8 aug 2025
Accompanying an exhibition by the same name, this book addresses the life work of Ken Gonzales-Day, a Los Angeles based artist, scholar, teacher, and curator who explores race and place in his photographic and filmic works, drawings, and paintings as well as through his research and putsthe artist’s major series of art works in context. 116 illus.
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Specificații

ISBN-13: 9781835951378
ISBN-10: 1835951376
Pagini: 352
Dimensiuni: 170 x 244 mm
Greutate: 0.45 kg
Editura: Intellect Ltd
Colecția Intellect Ltd

Cuprins

List of Figures
Director’s Foreword
   Bethany Montagano
Acknowledgments
   Amelia Jones
Introduction: Visualizing History’s “Nevermade”
Introduction: Ken Gonzales-Day’s “Nevermade” and the Embodied Reworking of Discourse
   Amelia Jones


Section 1: Finding a Path (Early Work)
Introduction to Section 1
   Amelia Jones
1. Finding a Path: Amelia Jones in Conversation with Ken Gonzales-Day
2. Ken Gonzales-Day Narrative Timeline
   Nadia Estrada and Yumu Huo (with Amelia Jones)


Section 2: Rethinking History (Queering/Decolonizing the Family)
Introduction to Section 2
   Amelia Jones
3. Excerpts from Ramoncita Gonzales [aka Ken Gonzales-Day], The Bone Grass Boy: The Secret Banks of the Conejos River (New York: Charles Scribner’s Sons, 1892/1996)
      Ken Gonzales-Day, “Foreword”
      Kenny Gonzales[aka Ken Gonzales-Day], “Preface”
4. The Archive and the Nevermade: Queer, Trans, and Two-Spirit Histories in Ken Gonzales-Day’s Bone-Grass Boy
   Ren Heintz
 
Section 3: Rethinking History (Archives)
Introduction to Section 3
   Amelia Jones
5. The Space Between: The Lynching Project
   Ken Gonzales-Day
6. Spectacularizing the Sacrifice: Ken Gonzales-Day’s Erased Lynching Series
   Cyrielle Lévêque
7. Searching for a Brown Commons: Racial Affect and Re-Enactment in Ken Gonzales-Day’s Lynching Projects
   Mary Coffey
 
Section 4: Collecting Race (Skin/Museums)
Introduction to Section 4
   Amelia Jones
8. “Race, Whiteness, and Absence in Studio Practice” Ken Gonzales-Day
9. Profiled 
   Ken Gonzales-Day
10. “Different Measures: From Xipe Totec to Facial Recognition to System Overload
   Ken Gonzales-Day
11. Metropolitan Division: Ken Gonzales-Day between the Getty Museum and the LAPD
   Jason Hill
12. The Profiled Series and Hemispheric Racial Formations
   Tatiana Flores


Section 5: Forging Community (Publics)
Introduction to Section 5
   Amelia Jones
13. Bringing Art Out of the Museum
   Ken Gonzales-Day
14. Art as Propaganda: Advertising for Racial Equality in Ken Gonzales-Day’s Public Art
   Ana Briz
15. Stepping into Memory: Ken Gonzales-Day and the Alternative Los Angeles
   Nadia Estrada


Section 6: Imaging Bodies (Portraits)
Introduction to Section 6
   Amelia Jones
16. Queer-ish: Photography and the LGBTQ+ Imaginary
   Ken Gonzales-Day
17. Of Life as a Menace and a Shield: The Memento Mori and Pandemic Portrait Series
   Taína Caragol
18. Ken Gonzales-Day’s Embodied Brown Historicity: Cecilia Fajardo-Hill in with Amelia Jones


Section 7: Redrawing Boundaries (Land)
Introduction to Section 7
   Amelia Jones
19. Another Land / Decolonial Drawings
   Ken Gonzales-Day
20. Engaging an Elder and Tracing the Past: Ken Gonzales-Day and Steve Pratt in Dialogue
 
Contributor Biographies
Index
Ken Gonzales-Day Works