Kenneth Frampton: Conversations with Daniel Talesnik

Kenneth Frampton is Ware Professor Emeritus at Columbia University GSAPP, where he taught from 1972¿2020. He was trained as an architect at the Architectural Association School of Architecture, London and has worked as an architect and as an architectureal historian and critic. In addition to Columbia, Frampton has taught at a number of leading institutions including the Royal College of Art in London, the ETH in Zurich, the Berlage Institute in Amsterdam, EPFL in Lausanne, and the Accademia di Architettura in Mendrisio. Frampton is the author of Modern Architecture and the Critical Present (1980), Studies in Tectonic Culture (1995), American Masterworks (1995), Le Corbusier (2001), Labour, Work & Architecture (2005), A Genealogy of Modern Architecture: Comparative Critical Analysis of Built Form (2015), and L¿ Altro Movimento Moderno (2015), published in English in 2021 as The Other Modern Movement. The expanded fifth edition of Modern Architecture: A Critical History was published in January 2020.

Daniel Talesnik is a teaching associate at the Department of Architecture at Cambridge University. He is an architect from the Universidad Católica de Chile and holds an MSAAD and a PhD in History and Theory of Architecture from Columbia University GSAPP. At the Architekturmuseum der TUM, where he worked between 2017¿2022, he curated Access for All: São Paulös Architectural Infrastructures (2019), and Whös Next? Homelessness, Architecture, and Cities (2021¿2022), and is the co-editor of both exhibition catalogues. He has published numerous essays and book chapters, and is a contributing author and editor of the book, Santiago de Chile 1977¿1990: arquitectura, ciudad y política (2020).

Mary McLeod is a professor of architecture at Columbia University GSAPP, where she teaches architecture history and theory. Her research and publications have focused on the history of the modern movement and on contemporary architecture theory, examining issues concerning the connections between architecture and politics. She is the editor of and contributor to the book Charlotte Perriand: An Art of Living (2003), as well as the co-editor of Architecture, Criticism, Ideology (1985) and the website "Pioneering Women of American Architecture."