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Kevin Schmidt

Contribuţii de Nigel Prince, Charo Neville, Kathleen Ritter
en Limba Engleză Paperback – 24 oct 2016
An interdisciplinary artist working across performance, video, photography and installation who has exhibited widely across North America and Europe, Schmidt is perhaps best known for performance expeditions and interventions into the natural world, which are documented in photographs, installations and videos.

Schmidt addresses the tensions between man and nature, performance and document and indoors and outdoors, combining notions of the heroic with the seemingly amateur by using visible reminders of artistic construction and theatrical devices—smoke machines, stage lights and DIY photographic equipment. Schmidt’s works are often situated in remote locations, where he stages remarkable events that add elements of urban culture to untouched natural contexts, such as Aurora with Roman Candle, which shows him firing roman candles at the aurora borealis, and his eleven-and-a-half hour long Epic Journey, which documents a marathon night-time screening of the Lord of the Rings trilogy in a small boat as it drifted down the Fraser River. In this way, he simultaneously examines both the seductive elements of contemporary cultural production and the constructions that surround the idea of nature.

The first monograph dedicated to Schmidt, this publication features essays by Charo Neville, Kathleen Ritter and an artist interview with Nigel Prince.
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Specificații

ISBN-13: 9781910433768
ISBN-10: 1910433764
Pagini: 160
Dimensiuni: 229 x 279 x 13 mm
Greutate: 1.38 kg
Editura: Black Dog Publishing Limited London
Colecția Black Dog Publishing

Notă biografică

Kevin Schmidt’s interdisciplinary work tries, tests and ultimately celebrates traditional notions of the sublime in the Canadian landscape. Through intervention, performance-for-camera, photography, video and installation he blurs boundaries of performance, document and product. Central to Schmidt’s output are performative expeditions and undertakings in which he pits man-made spectacle—often based on trappings of popular culture, mythology or religion—against Caspar David Friedrich–like visions of nature to play out a humorous, and often absurd, struggle for agency. Schmidt’s 2002 video Long Beach Led Zep brought him to international attention. In it, Schmidt enters the picturesque landscape of Long Beach, BC, starts a generator, dons a guitar, and plays a less than seamless rendition of Led Zeppelin’s Stairway to Heaven; through the work’s duration, Schmidt vies for attention in direct opposition to his environment. Kevin Schmidt holds a BFA from the Emily Carr Institute of Art and Design. He has shown extensively in Canada and abroad, including solo shows at Artspeak, Vancouver’s Contemporary Art Gallery, the Justina M. Barnicke Gallery, Presentation House Gallery, Mercer Union and the Musée d’art contemporain de Montréal.

Since 2011 Nigel Prince is executive director of Vancouver’s Contemporary Art Gallery. His previous collaborations include, curator of the Ikon Gallery in Birmingham (UK), working with the Power Plant in Toronto (Canada), in addition to the Pinakothek der Moderne in Munich (Germany); the Museum Boijmans van Beuningen in Rotterdam (Holland); the Venice Biennale; and the Birmingham Contemporary Music Group. He has launched many Canadian artists on the international scene, including Marcel Dzama, Steven Sherer, and Roy Arden.