Key Concepts in Romantic Literature: Key Concepts: Literature
Autor Jane Moore, John Strachanen Limba Engleză Paperback – 9 sep 2010
Preț: 218.57 lei
Nou
Puncte Express: 328
Preț estimativ în valută:
41.83€ • 43.45$ • 34.75£
41.83€ • 43.45$ • 34.75£
Carte tipărită la comandă
Livrare economică 03-17 februarie 25
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9781403948892
ISBN-10: 1403948895
Pagini: 224
Ilustrații: 14 black & white illustrations
Dimensiuni: 138 x 216 x 20 mm
Greutate: 0.41 kg
Ediția:2010
Editura: Bloomsbury Publishing
Colecția Red Globe Press
Seria Key Concepts: Literature
Locul publicării:London, United Kingdom
ISBN-10: 1403948895
Pagini: 224
Ilustrații: 14 black & white illustrations
Dimensiuni: 138 x 216 x 20 mm
Greutate: 0.41 kg
Ediția:2010
Editura: Bloomsbury Publishing
Colecția Red Globe Press
Seria Key Concepts: Literature
Locul publicării:London, United Kingdom
Caracteristici
Succinct and easily digestible scholarship that explicates key Romantic concepts in a style that is appropriate for both the student as well as the more experienced reader of Romantic Literature
Notă biografică
JANE MOORE is Reader in English Literature and Critical and Cultural Theory at Cardiff University, UK. She is an experienced teacher of Romantic women's writing and Romantic poetry and has published widely in these fields, most particularly, Mary Wollstonecraft (1999) and, more recently, The Satires of Thomas Moore (2003). She is co-editor (with Catherine Belsey) of The Feminist Reader: Essays in Gender and the Politics of Literary Criticism, (2nd Edition, 1997).JOHN STRACHAN is Professor of Romantic Literature at the University of Sunderland, UK. He is the author of Advertising and Satirical Culture in the Romantic Period (2007) and the editor of many editions of Romantic poetry including British Satire 1785-1840 (2003), the Poems of John Keats: A Sourcebook (2003) and Leigh Hunt's Poetical Works (2003). He is Associate Editor for Romanticism for the Oxford Companion to English Literature (7th edition, 2009).
Cuprins
What is Romanticism?' An introductory discussion which clearly addresses the vexed critical question of the nature of Romanticism 'Historical Definitions and Conceptualizations of Romanticism'? Discusses the changing manner in which Romanticism has been understood from the late eighteenth century to the present day 'CONTEXTS: History, Politics, Culture' Detailed and clearly written accounts of the momentous historical, political and social issues and events which shaped the Romantic period from the French Revolution onwards. After an account of British Politics from 1789 to 1832, subsequent chapters here include 'Empire and Travel', 'Feminism and the Position of Women', 'Industry and Economics', 'Ireland and the 'Catholic Question', 'Medicine and Science', 'Religion and Atheism', 'Sexualities' and 'Slavery, Abolition and African-British Literature' 'TEXTS: Themes, Issues, Concepts? This section addresses the key themes of Romantic literature, beginning with an account of the poetry of Wordsworth, Coleridge, Blake, Smith, and Robinson, and a discussion of their successors Byron, Shelley, Keats, Hemans, and Landon. Other chapters include 'Joanna Baillie and Romantic-Era Drama', 'Irish, Scottish and Welsh Poetry', 'Medievalism, the Sublime and the Gothic', 'The Novel' and 'Satire' 'CRITICISM: Approaches, Theory, Practice'? Discusses criticism of the Romantics from the early nineteenth century to the present day. Chapters include 'Contemporary and Victorian Reception', 'TwentiethCentury Criticism from Modernism to the New Criticism', and 'Modern Critical Approaches'. This last section offers a guide to the critical movements which have transformed Romantic studies from the 1980s in accounts of criticism 'From Deconstruction to PostColonial and Psychoanalytical Criticism', 'From Historicism to Ecological Criticism' and 'Gender Criticism'.