Kierkegaard, Literature, and the Arts
Editat de Eric Ziolkowski Contribuţii de Joakim Garff, Peder Jothen, James Roviraen Limba Engleză Hardback – 14 ian 2018
In this volume fifteen eminent scholars illuminate the broad and often underappreciated variety of the nineteenth‑century Danish thinker Søren Kierkegaard’s engagements with literature and the arts.
The essays in Kierkegaard, Literature, and the Arts, contextualized with an insightful introduction by Eric Ziolkowski, explore Kierkegaard’s relationship to literature (poetry, prose, and storytelling), the performing arts (theater, music, opera, and dance), and the visual arts, including film. The collection is rounded out with a comparative section that considers Kierkegaard in juxtaposition with a romantic poet (William Blake), a modern composer (Arnold Schoenberg), and a contemporary singer‑songwriter (Bob Dylan). Kierkegaard was as much an aesthetic thinker as a philosopher, and his philosophical writings are complemented by his literary and music criticism.
Kierkegaard, Literature, and the Arts will offer much of interest to scholars concerned with Kierkegaard as well as teachers, performers, and readers in the various aesthetic fields discussed.
CONTRIBUTORS: Christopher B. Barnett, Martijn Boven, Anne Margrete Fiskvik, Joakim Garff, Ronald M. Green, Peder Jothen, Ragni Linnet, Jamie A. Lorentzen, Edward F. Mooney, George Pattison, Nils Holger Petersen, Howard Pickett, Marcia C. Robinson, James Rovira
The essays in Kierkegaard, Literature, and the Arts, contextualized with an insightful introduction by Eric Ziolkowski, explore Kierkegaard’s relationship to literature (poetry, prose, and storytelling), the performing arts (theater, music, opera, and dance), and the visual arts, including film. The collection is rounded out with a comparative section that considers Kierkegaard in juxtaposition with a romantic poet (William Blake), a modern composer (Arnold Schoenberg), and a contemporary singer‑songwriter (Bob Dylan). Kierkegaard was as much an aesthetic thinker as a philosopher, and his philosophical writings are complemented by his literary and music criticism.
Kierkegaard, Literature, and the Arts will offer much of interest to scholars concerned with Kierkegaard as well as teachers, performers, and readers in the various aesthetic fields discussed.
CONTRIBUTORS: Christopher B. Barnett, Martijn Boven, Anne Margrete Fiskvik, Joakim Garff, Ronald M. Green, Peder Jothen, Ragni Linnet, Jamie A. Lorentzen, Edward F. Mooney, George Pattison, Nils Holger Petersen, Howard Pickett, Marcia C. Robinson, James Rovira
Preț: 568.85 lei
Preț vechi: 738.77 lei
-23% Nou
Puncte Express: 853
Preț estimativ în valută:
108.86€ • 115.13$ • 90.81£
108.86€ • 115.13$ • 90.81£
Carte indisponibilă temporar
Doresc să fiu notificat când acest titlu va fi disponibil:
Se trimite...
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9780810135970
ISBN-10: 0810135973
Pagini: 344
Ilustrații: 11 black and white images
Dimensiuni: 152 x 229 x 28 mm
Greutate: 0.59 kg
Editura: Northwestern University Press
Colecția Northwestern University Press
ISBN-10: 0810135973
Pagini: 344
Ilustrații: 11 black and white images
Dimensiuni: 152 x 229 x 28 mm
Greutate: 0.59 kg
Editura: Northwestern University Press
Colecția Northwestern University Press
Notă biografică
Eric Ziolkowski is the Helen H. P. Manson Professor of the English Bible and head of the Department of Religious Studies at Lafayette College in Easton, Pennsylvania.
Cuprins
LIST OF ILLUSTRATIONS
ACKNOWLEDGMENTS
ABBREVIATIONS
INTRODUCTION
Eric Ziolkowski
I. LITERATURE
1. The Bonfire of the Genres: Kierkegaard’s Literary Kaleidoscope
George Pattison
2. Kierkegaard’s Disruptions of Literature and Philosophy: Freedom, Anxiety, and Existential Contributions
Edward F. Mooney
3. Kierkegaard’s Existential Play: Storytelling and the Development of the Religious Imagination in the Authorship
Marcia C. Robinson
4. Kierkegaard’s Christian Bildungsroman
Joakim Garff
II. PERFORMING ARTS
5. Beyond the Mask: Kierkegaard’s Postscript as Anti-Theatrical, Anti-Hegelian Drama
Howard Pickett
6. A Theater of Ideas: Performance and Performativity in Kierkegaard’s Repetition
Martijn Boven
7. Kierkegaard’s Notions of Drama and Opera: Molière’s Don Juan, Mozart’s Don Giovanni, and the Question of Music and Sensuousness
Nils Holger Petersen
8. “Let No One Invite Me, for I Do Not Dance”: Kierkegaard’s Attitudes Toward Dance
Anne Margrete Fiskvik
III. VISUAL ARTS AND FILM
9. Painting with Words: Kierkegaard and the Aesthetics of the Icon
Christopher B. Barnett
10. Kierkegaard’s Approach to Pictorial Art, and to Specimens of Contemporary Visual Culture
Ragni Linnet
11. “Kierkegaard’s Concept of Inherited Sin: A Cinematic Illustration”
Ronald M. Green
IV. COMPARISONS
12. The Moravian Origins of Kierkegaard’s and Blake’s Socratic Literature
James Rovira
13. Don Giovanni and Moses and Aaron: The Possibility of a Kierkegaardian Affirmation of Music
Peder Jothen
14. Kierkegaard, Dylan, and Masked and Anonymous Neighbor-Love
Jamie A. Lorentzen
CONTRIBUTORS
INDEX
ACKNOWLEDGMENTS
ABBREVIATIONS
INTRODUCTION
Eric Ziolkowski
I. LITERATURE
1. The Bonfire of the Genres: Kierkegaard’s Literary Kaleidoscope
George Pattison
2. Kierkegaard’s Disruptions of Literature and Philosophy: Freedom, Anxiety, and Existential Contributions
Edward F. Mooney
3. Kierkegaard’s Existential Play: Storytelling and the Development of the Religious Imagination in the Authorship
Marcia C. Robinson
4. Kierkegaard’s Christian Bildungsroman
Joakim Garff
II. PERFORMING ARTS
5. Beyond the Mask: Kierkegaard’s Postscript as Anti-Theatrical, Anti-Hegelian Drama
Howard Pickett
6. A Theater of Ideas: Performance and Performativity in Kierkegaard’s Repetition
Martijn Boven
7. Kierkegaard’s Notions of Drama and Opera: Molière’s Don Juan, Mozart’s Don Giovanni, and the Question of Music and Sensuousness
Nils Holger Petersen
8. “Let No One Invite Me, for I Do Not Dance”: Kierkegaard’s Attitudes Toward Dance
Anne Margrete Fiskvik
III. VISUAL ARTS AND FILM
9. Painting with Words: Kierkegaard and the Aesthetics of the Icon
Christopher B. Barnett
10. Kierkegaard’s Approach to Pictorial Art, and to Specimens of Contemporary Visual Culture
Ragni Linnet
11. “Kierkegaard’s Concept of Inherited Sin: A Cinematic Illustration”
Ronald M. Green
IV. COMPARISONS
12. The Moravian Origins of Kierkegaard’s and Blake’s Socratic Literature
James Rovira
13. Don Giovanni and Moses and Aaron: The Possibility of a Kierkegaardian Affirmation of Music
Peder Jothen
14. Kierkegaard, Dylan, and Masked and Anonymous Neighbor-Love
Jamie A. Lorentzen
CONTRIBUTORS
INDEX
Descriere
Kierkegaard, Literature, and the Arts contains fourteen essays about the famed Danish philosopher Søren Kierkegaard’s relationship to the visual arts, performing arts, and letters. It will interest Kierkegaard readers as well as artists and teachers in the wide variety of art forms discussed.