Killer Images – Documentary Film, Memory, and the Performance of Violence: Nonfictions

Edited by Joram ten Brink and Joshua Oppenheimer

Acknowledgments
Notes on Contributors
Introduction, by Joram ten Brink and Joshua Oppenheimer
(De)activating Empathy
Publicity and Indifference: Media, Surveillance and 'Humanitarian Intervention', by Thomas Keenan
Shooting with Intent: Framing Conflict, by Alisa Lebow
Immersion (2009), by Harun Farocki
Anaesthetising the Image: Immersion, Harun Farcocki, by Kodwo Eshun
Revisiting Rocha's 'Aesthetics of Violence', by Michael Chanan
Memory of Violence: Visualising Trauma
Ça va de soi: The Visual Representation of Violence in the Holocaust Documentary, by Brian Winston
Screen Memory in Waltz with Bashir, by Garrett Stewart
Animating Trauma: Waltz with Bashir, David Polonsky, by Joram ten Brink
Spaces of Violence: History, Horror and the Cinema of Kiyoshi Kurosawa, by Adam Lowenstein
On Historical Violence and Aesthetic Form: Jean-Luc Godard's Allemagne 90 Neuf Zéro, by Daniel Morgan
Battle for History: Appropriating the Past in the Present
Subverting Dominant Historical Narratives: Avenge But One of My Two Eyes, Avi Mograbi, by Joram ten Brink
Re-enactment, the History of Violence and Documentary Film, by Joram ten Brink
Interpreting Jeremy Deller's The Battle of Orgreave, by Alice Correia
Remediating Genocidal Images into Artworks: The Case of the Tuol Sleng Mug Shots, by Stéphanie Benzaquen
Screening the 1965 Violence, by Ariel Heryanto
Performing Violence
Perpetrators' Testimony and the Restoration of Humanity: S21, Rithy Panh, by Joshua Oppenheimer
The Killer's Search for Absolution: Z32, Avi Mograbi, by Joram ten Brink
Impunity, by Benedict Anderson
Show of Force: A Cinema-séance of Power and Violence in Sumatra's Plantation Belt, by Joshua Oppenheimer and Michael Uwemedimo
Misunderstanding Images: Standard Operating Procedure, Errol Morris, by Joshua Oppenheimer
Index