Le mythe au féminin et l’(in)visibilisation du corps: Faux Titre, cartea 452
Brigitte le Juez, Metka Zupančičfr Limba Franceză Hardback – 15 sep 2021
Within an innovative and interdisciplinary framework including ethics, myth criticism, sociocriticism, psychoanalysis and gender theories, mythical figures, feminine and others that reveal the ways we perceive the world, are being analyzed in light of the various aspects pertaining to their transformations through the literature, cinema and historical events of this past century. The contributors of the thirteen essays that comprise the present volume, originating from ten countries and four continents, elaborate the manner in which Greek, Biblical and African myths, occasionally generating new myths borne out of contemporary conflicts or traumas – unveil the belief systems that define human relationships, in particular the perception of the body, still subject to a collective imaginary conditioned by the patriarchal supremacy.
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Specificații
ISBN-13: 9789004470217
ISBN-10: 9004470212
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Faux Titre
ISBN-10: 9004470212
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Faux Titre
Cuprins
Notes sur les contributrices
Introduction: La résurgence des mythes au féminin
Brigitte Le Juez et Metka Zupančič
(La) Méduse : comment le corps d’un mythe est-il appréhendé ?
Metka Zupančič
Duras, Méduse et l’inquiétante féminité
Christa Stevens
Le voile de Diane : corps dévoilé, érotisme voilé
Irène Kristeva
Sous le prisme de Méduse : la part du mythe dans la construction d’un personnage syncrétique jouvien
Dorothée Catoen-Cooche
Reconstituer le corps d’Eurydice : le mythe d’Orphée chez Monique Wittig
Gina Stamm
Le récit apocalyptique à l’aune de la Shoah : du paradigme au mythe
Nathalie Ségeral
Afrique-Eurydice : « Orphée noir » ou le mythe senghorien
Kamila Ouhibi Aitsiselmi
Le corps maternel et les contes mythiques chez Scholastique Mukasonga
Cheryl Toman
Donner corps à la condition féminine. Récrire la sexualité dans le mythe de Phèdre
Salomé Paul
Faim d’individualité : une poétique anorexique du mythe de Perséphone
Sophie Emilia Seidler
Mains ouvertes et yeux fermés : le mythe de l’amour préhistorique face à la cécité moderne dans Les Mains négatives de Marguerite Duras
Brigitte Le Juez
Mythes de cohésion et mythes de liberté dans l’œuvre de Gioconda Belli et Montserrat Roig
Yaosca Bautista
Présence / absence du féminin chez Lévinas
Anne-Laure Bucher
Index
Introduction: La résurgence des mythes au féminin
Brigitte Le Juez et Metka Zupančič
partie 1: Reflets de la stupéfiante Méduse
(La) Méduse : comment le corps d’un mythe est-il appréhendé ?
Metka Zupančič
Duras, Méduse et l’inquiétante féminité
Christa Stevens
Le voile de Diane : corps dévoilé, érotisme voilé
Irène Kristeva
Sous le prisme de Méduse : la part du mythe dans la construction d’un personnage syncrétique jouvien
Dorothée Catoen-Cooche
partie 2: Métamorphoses d’Orphée et retour d’Eurydice
Reconstituer le corps d’Eurydice : le mythe d’Orphée chez Monique Wittig
Gina Stamm
Le récit apocalyptique à l’aune de la Shoah : du paradigme au mythe
Nathalie Ségeral
Afrique-Eurydice : « Orphée noir » ou le mythe senghorien
Kamila Ouhibi Aitsiselmi
partie 3: (Re)construction du corps, de mère en fille
Le corps maternel et les contes mythiques chez Scholastique Mukasonga
Cheryl Toman
Donner corps à la condition féminine. Récrire la sexualité dans le mythe de Phèdre
Salomé Paul
Faim d’individualité : une poétique anorexique du mythe de Perséphone
Sophie Emilia Seidler
partie 4: Présentation du féminin dans le mythe
Mains ouvertes et yeux fermés : le mythe de l’amour préhistorique face à la cécité moderne dans Les Mains négatives de Marguerite Duras
Brigitte Le Juez
Mythes de cohésion et mythes de liberté dans l’œuvre de Gioconda Belli et Montserrat Roig
Yaosca Bautista
Présence / absence du féminin chez Lévinas
Anne-Laure Bucher
Index
Notă biografică
Brigitte Le Juez, professeure associée en littérature comparée à Dublin City University, auteure entre autres de Beckett avant la lettre (2007) et co-éditrice de Spaces of Longing and Belonging: Territoriality, Ideology and Creative Identity in Literature and Film (2019).
Metka Zupančič, professeure émérite de français-langues modernes (University of Alabama at Tuscaloosa), a signé plusieurs livres, dont Les Écrivaines contemporaines et les mythes. Le remembrement au féminin (2013), après les monographies sur Claude Simon et Hélène Cixous. Elle a dirigé et codirigé plusieurs ouvrages collectifs. Elle a aussi publié le récit L’Envahissement (2020).
Brigitte Le Juez, Associate Professor in Comparative Literature at Dublin City University, author of Beckett avant la letter (2007) and co-editor de Spaces of Longing and Belonging: Territoriality, Ideology and Creative Identity in Literature and Film (2019).
Metka Zupančič, Professor Emerita (University of Alabama at Tuscaloosa), has authored a number of monographs on contemporary writers (Claude Simon, Hélène Cixous, etc.), and edited and co-edited various collective publications
Metka Zupančič, professeure émérite de français-langues modernes (University of Alabama at Tuscaloosa), a signé plusieurs livres, dont Les Écrivaines contemporaines et les mythes. Le remembrement au féminin (2013), après les monographies sur Claude Simon et Hélène Cixous. Elle a dirigé et codirigé plusieurs ouvrages collectifs. Elle a aussi publié le récit L’Envahissement (2020).
Brigitte Le Juez, Associate Professor in Comparative Literature at Dublin City University, author of Beckett avant la letter (2007) and co-editor de Spaces of Longing and Belonging: Territoriality, Ideology and Creative Identity in Literature and Film (2019).
Metka Zupančič, Professor Emerita (University of Alabama at Tuscaloosa), has authored a number of monographs on contemporary writers (Claude Simon, Hélène Cixous, etc.), and edited and co-edited various collective publications
Recenzii
"The book succeeds at making visible the feminine presence in myths and its importance in the collective conscious. The authors of these essays analyze and compare works and theories from female and male authors from multiple disciplines with the aim of explaining the feminine myth. […] It is a book that unveils traditional myths providing updated studies from a feminist perspective that every scholar should read, not only those interested in myth criticism and comparative literature, but also those who are eager to learn about myths projected in philosophy, psychoanalysis, literature , art and cinema."
-Maya Zalbidea Paniagua, Amaltea 14, 2022.
“This ambitious and entirely women-authored volume pulls together critical readings of classical mythology and contemporary rewritings of myth and combines them with readings of other texts connected to mythology and gender studies. Though the thirteen chapters and the introduction are written in French, the volume takes an overall transnational and comparative approach. […] The volume intends to participate in the long tradition of studying mythology and to innovate and develop the discipline through the question of feminine visibility and the female body. Overall, the volume is successful, and it will interest scholars working on mythology, gender studies, contemporary literature, and cultural studies. Though challenging for a reader not already familiar with mythology, it is accessible and instructive. The methodology set forth in the volume may particularly interest scholars hoping to address lesser known myths or those hoping to connect mythology to texts without an overt connection.”
-Mallory Nischan, Women in French Studies, vol. 30, 2022.
-Maya Zalbidea Paniagua, Amaltea 14, 2022.
“This ambitious and entirely women-authored volume pulls together critical readings of classical mythology and contemporary rewritings of myth and combines them with readings of other texts connected to mythology and gender studies. Though the thirteen chapters and the introduction are written in French, the volume takes an overall transnational and comparative approach. […] The volume intends to participate in the long tradition of studying mythology and to innovate and develop the discipline through the question of feminine visibility and the female body. Overall, the volume is successful, and it will interest scholars working on mythology, gender studies, contemporary literature, and cultural studies. Though challenging for a reader not already familiar with mythology, it is accessible and instructive. The methodology set forth in the volume may particularly interest scholars hoping to address lesser known myths or those hoping to connect mythology to texts without an overt connection.”
-Mallory Nischan, Women in French Studies, vol. 30, 2022.