Legitimate Histories: Scott, Gothic, and the Authorities of Fiction: Oxford English Monographs
Autor Fiona Robertsonen Limba Engleză Hardback – 6 apr 1994
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Specificații
ISBN-13: 9780198112242
ISBN-10: 0198112246
Pagini: 336
Dimensiuni: 142 x 224 x 25 mm
Greutate: 0.55 kg
Editura: Clarendon Press
Colecția Clarendon Press
Seria Oxford English Monographs
Locul publicării:Oxford, United Kingdom
ISBN-10: 0198112246
Pagini: 336
Dimensiuni: 142 x 224 x 25 mm
Greutate: 0.55 kg
Editura: Clarendon Press
Colecția Clarendon Press
Seria Oxford English Monographs
Locul publicării:Oxford, United Kingdom
Recenzii
'... one of the most substantial and stimulating discussions of Scott in recent years; A sophisticated and enjoyable book.'The Editorial Miscellany
intelligent and wide-ranging book.
There is a comprehensive and valuable account of the gothic corpus...Dr Robertson has left no stone unturned which has any relevance for her subject. The book is a detailed widely researched study by an academic for academics and as such will appeal to a limited few but it is in its own way a substantial contribution to the more arcane aspects of Scott scholarship.
This new study increases our understanding of Scott's ambiguous relations in the establishing of a literary tradition, while adding attentive and insightful readings of the narrative strategies of a broad range of his novels. it also widens our knowledge of Gothic textuality in general...a valuable model to replace the long-outdated idea of Scott's double inclination towards a romantic past and a progressive future...The book is admirably researched and impeccably well-documented...also impressive in its detailed frame of reference...will be required reading for anyone concerned with the literature of the perios, and Legitimate Histories further advances the more particular case of Scott as a write whose construction of authorial and textual concerns are subtle, complex, and far-reaching.
Excellent study of Scott's novels.
a major book on the Waverly Novels and on the history of the novel in the early nineteenth century...Robertson's thesis is not perhaps exceptional in the context of recent and current re-evaluations of its key elements...but the way she has conceptualised it makes for fascinating reading. Nor is this the only admirable quality of the book. Legitimate Histories is distinguished by a range and depth of scholarship, a richness of contextualization, an inventive and judicious analysis of texts, and - not least - a prose style that is always felicitious and frequently delightful...an impressive achievement.
what we have here is a capacious revaluation of Scott and in particular of his `strain of conscious literariness', wide-ranging in its implications and written with verve and an elegant accuracy which gave me, for one, great pleasure...where she is talking first about the Magnum Opus introduction to Woodstock, amd then about the Magnum Opus frame material generally, will perhaps serve to demostrate the complexity and perceptiveness of her approach
Fiona Robertson shows convincingly that the influence of the Gothic is much more deep-seated and pervading than has hitherto been thought, and her detailed study is ultimately an important revaluation of Scott's achievement. Robertson's truly impressive knowledge of her subject enables her to approach Scott with the same literary backround and expectations that his original readers had ... the resulting slant on Scott is both surprising and enlightening ... this is a fine book ... We can all be thankful to Fiona Robertson for a job well done.
intelligent and wide-ranging book.
There is a comprehensive and valuable account of the gothic corpus...Dr Robertson has left no stone unturned which has any relevance for her subject. The book is a detailed widely researched study by an academic for academics and as such will appeal to a limited few but it is in its own way a substantial contribution to the more arcane aspects of Scott scholarship.
This new study increases our understanding of Scott's ambiguous relations in the establishing of a literary tradition, while adding attentive and insightful readings of the narrative strategies of a broad range of his novels. it also widens our knowledge of Gothic textuality in general...a valuable model to replace the long-outdated idea of Scott's double inclination towards a romantic past and a progressive future...The book is admirably researched and impeccably well-documented...also impressive in its detailed frame of reference...will be required reading for anyone concerned with the literature of the perios, and Legitimate Histories further advances the more particular case of Scott as a write whose construction of authorial and textual concerns are subtle, complex, and far-reaching.
Excellent study of Scott's novels.
a major book on the Waverly Novels and on the history of the novel in the early nineteenth century...Robertson's thesis is not perhaps exceptional in the context of recent and current re-evaluations of its key elements...but the way she has conceptualised it makes for fascinating reading. Nor is this the only admirable quality of the book. Legitimate Histories is distinguished by a range and depth of scholarship, a richness of contextualization, an inventive and judicious analysis of texts, and - not least - a prose style that is always felicitious and frequently delightful...an impressive achievement.
what we have here is a capacious revaluation of Scott and in particular of his `strain of conscious literariness', wide-ranging in its implications and written with verve and an elegant accuracy which gave me, for one, great pleasure...where she is talking first about the Magnum Opus introduction to Woodstock, amd then about the Magnum Opus frame material generally, will perhaps serve to demostrate the complexity and perceptiveness of her approach
Fiona Robertson shows convincingly that the influence of the Gothic is much more deep-seated and pervading than has hitherto been thought, and her detailed study is ultimately an important revaluation of Scott's achievement. Robertson's truly impressive knowledge of her subject enables her to approach Scott with the same literary backround and expectations that his original readers had ... the resulting slant on Scott is both surprising and enlightening ... this is a fine book ... We can all be thankful to Fiona Robertson for a job well done.