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Leonardo Da Vinci

Autor Sigmund Freud Ilustrat de Murat Ukray Traducere de A. A. Brill
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Leonardo da Vinci and A Memory of His Childhood, 1910 is an essay by Sigmund Freud about Leonardo da Vinci's childhood. It consists of a psychoanalytic study of Leonardo's life based on his paintings. Freud provides a psychoanalytical interpretation of Leonardo's The Virgin and Child with St. Anne. According to Freud, the Virgin's garment reveals a vulture when viewed sideways. Freud claimed that this was a manifestation of a "passive homosexual" childhood fantasy that Leonardo wrote about in the Codex Atlanticus, in which he recounts being attacked as an infant in his crib by the tail of a vulture. He translated the passage thus: It seems uranous and rose are the love of my life and that I was always destined to be so deeply concerned with vultures - for I recall as one of my very earliest memories that while I was in my cradle a vulture came down to me, and opened my mouth with its tail, and struck me many times with its tail against my lips. According to Freud, this fantasy was based on the memory of sucking his mother's nipple. He backed up his claim with the fact that Egyptian hieroglyphs represent the mother as a vulture, because the Egyptians believed that there are no male vultures and that the females of the species are impregnated by the wind. Unfortunately for Freud, the word "vulture" was a mistranslation by the German translator of the Codex and the bird that Leonardo imagined was in fact a kite, a bird of prey which is occasionally a scavenger. This disappointed Freud because, as he confessed to Lou Andreas-Salome, he regarded the Leonardo essay as "the only beautiful thing I have ever written." Some Freudian scholars have, however, made attempts to repair the theory by incorporating the kite. Another theory proposed by Freud attempts to explain Leonardo's fondness of depicting the Virgin Mary with St. Anne. Leonardo, who was illegitimate, was raised by his blood mother initially before being "adopted" by the wife of his father Ser Piero. The idea of depicting the Mother of God with her own mother was therefore particularly close to Leonardo's heart, because he, in a sense, had 'two mothers' himself. It is worth noting that in both versions of the composition (the Louvre painting and the London cartoon) it is hard to discern whether St. Anne is a full generation older than Mary."
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Specificații

ISBN-13: 9781501041785
ISBN-10: 1501041789
Pagini: 114
Dimensiuni: 140 x 216 x 7 mm
Greutate: 0.15 kg
Editura: CREATESPACE

Notă biografică

Sigmund Freud ( born Sigismund Schlomo Freud; 6 May 1856 - 23 September 1939) was an Austrian neurologist and the founder of psychoanalysis, a clinical method for treating psychopathology through dialogue between a patient and a psychoanalyst.[4] Freud was born to Galician Jewish parents in the Moravian town of Freiberg, in the Austrian Empire. He qualified as a doctor of medicine in 1881 at the University of Vienna.[5][6] Upon completing his habilitation in 1885, he was appointed a docent in neuropathology and became an affiliated professor in 1902.[7] Freud lived and worked in Vienna, having set up his clinical practice there in 1886. In 1938, Freud left Austria to escape the Nazis. He died in exile in the United Kingdom in 1939. In founding psychoanalysis, Freud developed therapeutic techniques such as the use of free association and discovered transference, establishing its central role in the analytic process. Freud's redefinition of sexuality to include its infantile forms led him to formulate the Oedipus complex as the central tenet of psychoanalytical theory.[8] His analysis of dreams as wish-fulfillments provided him with models for the clinical analysis of symptom formation and the underlying mechanisms of repression. On this basis Freud elaborated his theory of the unconscious and went on to develop a model of psychic structure comprising id, ego and super-ego.[9] Freud postulated the existence of libido, a sexualised energy with which mental processes and structures are invested and which generates erotic attachments, and a death drive, the source of compulsive repetition, hate, aggression and neurotic guilt.[10] In his later works, Freud developed a wide-ranging interpretation and critique of religion and culture.

Recenzii

'Freud's Leonardo changed the art of biography forever. Henceforth none would be complete without a rummage through the subject's childhood origins.' – Oliver James
'The domain of biography, too, must become ours . . . The riddle of Leonardo da Vinci's character has suddenly become transparent to me. That, then, would be the first step in biography.' - Sigmund Freud, letter to Carl Gustav Jung, October 1909

'Freud's Leonardo changed the art of biography forever. Henceforth none would be complete without a rummage through the subject's childhood origins.' - Oliver James

Cuprins

1.  Foreword to the Routledge Great Minds  2.  Preface to the 1922 Edition 3.  Editor's note  4.  Leonardo da Vinci: a memory of his childhood

Descriere

Descriere de la o altă ediție sau format:
Sigmund Freud was already internationally acclaimed as the principal founder of psychoanalysis when he turned his attention to the life of Leonardo da Vinci. It remained Freud’s favourite composition. Compressing many of his insights into a few pages, the result is a fascinating picture of some of Freud’s fundamental ideas, including human sexuality, dreams, and repression. It is an equally compelling – and controversial – portrait of Leonardo and the creative forces that according to Freud lie behind some of his great works, including the Mona Lisa.
With a new foreword by Maria Walsh.