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Likenesses: APR Honickman 1st Book Prize

Autor Heather Tone Introducere de Nick Flynn
en Limba Engleză Paperback – 6 sep 2016
"It's almost impossible to explain why the playfulness of Heather Tone's Likenesses produces such delight. . . . Freedom, light, leggerezza, speed, and depth. Crystal abyss, 'nothing,' a touch of kabala. Perfect projections of shades between death and life, a scent of Eden. Like four-year-old boys throwing clumps of mud at each other, bursting into happy laughter. These lines scream with joy." —Boston Review
Likenesses was selected by Nick Flynn for the prestigious Honickman First Book Award. In his introduction he writes: "Likenesses is made up of five sequences of poems, many of which use the engine of simile to drive them forward. Running alongside this simile-generating machine, there is something also here of Genesis—the book is, in part, an origin myth, an attempt to create the world by naming it."
Likenesses
When he is dead, a man in a
bathing suit looks most like a little boy.
A woman in a bathing suit
looks like a woman, unless she is quite
thin, in which case she looks like a little boy.
A little girl in a sundress looks like a little boy
in a sundress. Her mouth is a cold oval, as cold
as a strawberry. When dead, a robin red-breast
looks like a little girl, while it goes without
saying that Robin Hood looks like a boy . . .

Heather Tone's poetry has appeared in The Boston Review, The Colorado Review, Fence, and other journals. A graduate of the Iowa Writers' Workshop, she currently lives in Florida.
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Specificații

ISBN-13: 9780983300823
ISBN-10: 0983300828
Pagini: 66
Dimensiuni: 152 x 229 mm
Greutate: 0.18 kg
Editura: Copper Canyon Press
Colecția American Poetry Review
Seria APR Honickman 1st Book Prize


Notă biografică

Heather Tone is the author of a chapbook, Gestures (The Catenary Press). Her poetry has appeared in The Boston Review, The Colorado Review, Fence, and other journals. A graduate of the Iowa Writers’ Workshop, she currently lives in Florida.

Descriere


Winner of the 2015 APR/Honickman first book award, selected by Nick Flynn