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Liquid Metal – The Science Fiction Film Reader

Autor Sean Redmond
en Limba Engleză Paperback – 14 feb 2004
Liquid Metal brings together a great number of what are regarded to be the 'seminal' essays that have opened up the study of science fiction to serious critical interrogation. It is divided into eight distinct themed sections, including the cyborg in science fiction; the science fiction city; time travel and the primal scene; science fiction fandom; and the 1950s invasion narratives. Important writings by Susan Sontag, Vivian Sobchack, Steve Neale, J.P. Telotte, Peter Biskind and Constance Penley are included.
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Specificații

ISBN-13: 9781903364871
ISBN-10: 1903364876
Pagini: 360
Dimensiuni: 171 x 236 x 24 mm
Greutate: 0.75 kg
Editura: Wallflower Press
Locul publicării:United Kingdom

Notă biografică

Sean Redmond is Lecturer in Film Studies at the Southampton Institute, UK, and co-editor of The Cinema of Kathryn Bigelow: Hollywood Transgressor, also published by Wallflower Press.

Cuprins

Acknowledgements Introduction, by Sean Redmond Section 1. The Wonder of Science Fiction 1. Images of Wonder: the look of science fiction: Iconography, by Vivian Sobchack 2. 'You've Got To Be Fucking Kidding!' Knowledge, Belief, and Judgement in Science Fiction, by Steve Neale 3. Sensuous Elaboration: Reason and the Visible in the Science Fiction Film, by Barry Keith Grant 4. Between Science Fact and Science Fiction: Spielberg's Digital Dinosaurs, Possible Worlds and the New Aesthetic Realism, by Warren Buckland Section 2. Science Fiction's Disaster Imagination 5. The Imagination of Disaster, by Susan Sontag 6. Technophobia/Dystopia, by Michael Ryan and Douglas Kellner 7. Human Artifice and the Science Fiction Film, by J.P. Telotte 8. Dream Girls and Mechanic Panic: Dystopia and its Others in Brazil and Ninety-Eighty Four, by Linda Ruth Williams Section 3. Spatial Abyss: The Science Fiction City 9. Cities on the Edge of Time: The Urban Science-Fiction Film, by Vivian Sobchack 10. Dark City: White Flight and the Urban Science Fiction Film in Postwar America, by Eric Avila 11. On the Edge of Spaces: Blade Runner, Ghost in the Shell, and Hong Kong's Cityscape, by Kin Yuen Wong Section 4. The Origin of the Species: Time Travel and the Primal Scene 12. Back To The Future: Oedipus as Time Traveller, by Andrew Gordon 13. Time Travel, Primal Scene and the Critical Dystopia, by Constance Penley 14. Another Time, Another Space: Modernity, Subjectivity and The Time Machine, by Jonathan Bignell 15. With Eyes Uplifted: Space Aliens as Sky Gods, by Carol Schwartz Ellis Section 5. Liquid Metal: the Cyborg in Science Fiction 16. A Manifesto for Cyborgs: Science, Technology, and Socialist Feminism in the 1980s, by Donna J. Haraway 17. Technophilia: Technology, Representation, and the Feminine, by Mary Ann Doane 18. Machine as Messiah: Cyborgs, Morphs and the American Body Politic, by Doran Larson 19. Ghosts and Machines: The Technological Body, by Susan J. Napier Section 6. Imitation of Life: Postmodern Science Fiction 20. Postfuturism: Altered States, by Vivian Sobchack 21. Who Programs You? The Science Fiction of the Spectacle, by Scott Bukatman 22. Prosthetic Memory: Totall Recall and Blade Runner, by Alison Landsberg 23. Akira, Postmodernism and Resistance, by Isolde Standish Section 7. Poaching the Universe: Science Fiction Fandom 24. Star Trek Rerun, Reread, Rewritten: Fan Writing as Textual Poaching, by Henry Jenkins III 25. 'We're Only A Speck in the Ocean': the Fan as Powerless Elite, by John Tulloch 26. New Hope: The Postmodern Project of Star Wars, by Will Brooker 27. Web of Babylon, by Kurt Lancaster Section 8. Look to the Skies! 1950's Science Fiction Invasion Narratives 28. The Russians Are Coming, Aren't They? Them! and The Thing, by Peter Biskind 29. Re-examining he 1950s Invasion Narratives, by Mark Jancovich 30. We're the Martians Now: British sf Invasion Fantasies of the 1950s and 1960s, by Peter Hutchings