Literary Censorship in Francisco Franco`s Spain – Burning Books, Awarding Writers
Autor Gabriela De Lima Greccoen Limba Engleză Hardback – 13 apr 2020
This book presents two systems of censorship and literary promotion, revealing how literature can be molded to support authoritarian regimes. The issue is complex in that at a descriptive level the strategies and methods "new states" use to control communication through the written word can be judged by how and when formal decrees were issued, and how publishing media, whether in the form of publishing companies or at the individual level, engaged with political overseers. Literature was equally a means of resistance against an authoritarian regime, not only for writers but for readers as well. From the point of view of historical memory and intellectual history, stories of "people without history" and the production of their texts through the literary "underground" can be constructed from subsequent testimony: from books sold in secret, to the writings of women in jail, to books that were written but never published or distributed in any way, and to myriad compelling circumstances resulting from living under fascist authority. A parallel study on two fascist movements provides a unique viewpoint at literary, social, and political levels. Comparative analysis of literary censorship/literary reward allows an understanding of the balance between dictatorship, official policy, and what literary acts were deemed acceptable. The work is an important contribution to the history of twentieth-century authoritarianism and the development fascist ideas.
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Specificații
ISBN-13: 9781845199975
ISBN-10: 1845199979
Pagini: 272
Dimensiuni: 159 x 234 x 20 mm
Greutate: 0.43 kg
Editura: Liverpool University Press
ISBN-10: 1845199979
Pagini: 272
Dimensiuni: 159 x 234 x 20 mm
Greutate: 0.43 kg
Editura: Liverpool University Press
Cuprins
Acknowledgments;Introduction Chapter 1A New ;Authoritarian Culture: New States and Fascist Movements The Vargas and Franco New States: A Comparison Fascism and Culture: The Fascist Pen ;in Spain and Brazil Fascist Culture: Modernism, Aesthetics and Intellectuals Fascism Within the System of Power The Spanish Falange: The Fascist Movement in Spain The Republic of Letters: A Fertile Ground for Fascism? Jos Antonio's Literary Court: Writers and Fascists From Pen to Weapon Two Conflicting Paths: The Falange and National-Catholicism Tropical Fascism: Ao Integralista Brasileira;, The Fascist Movement in Brazil Plnio Salgado's Literary Court: Paranoia or Mystification? Integralism as a Movement: Its Development and Core Ideology The New State, Fascism and the Integralist Movement One Political Plan, Two Sites of Action: Intellectuals in the Political Sphere Chapter 2The Literary Panorama: A Negative Configuration Literary Censorship During the Early Years of the Franco Regime The Pen ;in Action: The Process of Censorship Beyond the Censor's Pen;: Indirect Forms of Censorship and Strategies to Evade the Red Pen ; Literary Censorship in Brazi's New State Creation of the Department of Press and Propaganda The Censorship Process: The DPP and DPSO's Censorship WorkA Posteriori ;Censorship: The Political Police's Control Chapter 3The Nation's Books: The Book as a Motor for Policy The Nation's Book in Spain The Spanish National Book Institute National Book Fairs During the Early Years of the Franco Regime Foreign Policy and the Book The Spirit Prizes: A New Type of Literature for a New ;State National Prizes During the Early Years of the Franco Regime The Nation's Book in Brazil The National Book Institute in Brazil The Brazilian Encyclopaedia and Dictionary of the National Language: Creation of the Brazilian Spirit ; Public Libraries: Teaching to Read the Nation Publications of the National Spirit ; National Books Beyond Brazilian Borders The Spirit Prizes in Brazil: The Writer as Protagonist The New State National Prizes Private Prizes as Creators of the New National Literary Canon Conclusions Index;
Notă biografică
Gabriela de Lima Grecco is a PhD in Modern History at the Universidad Autonoma de Madrid, with an International Mention from the University of California Los Angeles (UCLA). Currently, she is Professor and Postdoctoral Researcher in the Department of Modern History at the Universidad Autonoma de Madrid.