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Living and Dying in the Roman Republic: The Series Spartacus and its Cinematic Examination of Freedom, Violence and Identity

Autor Thomas Wilke
en Limba Engleză Paperback – 21 feb 2023
This volume deals with the American production "Spartacus" and the British-American-Italian co-production Rome. In the examination of the present, a turn to Greek or Roman antiquity can be observed again and again. To find there the roots of Western society for politics, economics or philosophy, or to derive comparative arguments for expansionist efforts or decline, is not just part of the rhetorical commonplace. So it is not surprising that the TV series format also takes up this period. Whereas in Rome the attempt is made to work through the historical guidelines in great detail, in Spartacus, apart from the rough sketch of the plot, one can speak of a far-reaching neglect of the historical situation. From a (media) ethical perspective, specific approaches to responsibility, the transmission of values, loyalty, education, self-discipline, and religion can be identified in the series, which can be interpreted as self-statements of the present or the producers.
 
 

          
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Specificații

ISBN-13: 9783658388690
ISBN-10: 3658388692
Pagini: 144
Ilustrații: VIII, 144 p. 39 illus.
Dimensiuni: 148 x 210 mm
Greutate: 0.19 kg
Ediția:1st ed. 2023
Editura: Springer Fachmedien Wiesbaden
Colecția Palgrave Macmillan
Locul publicării:Wiesbaden, Germany

Cuprins

The historical Spartacus and the medial Spartacus.- The series Spartacus.- Entertainment in the Roman Republic and in the series.- Identity, persona and questions of recognition.- Body enactments and corporeality.- Everyday use of violence and experience of violence.- Composed copulatory settings: sex, eroticism and love.- Understanding of freedom and freedom as conflict.- "Fuck the Gods: morality, religion and religiosity.- Experience and experiential eroticism. Composed copulatory settings: sex, eroticism, and love.- Understandings of freedom and freedom as conflict.- "Fuck the Gods": morality, religion, and religiosity.- Experience and experiential extremism.- The myth and Spartacus - the myth of Spartacus.- Media and history.

Notă biografică

Dr. Thomas Wilke is Professor of Cultural Education at the Ludwigsburg University of Education.

Textul de pe ultima copertă

This volume deals with the American production Spartacus. In the discussion of the present, a turn to Greek or Roman antiquity can be observed again and again. To find there the roots of Western society for politics, economics or philosophy, or to derive comparative arguments for expansionist efforts or decline, is not just part of the rhetorical commonplace. From a media cultural studies and media ethics perspective, specific ways of looking at responsibility, the transmission of values, loyalty, education, self-discipline, and religion can be identified in TV series, which can be evaluated as self-statements of the present or the producers.
 
The content
The historical Spartacus and the medial Spartacus.- The series Spartacus.- Entertainment in the Roman Republic and in the series.- Identity, persona and questions of recognition.- Body enactments and corporeality.- Everyday use of violence and experience of violence.- Composed copulatory settings: sex, eroticism and love.- Understanding of freedom and freedom as conflict.- "Fuck the Gods: morality, religion and religiosity.- Experience and experiential eroticism. Composed copulatory settings: sex, eroticism, and love.- Understandings of freedom and freedom as conflict.- "Fuck the Gods": morality, religion, and religiosity.- Experience and experiential extremism.- The myth and Spartacus - the myth of Spartacus.- Media and history.

The target groups
Lecturers and students of media and communication studies, cultural studies and film studies  
The author
Dr. Thomas Wilke is Professor of Cultural Education at the Ludwigsburg University of Education.


This book is a translation of an original German edition. The translation was done with the help of artificial intelligence (machine translation by the service DeepL.com). A subsequent human revision was done primarily in terms of content, so that the book will read stylistically differently from a conventional translation.

Caracteristici

Substantial contribution to popular culture research Interdisciplinary and intermedial treatment of the topic First volume on the subject