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Local Invisibility, Postcolonial Feminisms: Asian American Contemporary Artists in California de Laura Fantone

Local Invisibility, Postcolonial Feminisms: Asian American Contemporary Artists in California: Critical Studies in Gender, Sexuality, and Culture

Autor Laura Fantone
en Limba Engleză Hardback – 23 mar 2018
This book offers gendered, postcolonial insights into the poetic and artistic work of four generations of female Asian American artists in the San Francisco Bay Area.  Nancy Hom, Betty Kano, Flo Oy Wong, Trinh T. Minh-ha, Theresa H.K. Cha, and Hung Liu are discussed in relation to the cultural politics of their time, and their art is examined in light of the question of what it means to be an Asian American artist. Laura Fantone’s exploration of this dynamic, understudied artistic community begets a sensitive and timely reflection on the state of Asian American women in the USA and in Californian cultural institutions.
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Specificații

ISBN-13: 9781137506696
ISBN-10: 1137506695
Pagini: 232
Ilustrații: XIII, 247 p. 14 illus., 12 illus. in color.
Dimensiuni: 148 x 210 mm
Greutate: 0.58 kg
Ediția:1st ed. 2018
Editura: Palgrave Macmillan US
Colecția Palgrave Macmillan
Seria Critical Studies in Gender, Sexuality, and Culture

Locul publicării:New York, United States

Cuprins

1. Introduction: Visuality, Gender, and Asian America.- 2. Asian American Art for the People.- 3. Traces and Visions of In-Betweens.- 4. AAWAA: Visibility, Pan-Asian Identity, and the Limits of Community.- 5. Red and Gold Washing.- 6. Opacities: Local Venues, Cosmopolitan Imaginaries.

Notă biografică

Laura Fantone is Lecturer of Gender and Women’s Studies at the University of California, Berkeley, USA. Her commitment to interdisciplinarity has led her to write on video games, reproductive technologies, labor and precarity, and ethnic minorities and refugees in Europe; to produce two documentaries distributed in Italy and in the USA; and to curate two art shows.  

Textul de pe ultima copertă

This book offers gendered, postcolonial insights into the poetic and artistic work of four generations of female Asian American artists in the San Francisco Bay Area.  Nancy Hom, Betty Kano, Flo Oy Wong, Trinh T. Minh-ha, Theresa H.K. Cha, and Hung Liu are discussed in relation to the cultural politics of their time, and their art is examined in light of the question of what it means to be an Asian American artist. Laura Fantone’s exploration of this dynamic, understudied artistic community begets a sensitive and timely reflection on the state of Asian American women in the USA and in Californian cultural institutions.

Caracteristici

Provides insight into a rich yet understudied population in American art history Explores the nuance of how Asian American identities have changed throughout the twentieth century to the present