To lose yourself in the music, to go and if only to forget work and everyday life, in your one side of the formula is "lost in music." The downside, however, is that music in principle begriffs - and bildlos, so is also important, therefore is a risk, given to be disoriented by music and to feel lost in it. The 18 essays of the volume revolve around those formula of individual historic objects. The question of the relationship between aesthetic judgment and musical experience is conductive. What place is the opinions, which we make on musical matters, and the dogma we have in store for them? Feel like getting lost in music or in it to be lost, also for this reason arises, because music is less communitarian uni cable as the other arts, and despite their Ubiquity in everyday life and in the media in the social discourse of culture plays a relatively minor role.