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Luc Tuymans: Is It Safe? de Luc Tuymans

Luc Tuymans: Is It Safe?

Autor Luc Tuymans, Pablo Sigg, Tommy Simoens
en Limba Engleză Hardback – 31 oct 2010 – vârsta de la 12 până la 22 ani
With his muted palette, conspicuous brushwork and idiosyncratic approach to history, Luc Tuymans (b.1958) has changed the cours of contemporary art, influencing a whole generation of figurative paintersProduced in close collaboration with the artist, the book presents more than 100 brand new paintings, most never before published.
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Specificații

ISBN-13: 9780714856032
ISBN-10: 0714856037
Pagini: 216
Ilustrații: 130 Farbillustrationen
Dimensiuni: 261 x 296 x 30 mm
Greutate: 1.69 kg
Editura: Phaidon
Locul publicării:United Kingdom

Notă biografică

Luc Tuymans has been the subject of solo exhibitions at major museums around the world, including Tate Modern, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. He lives in Antwerp. Pablo Sigg is an artist and writer based in Mexico City. Gerrit Vermeiren is an artist, art historian and writer based in Antwerp. His books include Luc Tuymans: I Don't Get It.

Cuprins

- full-colour reproductions of more than 100 of the artist's most recent paintings - an introduction and seven short texts by the artist - essay by Pablo Sigg: 'Tuymans, Loyola, Leibniz' - essay by Gerrit Vermeiren: 'Proper' - interview by Tommy Simoens: 'Forever' - extensive collection of source imagery and installation photographs - up-to-date exhibition history - index

Recenzii

'Seasonal Reading ... Amongst other recently published monographs, the revised and enlarged edition of Phaidon's Luc Tuymans, from its Contemporary Artists Series is opportune as it is just in time for his major show at Tate Modern in the Summer of 2004. Indeed Tate will find it difficult to match the breadth and scale of this book in any exhibition catalogue it may choose to produce. Tuymans is rapidly gaining ground as the successor to Gerhard Richter as the History Painter of the late 20th Century, and this book, which amounts to a catalogue raisonne as nearly every one of his paintings is reproduced, goes some way towards confirming his reputation.' Art Monthly