Lucchesi and The Whale: Post-Contemporary Interventions
Autor Frank Lentricchiaen Limba Engleză Paperback – 24 iun 2003
Having become "a mad Ahab of reading," who is driven to dissect the "artificial body of Melville's behemothian book" to grasp its truth, Lucchesi allows his thoughts to wander and loop from theory to dream to reality to questionable memory. But his black humor-tinged musings are often as profoundly moving as they are intellectual, such as the section in which he ponders the life and philosophy of Ludwig Wittgenstein in relation to the significance of a name--and then attempts to share these thoughts with a sexy, middle-aged flight attendant--or another in which he describes a chance meeting with a similarly-named mafia don.
Despite apparent spiritual emptiness, Lucchesi in the end does find "a secret meaning" to "Moby-Dick. "And Lentricchia's creations--both "Lucchesi and The Whale "and its main character--reveal this meaning through a series of ingeniously self-reflective metaphors, in much the way that Melville himself did in and through "Moby-Dick." Vivid, humorous, and of unparalleled originality, this new work from Frank Lentricchia will inspire and console all who love and ponder both great literature and those who would write it.
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Specificații
ISBN-13: 9780822331711
ISBN-10: 0822331713
Pagini: 128
Dimensiuni: 150 x 250 x 15 mm
Greutate: 0.19 kg
Ediția:Revised
Editura: MD – Duke University Press
Seria Post-Contemporary Interventions
ISBN-10: 0822331713
Pagini: 128
Dimensiuni: 150 x 250 x 15 mm
Greutate: 0.19 kg
Ediția:Revised
Editura: MD – Duke University Press
Seria Post-Contemporary Interventions
Recenzii
Only a great literary critic could pull off the fictional tricks on display here. The ambition of this remarkable work is summed up in one of the hero-narrators Melvillean instructions: A word to my students: live like a no-holds-barred autobiography of yourself, hide nothing, so that you'll be free for serious writing. This is very serious writing. John Sutherland, University College LondonLucchesi is Lentricchias dour fantastic, an obscure novelist for whom nothing that comes naturally comes naturally, hybrid of Orphic self-defeat and self-creation. R. M. Berry, American Book Review[V]oyage with Lucchesi and Lentricchia and youll emerge with a new, broader understanding of Melville, Moby-Dick, and perhaps even the immortality of writing. Grant Gallicho, CommonwealLentricchia proclaims his aesthetic autonomy in a work that crosses genres with alacrity. As fiction, its bold and challenging; as criticism, it belongs right next to the unconventional Melville commentary of Charles Olsen and Paul Metcalf. Thomas DiPietro, Kirkus ReviewsLuchessis take on Moby-Dick may be profound revelation or deconstructionist over-reading, but it is most definitely a pleasure. T. J. Gerlach, Review of Contemporary FictionA festive series of literary and intellectual forays by the ever groundbreaking Frank Lentricchia. Through all the comings and goings, we sense the presence of a very agile authorial mind as it takes stock of itself. R.W.B. LewisA hybrid of literary comment and fictional creation, this latest from . . . Lentricchia perfectly captures the voice of the critic agonistes: the once-detached scholar no longer hiding, or hiding behind, his judgements and values. . . . Lentricchia proclaims his aesthetic autonomy in a work that crosses genres with alacrity. As fiction, its bold and challenging; as criticism, it belongs right next to the unconventional Melville commentary of Charles Olsen and Paul Metcalf. In shortand it is shortthis demanding book rewards those willing to take a chance.Kirkus ReviewsBy turns satiric and surreal, the novel addresses ethnicity in fantasies about opera and the Mafia.Publishers Weekly[A]cademic readers will be impressed and moved by [Lentricchias] passionate conviction that language transcends its human bearers, and that, as Lucchesi concludes, the actual death of a man is incidental to his true life in culture and history. Elaine Showalter, The Chronicle of Higher EducationLucchesi and The Whale is a paradoxical textan experimental hybrid of literary comment and fictionthat ridicules academic criticism at the same time that it is so dense with allusion, so elliptical, and so full of intertextuality, that it fairly begs to be deconstructed. . . . Can we read [Lentricchias] novel with unconditional lovethe love of words, of literaturewithout resorting to disassembling his text to see how it works? . . . Through his self-involved, isolated and loveless protagonist, the author cleverly conflates unconditional love as it applies to people with unconditional love as it applies to literature. If we cannot love literature without tearing it apart and putting it back together in a way that suits us, how can we love people without doing the same to them?Mark W. Hornburg, The Independent Weekly (Durham)[Lentricchias] wordplay on the dark side of the mind forges a new way of reading and writing. We have seen the dark side emerge in his previous fictions, but in this new work, we come to understand that, like Edgar Alan Poe, Lentricchia is fascinated with the grotesque, and Lucchesi and The Whale takes us into the grottos where secret artists once practiced their trade by light of fire, where visions come to loners and sacred visitations to the holy.Fred L. Gardaphe, Fra No: Chicagolands Italian American VoiceLentricchia . . . has melded the genres of literary criticism and fiction in the rarest of waysone that works. In a fragmentary fictional structure, Lentricchia waxes philosophical about language, the act of writing, and Herman Melvilles Moby-Dick. . . . [He] wedges a brilliant riff on Moby-Dick into the voice of Lucchesi. . . . [V]oyage with Lucchesi and Lentricchia and youll emerge with a new, broader understanding of Melville, Moby-Dick, and perhaps even the immortality of writing.Grant Gallicho, CommonwealThis is a provocative novelif novel is the wordabout writing on the edge. . . . What seems of deepest interest in Lucchesi and The Whale is this treatment of advanced art as a mortal repression, refusal of world and flesh, the humans overcoming of itself.R. M. Berry, American Book ReviewWhat criticism is, at its best, is the joy at the heart of all readingan agile mind interacting with a text that helps to inspire that agility. Lucchesis take on Moby-Dick may be profound revelation or deconstructionist over-reading, but it is most definitely a pleasure.T. J. Gerlach, Review of Contemporary FictionThis is . . . Thomas Lucchesi . . . . A man who can deal more aptly with art than with life. A man whose passion to create can, time and again, isolate him and saddle him with anxiety. A self-fashioned mad Ahab of reading, who searches desperately, in heartfelt scholarly prose, for the meaning within Melvilles Moby-Dick. A man who sometimes sees his world through the prism of Ludwig Wittgensteins Philosophical Investigations. But, above all, a man whose love for life, for his intimates, and for himself, endures.Philip Tinari, Duke MagazineLentricchia provided the first comprehensive American look at critical conversations that were taking formal English study by storm. . . . Lentricchia has now long been ensconced as a major American critical voice. . . . Lucchesi and The Whale is Lentricchias most complex fictional piece to date, as he fiercely and bleakly continues to explore the writerly self while seeking a form in which to write cultural and literary criticism.Chris Messenger, Voices in Italian America"Frank Lentricchia is a contemporary critic who has successfully made the transition from the study to the creation of literature. This is a rare thing. . . . Lucchesi and The Whale is as clearly an amazing feat of critical interpretation and theory. . . . This is a tour de force in experimenting with point of view and narrative voice. . . . I think it is the most original reading of [Moby-Dick] ever."Daniel T. OHara, Temple University Faculty Newsletter
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Textul de pe ultima copertă
"In "Lucchesi and The Whale," with a daring that verges on recklessness, Frank Lentricchia closes the traditional gaps dividing critical practice from creative writing. One has encountered intertextuality before; this is something more adventurous: inter-genre. Only a great literary critic could pull off the fictional tricks on display here. The ambition of this remarkable work is summed up in one of the hero-narrator's Melvillean instructions: 'A word to my students: live like a no-holds-barred autobiography of yourself, hide nothing, so that you'll be free for serious writing.' This is very serious writing."--John Sutherland, University College London
Cuprins
Descriere
A paperback edition of this book that explores a midwestern college professors rationale for a life lived with literature by embarking on a quest for the secret meaning of Melville's, Moby Dick.