Ludics in Surrealist Theatre and Beyond: Studies in Surrealism
Autor Vassiliki Raptien Limba Engleză Hardback – 28 mar 2013
Din seria Studies in Surrealism
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Specificații
ISBN-13: 9781409429067
ISBN-10: 1409429067
Pagini: 210
Dimensiuni: 174 x 246 x 20 mm
Greutate: 0.66 kg
Ediția:New.
Editura: Taylor & Francis
Colecția Routledge
Seria Studies in Surrealism
Locul publicării:Oxford, United Kingdom
ISBN-10: 1409429067
Pagini: 210
Dimensiuni: 174 x 246 x 20 mm
Greutate: 0.66 kg
Ediția:New.
Editura: Taylor & Francis
Colecția Routledge
Seria Studies in Surrealism
Locul publicării:Oxford, United Kingdom
Notă biografică
Vassiliki Rapti is Preceptor in Modern Greek in the Department of The Classics at Harvard University, USA, where she is also serving as Research Fellow in Greek Literature and Language Pedagogy at the Harvard Center for Hellenic Studies (Washington, DC).
Recenzii
'Rapti (classics, Harvard) offers a dense, erudite argument that surrealist drama is not mimetic but methectic ... Summing Up: Recommended.' Choice
’... reintroduces the reader to work of playwrights with whom scholars and readers of surrealism are not necessarily familiar ... demonstrates that the appeal of surrealist ludics is indeed universal and therefore exceeds all cultural boundaries.’ Comparative Drama
’... reintroduces the reader to work of playwrights with whom scholars and readers of surrealism are not necessarily familiar ... demonstrates that the appeal of surrealist ludics is indeed universal and therefore exceeds all cultural boundaries.’ Comparative Drama
Cuprins
Introduction: Does Surrealist Theatre Exist?; Chapter 1 The Surrealist Game “One into Another” in Nadja and Les Détraquées. Reconstructing André Breton’s Ludic Dramatic Theory; Chapter 2 Staging “Mad love” in the Théâtre Alfred Jarry: Breton’s Ludic Dramatic Theory in Practice; Chapter 3; Chapter 4 Playing with language: Antonin Artaud’s paidia and Robert Wilson’s ludus; Chapter 5 Ludics in Megan Terry’s “theatre of transformations”; conclu Conclusion;
Descriere
This study reconsiders Surrealist theatre specifically from the perspective of ludics - a poetics of play and games - an ideal approach to the Surrealists, whose games blur the boundaries between the 'playful' and the 'serious.' Beginning with the Surrealists' 'one-into-another' game and its illustration of Breton's ludic dramatic theory, Rapti examines the traces of this kind of game in the works of a wide variety of Surrealist and Post-Surrealist playwrights and stage directors.