Mad Enchantment
Autor Ross Kingen Limba Engleză Hardback
Claude Monet is perhaps the world's most beloved artist, and among all his creations, the paintings of the water lilies in his garden at Giverny are most famous. Seeing them in museums around the world, viewers are transported by the power of Monet's brush into a peaceful world of harmonious nature. Monet himself intended them to provide an asylum of peaceful meditation. Yet, as Ross King reveals in his magisterial chronicle of both artist and masterpiece, these beautiful canvases belie the intense frustration Monet experienced at the difficulties of capturing the fugitive effects of light, water, and color. They also reflect the terrible personal torments Monet suffered in the last dozen years of his life.
Mad Enchantment tells the full story behind the creation of the Water Lilies, as the horrors of World War I came ever closer to Paris and Giverny, and a new generation of younger artists, led by Henri Matisse and Pablo Picasso, were challenging the achievements of Impressionism. By early 1914, French newspapers were reporting that Monet, by then 73 and one of the world's wealthiest, most celebrated painters, had retired his brushes. He had lost his beloved wife, Alice, and his eldest son, Jean. His famously acute vision--what Paul Cezanne called "the most prodigious eye in the history of painting"--was threatened by cataracts. And yet, despite ill health, self-doubt, and advancing age, Monet began painting again on a more ambitious scale than ever before. Linking great artistic achievement to the personal and historical dramas unfolding around it, Ross King presents the most intimate and revealing portrait of an iconic figure in world culture--from his lavish lifestyle and tempestuous personality to his close friendship with the fiery war leader Georges Clemenceau, who regarded the Water Lilies as one of the highest expressions of the human spirit.
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Specificații
ISBN-10: 1632860120
Pagini: 416
Dimensiuni: 165 x 236 x 36 mm
Greutate: 0.77 kg
Editura: Bloomsbury USA
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[King] consummately meshes biography with art history as he turns the creation of one resounding masterpiece into a portal on the artist's life . Writing with a historical novelist's attunement to the interplay of peace, temperament, and society, King brings readers to Giverny . King sumptuously describes the pleasures of Giverny . Never before has the full drama and significance of Monet's magnificent Water Lilies been conveyed with such knowledge and perception, empathy and wonder'
Writing with a historical novelist's attunement to the interplay of place, temperament, and society, King brings readers to Giverny [and] sumptuously describes [its] pleasures . Never before has the full drama and significance of Monet's magnificent Water Lilies been conveyed with such knowledge and perception, empathy and wonder
[King] turns his mind, heart, and eyes to Claude Monet . King is ever the brilliant docent murmuring the right, telling details and critical backstories in our ear as we move through space and time. He ultimately brings the man and his work into perfect focus while increasing his audience's interest in both all the more . This work is essential.
Vivid . King elegantly reveals the soul of a great artist, the last Impressionist standing at the end of one of history's most remarkable art movements
King is a skilled guide to Monet's bastardy. This book, like his earlier ones, is as much about the artist's times as his work
The closing decades of an artist's life do not generally make the biographer's heart beat faster, but Claude Monet is one of a handful of painters who bucks the pattern of an irrelevant old age. . A fine, fluent book . A careful unpicking of cherished art-historical narratives
Ross King has a track record when it comes to turning such art stories into gripping narratives . His method is expansive, including personal, political, social and cultural context in a way that would horrify some art purists. Never mind, it works. This latest, perfectly engrossing book is, at one level, simply the story of how the late lilies - hundreds of yards of them on a series of gigantic canvases - came to be painted. At another level, however, it is the story of art and its meanings amid the carnage of the twentieth century
A homage to how the genius of Monet's extraordinary eye came finally to be realised . King has a skill for turning over unlikely narrative stones
Ross King's Monet might not be an easy man to like, but King is also very good with the wider picture, and the fascination of this lively and entertaining book lies as much in its portrait of first-world-war France as it does in its depiction of Giverny . But it is in the period detail and character portraits that Mad Enchantment really comes to life
Lyrical and dynamic
Ross King lyrically explores the personal paradise that Monet constructed at Giverny . King's title sounds overexcited, but he justifies it
'Engrossing history . This scholarly story of Monet's greatest project is told with tremendous humour and is filled with fascinating insights'
[A] fine account of the making of Monet's final masterpiece