Made in Korea: Studies in Popular Music: Routledge Global Popular Music Series
Editat de Hyunjoon Shin, Seung-Ah Leeen Limba Engleză Hardback – 23 aug 2016
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Specificații
ISBN-13: 9781138793033
ISBN-10: 1138793035
Pagini: 262
Dimensiuni: 174 x 246 x 20 mm
Greutate: 0.66 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Global Popular Music Series
Locul publicării:Oxford, United Kingdom
ISBN-10: 1138793035
Pagini: 262
Dimensiuni: 174 x 246 x 20 mm
Greutate: 0.66 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Global Popular Music Series
Locul publicării:Oxford, United Kingdom
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Cuprins
Preface
Introduction: The Road to Popular Music: Regulation, Resistance, and Negotiations
HYUNJOON SHIN & SEUNG-AH LEE
Part I. Histories
1 The Stage Show and the Dance Floor: A History of "Live Music" in Korea
HYUNJOON SHIN
2 Assembling Pop Records in Twentieth Century Korea: A Double is Twice as Good as a Single
KEEWOONG LEE
3 Broadcasting Media and Popular Music: Institution, Technologies, and Power
JUNG-YUP LEE
4 Emerging Social Distribution: The Case of K-pop Circulation in the Global Pop Market
SUN JUNG
Part II. Genres
5 Trot and Ballad: Popular Genres of Korean Pop
YU-JEONG CHANG
6 Korean Rock’s Journey from Group Sound to Indie Rock
PIL HO KIM
7 Modern Folksong and People’s Song (Minjung Kayo)
AEKYUNG PARK
8 Korean Black Music and its Culture: Soul, Funk and Hip-Hop
JAEYOUNG YANG
Part III. Artists
9 Kim Hae-song, An Incomplete Dream of Korean Jazz
JUNHEE LEE
10 Shin Joong Hyun’s Rock Sonority and Korean Pentatonicism in "Miin"
DOHEE KWON
11 Kim Min-ki and the Making of a Legend
OKON HWANG
12 Seo Taiji Syndrome: Rise of Korean Youth and Cultural Transformation through Global Pop Music Styles in the early 1990s
EUN-YOUNG JUNG
Part IV. Issues
13 Korean Pop Music and Korean Identities: A Political-Cultural History of Korean Pop Music and Its Use of Traditional Korean Musical Elements
HYUNSEOK KWON
14 Who’s Afraid of Korean Idols?: Five Keywords for Understanding Korean Idol Pop
DONG-YEUN LEE
15 Controlling or Supporting?: A History of Cultural Policies on Popular Music
SOOJIN KIM
16 The Voice of Popular Korea: Styles, Genres and Contexts
HAEKYUNG UM
Coda
17 Asia and Beyond: Circulation and Reception of Korean Popular Music outside of Korea
SUNHEE KOO & SANG-YEON LOISE SUNG
Afterword
"We tried to catch up, now we should evolve": A Conversation with Shin Hae-chul
HYUNJOON SHIN & CH’OE CHI-SŎN
Introduction: The Road to Popular Music: Regulation, Resistance, and Negotiations
HYUNJOON SHIN & SEUNG-AH LEE
Part I. Histories
1 The Stage Show and the Dance Floor: A History of "Live Music" in Korea
HYUNJOON SHIN
2 Assembling Pop Records in Twentieth Century Korea: A Double is Twice as Good as a Single
KEEWOONG LEE
3 Broadcasting Media and Popular Music: Institution, Technologies, and Power
JUNG-YUP LEE
4 Emerging Social Distribution: The Case of K-pop Circulation in the Global Pop Market
SUN JUNG
Part II. Genres
5 Trot and Ballad: Popular Genres of Korean Pop
YU-JEONG CHANG
6 Korean Rock’s Journey from Group Sound to Indie Rock
PIL HO KIM
7 Modern Folksong and People’s Song (Minjung Kayo)
AEKYUNG PARK
8 Korean Black Music and its Culture: Soul, Funk and Hip-Hop
JAEYOUNG YANG
Part III. Artists
9 Kim Hae-song, An Incomplete Dream of Korean Jazz
JUNHEE LEE
10 Shin Joong Hyun’s Rock Sonority and Korean Pentatonicism in "Miin"
DOHEE KWON
11 Kim Min-ki and the Making of a Legend
OKON HWANG
12 Seo Taiji Syndrome: Rise of Korean Youth and Cultural Transformation through Global Pop Music Styles in the early 1990s
EUN-YOUNG JUNG
Part IV. Issues
13 Korean Pop Music and Korean Identities: A Political-Cultural History of Korean Pop Music and Its Use of Traditional Korean Musical Elements
HYUNSEOK KWON
14 Who’s Afraid of Korean Idols?: Five Keywords for Understanding Korean Idol Pop
DONG-YEUN LEE
15 Controlling or Supporting?: A History of Cultural Policies on Popular Music
SOOJIN KIM
16 The Voice of Popular Korea: Styles, Genres and Contexts
HAEKYUNG UM
Coda
17 Asia and Beyond: Circulation and Reception of Korean Popular Music outside of Korea
SUNHEE KOO & SANG-YEON LOISE SUNG
Afterword
"We tried to catch up, now we should evolve": A Conversation with Shin Hae-chul
HYUNJOON SHIN & CH’OE CHI-SŎN
Recenzii
"A fine addition to the highly recommended series Global Popular Music (edited by Franco Fabbri and Goffredo Plastino), this volume on popular music in Korea (short for South Korea) is as comprehensive as such a book can be. ... [T]his book provides an expansive overview, written by an expert team of researchers. This book is certainly not just for scholars of Korean or Asian culture. I think that researchers in popular music, cultural studies, media, and cultural sociology who are interested in the details and intricacies of cultural globalization can find a wealth of information and insights hidden in these pages."
—Motti Regev, Popular Music and Society
"K-pop has increased its reach from Antofagasta in Chile to Zanzibar in Tanzania, and secured its foothold in global cities such as New York, London, and Paris. Nonetheless, analyses that move beyond clichés and display a solid command of the history and the specifics of the Korean popular music scene have not grown with commensurate rapidity, at least in English. Made in Korea addresses this relative lacuna. With contributors from various social sciences and humanities disciplines, the book is an assemblage of seventeen essays organized into four sections: history, genres, artitsts and issues. Taken together, the essays in this edited volume provide a very useful introduction for readers unfamiliar with Korean popular music, and also serve as a foundation for academic researchers seeking to strengthen their knowledge across several antecedents, genres, and artists of contemporary Korean popular music"
—Hyung-Gu Lynn, Pacific Affairs
—Motti Regev, Popular Music and Society
"K-pop has increased its reach from Antofagasta in Chile to Zanzibar in Tanzania, and secured its foothold in global cities such as New York, London, and Paris. Nonetheless, analyses that move beyond clichés and display a solid command of the history and the specifics of the Korean popular music scene have not grown with commensurate rapidity, at least in English. Made in Korea addresses this relative lacuna. With contributors from various social sciences and humanities disciplines, the book is an assemblage of seventeen essays organized into four sections: history, genres, artitsts and issues. Taken together, the essays in this edited volume provide a very useful introduction for readers unfamiliar with Korean popular music, and also serve as a foundation for academic researchers seeking to strengthen their knowledge across several antecedents, genres, and artists of contemporary Korean popular music"
—Hyung-Gu Lynn, Pacific Affairs
Descriere
Made in Korea: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of contemporary Korean popular music. Each essay covers the major figures, styles, and social contexts of pop music in Korea, first presenting a general description of the history and background of popular music in Korea, followed by essays, written by leading scholars of Korean music, that are organized into thematic sections: History, Institution, Ideology; Genres and Styles; Artists; and Issues.