Magic and Memory in Giordano Bruno: The Art of a Heroic Spirit: Brill's Studies in Intellectual History, cartea 283
Autor Manuel Mertensen Limba Engleză Hardback – 13 iun 2018
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Specificații
ISBN-13: 9789004358928
ISBN-10: 9004358927
Dimensiuni: 155 x 235 mm
Greutate: 0.52 kg
Editura: Brill
Colecția Brill
Seria Brill's Studies in Intellectual History
ISBN-10: 9004358927
Dimensiuni: 155 x 235 mm
Greutate: 0.52 kg
Editura: Brill
Colecția Brill
Seria Brill's Studies in Intellectual History
Cuprins
Preface
Acknowledgments
1 Magic and Memory in Giordano Bruno: Towards a More Encompassing Perspective
1.1 Changing Perspectives on Magic and Memory
1.2 Towards a Broader Perspective
2 Special Features of Magical and Mnemonic Writings in the Sixteenth Century
2.1 Masked on the Literary Stage? 2.2 The Contradictions in the Mnemonic Works in View of Bruno’s Conception of Magic
2.3 Writing on Memory: Cryptic Publications and Oral Teaching
2.4 Conclusion
3 The Concept of Similitudo
3.1 Similitudo from Foucault to Sturlese
3.2 In Search of a Definition of Similitudo
3.3 The Function of Similitudo
3.4 The Aim Expressed by Similitudo
4 A Spirit-Regulating Art
4.1 Spirits in the Ventricles
4.2 An Internal Art and Its Inner Tool
4.3 The Map of the Mind
4.4 Belief and Deceit
4.5 Deceiving Demons in the Early Mnemonic Treatises
Conclusion
Bibliographical Note
Major Editions
Bruno’s Works Used in this Book
Historical Documents
English Translations Used in this Book
Bibliography
Index
Acknowledgments
1 Magic and Memory in Giordano Bruno: Towards a More Encompassing Perspective
1.1 Changing Perspectives on Magic and Memory
1.2 Towards a Broader Perspective
2 Special Features of Magical and Mnemonic Writings in the Sixteenth Century
2.1 Masked on the Literary Stage? 2.2 The Contradictions in the Mnemonic Works in View of Bruno’s Conception of Magic
2.3 Writing on Memory: Cryptic Publications and Oral Teaching
2.4 Conclusion
3 The Concept of Similitudo
3.1 Similitudo from Foucault to Sturlese
3.2 In Search of a Definition of Similitudo
3.3 The Function of Similitudo
3.4 The Aim Expressed by Similitudo
4 A Spirit-Regulating Art
4.1 Spirits in the Ventricles
4.2 An Internal Art and Its Inner Tool
4.3 The Map of the Mind
4.4 Belief and Deceit
4.5 Deceiving Demons in the Early Mnemonic Treatises
Conclusion
Bibliographical Note
Major Editions
Bruno’s Works Used in this Book
Historical Documents
English Translations Used in this Book
Bibliography
Index
Notă biografică
Manuel Mertens, Ph.D. (2011), Ghent University, has published several articles on magic, mnemonics, philosophy, geometry, and printing culture in the Renaissance. He teaches Latin in Antwerp, where he continues his research activities in affiliation with Ghent University.
Recenzii
"Manuel Mertens’s monograph offers a useful reassessment of Giordano Bruno’s operational conception of Knowledge [...] Mertens has written an accurate study of a very important area of Bruno’s philosophical inquiry. His aim has clearly been to reunite fundamental threads of Bruno’s work and describe the philosopher’s theoretical-practical approach to knowledge."
Pietro Daniel Omodeo, Ca’ Foscari University of Venice, in ISIS 101.2 (The History of Science Society)
Pietro Daniel Omodeo, Ca’ Foscari University of Venice, in ISIS 101.2 (The History of Science Society)