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Making Theory/Constructing Art: On the Authority of the Avant-Garde

Autor Daniel Herwitz
en Limba Engleză Paperback – 8 mai 1996
Artists and critics regularly enlist theory in the creation and assessment of artworks, but few have scrutinized the art theories themselves. Here, Daniel examines and critiques the norms, assumptions, historical conditions, and institutions that have framed the development and uses of art theory.

Spurred by the theoretical claims of Arthur Danto, a leader in the philosophy of the avant-garde, Herwitz reexamines the art and theory of major figures in the avant-garde movement including John Cage, Jean-François Lyotard, Jean Baudrillard, and Andy Warhol.
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Specificații

ISBN-13: 9780226328928
ISBN-10: 0226328929
Pagini: 370
Ilustrații: 30 halftones
Dimensiuni: 152 x 229 x 28 mm
Greutate: 0.48 kg
Ediția:1
Editura: University of Chicago Press
Colecția University of Chicago Press

Cuprins

List of Illustrations
Acknowledgments
Introduction: What We Have Inherited
Pt. I: Studies in Avant-Garde Art
1: Setting the Stage: Arthur Danto's Reading of the Avant-Garde
2: Constructivism's Descartes
3: Constructivism's Utopian Game with Theory
4: Mondrian's Plato
5: John Cage
Pt. 2: The Legacy of the Avant-Garde
6: Reading Arthur Danto's Theory
7: Reading Arthur Danto's Reading of the Object
8: Andy Warhol without Theory
9: The Uses of Theory in the Contemporary Artworld
Notes
Index