Mangaddicts: French Teenagers and Manga Reading: Youth in a Globalizing World, cartea 21
Autor Christine Détrez, Olivier Vanhée Traducere de Florian Berthéen Limba Engleză Hardback – 30 mai 2023
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Specificații
ISBN-13: 9789004545519
ISBN-10: 9004545514
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Youth in a Globalizing World
ISBN-10: 9004545514
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Youth in a Globalizing World
Notă biografică
Christine Détrez is a Professor of Sociology at the Ecole Normale Supérieure de Lyon (Lyon University, France), and the director of the Centre Max Weber. She is a specialist in the sociology of culture, gender and emotions. She received a PhD in sociology from the Ecole des Hautes Etudes en Sciences Sociales (Paris) for a thesis on the reading practices of teenagers in high schools. She is also a novelist.
Olivier Vanhée received a PhD in sociology and anthropology from the Université Lumière Lyon 2, for a thesis on manga reception in France: the genesis of manga publishing in France, the cultural socialization of adult readers (born from the 1960s to the 1980s), the variations of their cultural tastes and ways of reading. He teaches sociology and educational sciences at the University of Picardie-Jules Verne (Amiens, France).
Olivier Vanhée received a PhD in sociology and anthropology from the Université Lumière Lyon 2, for a thesis on manga reception in France: the genesis of manga publishing in France, the cultural socialization of adult readers (born from the 1960s to the 1980s), the variations of their cultural tastes and ways of reading. He teaches sociology and educational sciences at the University of Picardie-Jules Verne (Amiens, France).
Cuprins
Preface
Acknowledgments
List of Tables and Graphs
Introduction
1What Is Manga?
1 “One Thousand Years of Manga” or “Sixty Years of Manga”? Definitions and Search for Origins
2 Production Process and Manga Specificities
2.1The Effect of the Production Process
2.2The Categorization of Readers
2.2.1 Targeting Readers
2.2.2 Age and Gender Group: Segmentation and Hybridization
2.3The Rise of the Manga Cultural Industry in Japan
2.4Manga Spread and Reception in France: From Media Panic to Recognition
3 Mapping the French Manga Market
3.1Field Structuring
3.1.1 Today’s Publishers
3.2Outcome
2A Reading Practice Embedded in the Youth Culture
1 A Reading Embedded in Teenagers’ Schedules
1.1Reading Easy and Practical
1.2Reading in Various Contexts
1.3Reading and Rereading
2 A Reading Practice Embedded in the “Youth Culture” Constellation
2.1Cartoons
2.2The Digital Era
2.3Music
2.4The Fantastic and the Sentimental
2.5Reading and the Book
3 Friendship Networks
3.1Exchange Networks
3.2Discussing Manga
3.3A Way of Connecting with Others
4 Manga-Related Hobbies
4.1Drawing: A Mixed-Gender Activity
4.2Girls: Cosplay and Fanfiction
4.2.1 Cosplays
4.2.2 Fanfictions
4.3Anime Music Videos and Role Playing Games (amv and rpg)
4.4Blogs
5 Readers’ Careers
5.1Discovering Manga
5.2High School as a Confirmation
5.3Turning Points and Career Endings
3Reading Manga
1 Entertainment
1.1Enjoyment
1.2Escapism
1.3Laughing: A Serious Matter
1.3.1 Burlesque and Situational Comedy: A Comic Pattern of “Degradation”
1.3.2 Nonsense and Absurd
1.3.3 Comedies in a School Setting: Satire and the Subversion of Authority
1.3.4 Humor in Coming-of-Age Comedies: Comical Variations on Romantic and Sexual Relationships
1.3.5 Plays on Words
1.4… and Crying
2 Relatability
2.1The Various Facets of Identification: Admiring
2.2Recognizing Oneself
2.3Ethical Receptions
2.4Seeking Comfort
3 Right Age, Right Gender, Right Manners
3.1The Role of Age and Generations
3.2Age Matters
4 Getting One’s Gender Straight: Boys, Fist Fights and Little Nana Girls
4.1Boys and “Beating”
4.2Diverse Models of Masculinity: Intelligence, Psychology, and Emotions
4.3The Little Nana Girls
5 Growing Up with Manga: Practical Uses
5.1Seeds of Knowledge
5.2Seeds of Life
4In Search of Lost Legitimacy
1 Conflicted Dispositions
1.1Parents, Teachers and Friends
1.2Internalization
2 Fans in Their Own Words: Self-Portraits
2.1 Not Being a Fan
2.2Being a Fan
3 “Scholarly” Readings
3.1Reading as a Meticulous Task
3.2Reading Skills
Conclusion
Appendix 1Glossary: The Manga and Japanese Animation Universe
Appendix 2The Manga Readers Interviewed and Their Characteristics
Appendix 3Summaries of Some Manga Titles by Those Who Read Them
Appendix 4Graphs and Tables about Manga Publishing in France
Bibliography
Index
Acknowledgments
List of Tables and Graphs
Introduction
1What Is Manga?
1 “One Thousand Years of Manga” or “Sixty Years of Manga”? Definitions and Search for Origins
2 Production Process and Manga Specificities
2.1The Effect of the Production Process
2.2The Categorization of Readers
2.2.1 Targeting Readers
2.2.2 Age and Gender Group: Segmentation and Hybridization
2.3The Rise of the Manga Cultural Industry in Japan
2.4Manga Spread and Reception in France: From Media Panic to Recognition
3 Mapping the French Manga Market
3.1Field Structuring
3.1.1 Today’s Publishers
3.2Outcome
2A Reading Practice Embedded in the Youth Culture
1 A Reading Embedded in Teenagers’ Schedules
1.1Reading Easy and Practical
1.2Reading in Various Contexts
1.3Reading and Rereading
2 A Reading Practice Embedded in the “Youth Culture” Constellation
2.1Cartoons
2.2The Digital Era
2.3Music
2.4The Fantastic and the Sentimental
2.5Reading and the Book
3 Friendship Networks
3.1Exchange Networks
3.2Discussing Manga
3.3A Way of Connecting with Others
4 Manga-Related Hobbies
4.1Drawing: A Mixed-Gender Activity
4.2Girls: Cosplay and Fanfiction
4.2.1 Cosplays
4.2.2 Fanfictions
4.3Anime Music Videos and Role Playing Games (amv and rpg)
4.4Blogs
5 Readers’ Careers
5.1Discovering Manga
5.2High School as a Confirmation
5.3Turning Points and Career Endings
3Reading Manga
1 Entertainment
1.1Enjoyment
1.2Escapism
1.3Laughing: A Serious Matter
1.3.1 Burlesque and Situational Comedy: A Comic Pattern of “Degradation”
1.3.2 Nonsense and Absurd
1.3.3 Comedies in a School Setting: Satire and the Subversion of Authority
1.3.4 Humor in Coming-of-Age Comedies: Comical Variations on Romantic and Sexual Relationships
1.3.5 Plays on Words
1.4… and Crying
2 Relatability
2.1The Various Facets of Identification: Admiring
2.2Recognizing Oneself
2.3Ethical Receptions
2.4Seeking Comfort
3 Right Age, Right Gender, Right Manners
3.1The Role of Age and Generations
3.2Age Matters
4 Getting One’s Gender Straight: Boys, Fist Fights and Little Nana Girls
4.1Boys and “Beating”
4.2Diverse Models of Masculinity: Intelligence, Psychology, and Emotions
4.3The Little Nana Girls
5 Growing Up with Manga: Practical Uses
5.1Seeds of Knowledge
5.2Seeds of Life
4In Search of Lost Legitimacy
1 Conflicted Dispositions
1.1Parents, Teachers and Friends
1.2Internalization
2 Fans in Their Own Words: Self-Portraits
2.1 Not Being a Fan
2.2Being a Fan
3 “Scholarly” Readings
3.1Reading as a Meticulous Task
3.2Reading Skills
Conclusion
Appendix 1Glossary: The Manga and Japanese Animation Universe
Appendix 2The Manga Readers Interviewed and Their Characteristics
Appendix 3Summaries of Some Manga Titles by Those Who Read Them
Appendix 4Graphs and Tables about Manga Publishing in France
Bibliography
Index