Masters of Psalmody (<i>bimo</i>): Scriptural Shamanism in Southwestern China: Religion in Chinese Societies, cartea 15
Autor Aurélie Névoten Limba Engleză Hardback – 11 sep 2019
Through ethnographic data, the author presents the still little known bimo metaphysics and unravels the complexity of the local text-based ritual system in which the continuity of each bimo lineage relies on the transmission of manuscripts whose writing relates to lineage blood. While illuminating the usages of this shamanistic tradition that is characterized by scriptural variability between patrilineages, Aurélie Névot highlights the radical changes it is undergoing by becoming a Chinese state tradition.
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Specificații
ISBN-13: 9789004414839
ISBN-10: 9004414835
Pagini: 264
Dimensiuni: 155 x 235 mm
Greutate: 0.57 kg
Editura: Brill
Colecția Brill
Seria Religion in Chinese Societies
ISBN-10: 9004414835
Pagini: 264
Dimensiuni: 155 x 235 mm
Greutate: 0.57 kg
Editura: Brill
Colecția Brill
Seria Religion in Chinese Societies
Cuprins
Foreword
Acknowledgements
Illustrations and Tables
Notes to the Reader
Introduction
1 Countercurrent Writing: Myths and Blood Lineages in Question
Introduction: Yi-centrism versus Han-centrism
1 A Direction of Writing Contrary to Chinese Writing
2 Writing as a Mirrored Avatar and/or as an Expression of a Distinction of Identity?
3 “The Language of the Eyes”
4 Apparent Anarchy, Lineage Lability
Conclusion: a Lineage Shamanistic Tradition
2 The Textual Chants of Bimo: Voicing the Written Space
Introduction: Graphical Melodies
1 To Meow, to Screech like a Falcon, to Quack like a Wild Duck, to Utter the Chant of the Snake/Dead
2 To Write Then to Psalmodize: Becoming Bimo
3 Invisible Characters, Voice in Completion, Subtle Speech
4 Writing as a Psalmodic Chimera
5 The Written Reflexivity of Bimo Speech
Conclusion: the Acoustic Life of Bimo Writing
3 The Physicality of Bimo Books: the Manuscript as a Psalmodic Mask
Introduction: Manuscript as a Persona
1 The Space of the Book
2 A Canvas of Writing-Blood
3 Mountain-book, Hillside-pages
4 Facing “Two Cheeks”
Conclusion: the Feminine of Writing
4 The Bimo’s Bookish Journey: to Walk through Chanted Lines of Writing
Introduction: Bimo Transhumances and Shamanistic Spatialities
1 To Ride, to Walk on Four Hands, to Whirl, to Flow
2 Parallelisms
3 A Concatenation of Textual Chant
Conclusion: the Writing, Visible, as Access to the Vocalized Invisible Space
5 Bimo Ritual, nyi: Sacrificial Transsubstantiality
Introduction: Blood Sacrifices
1 Setting Up the Ritual Framework
2 “To Build the Center”
3 To Become a mo (Sacrificial Animal)
4 “The Sacrificial Animal’s Speech”
Conclusion: Bloods
6 Achema: the Yi-Sani Apologue for the Art of Speaking
Introduction: Vocal Co-Dehiscence and Social Reconfiguration
1 The Primacy of Speech
2 Chema: from Snake-Woman to Dead-Woman
3 The Mastery of Speech as a Social Issue, the Art of Speaking as Performance
4 To Imitate Nature’s Babble
Conclusion: Voices Echo
7 Bimo Religion as Intangible Cultural Heritage: the Process of Standardizing Writings and Chants
Introduction: “Bimo Religion” bìmó jiào 毕摩教
1 Bimo Qualification Certificate
2 From “Blood” to “Image”
3 Current Policies as Rooted in the 19th Century
4 To Rewrite: to Restructure the Writing Pages
5 From Lineage Writings to the Yi Writing of the Stone Forest County
6 From the Secrets of Initiated Men to State Secrets?
7 Bimo Music and Chants as Institutions of the Chinese State
Conclusion: Se in the Process of Becoming wén? An Ongoing Shamanistic Schism
Conclusion
Bibliography
Index
Acknowledgements
Illustrations and Tables
Notes to the Reader
Introduction
1 Countercurrent Writing: Myths and Blood Lineages in Question
Introduction: Yi-centrism versus Han-centrism
1 A Direction of Writing Contrary to Chinese Writing
2 Writing as a Mirrored Avatar and/or as an Expression of a Distinction of Identity?
3 “The Language of the Eyes”
4 Apparent Anarchy, Lineage Lability
Conclusion: a Lineage Shamanistic Tradition
2 The Textual Chants of Bimo: Voicing the Written Space
Introduction: Graphical Melodies
1 To Meow, to Screech like a Falcon, to Quack like a Wild Duck, to Utter the Chant of the Snake/Dead
2 To Write Then to Psalmodize: Becoming Bimo
3 Invisible Characters, Voice in Completion, Subtle Speech
4 Writing as a Psalmodic Chimera
5 The Written Reflexivity of Bimo Speech
Conclusion: the Acoustic Life of Bimo Writing
3 The Physicality of Bimo Books: the Manuscript as a Psalmodic Mask
Introduction: Manuscript as a Persona
1 The Space of the Book
2 A Canvas of Writing-Blood
3 Mountain-book, Hillside-pages
4 Facing “Two Cheeks”
Conclusion: the Feminine of Writing
4 The Bimo’s Bookish Journey: to Walk through Chanted Lines of Writing
Introduction: Bimo Transhumances and Shamanistic Spatialities
1 To Ride, to Walk on Four Hands, to Whirl, to Flow
2 Parallelisms
3 A Concatenation of Textual Chant
Conclusion: the Writing, Visible, as Access to the Vocalized Invisible Space
5 Bimo Ritual, nyi: Sacrificial Transsubstantiality
Introduction: Blood Sacrifices
1 Setting Up the Ritual Framework
2 “To Build the Center”
3 To Become a mo (Sacrificial Animal)
4 “The Sacrificial Animal’s Speech”
Conclusion: Bloods
6 Achema: the Yi-Sani Apologue for the Art of Speaking
Introduction: Vocal Co-Dehiscence and Social Reconfiguration
1 The Primacy of Speech
2 Chema: from Snake-Woman to Dead-Woman
3 The Mastery of Speech as a Social Issue, the Art of Speaking as Performance
4 To Imitate Nature’s Babble
Conclusion: Voices Echo
7 Bimo Religion as Intangible Cultural Heritage: the Process of Standardizing Writings and Chants
Introduction: “Bimo Religion” bìmó jiào 毕摩教
1 Bimo Qualification Certificate
2 From “Blood” to “Image”
3 Current Policies as Rooted in the 19th Century
4 To Rewrite: to Restructure the Writing Pages
5 From Lineage Writings to the Yi Writing of the Stone Forest County
6 From the Secrets of Initiated Men to State Secrets?
7 Bimo Music and Chants as Institutions of the Chinese State
Conclusion: Se in the Process of Becoming wén? An Ongoing Shamanistic Schism
Conclusion
Bibliography
Index
Notă biografică
Aurélie Névot, HDR (2017), EHESS (Paris), Ph. D (2003), Paris-Nanterre University, is researcher at the French National Center for Scientific Research (CNRS) - Research Center on Modern and Contemporary China. She has published monographs and articles on Yi-Sani and China.