Material World: The Intersection of Art, Science, and Nature in Ancient Literature and its Renaissance Reception: NIKI Studies in Netherlandish-Italian Art History, cartea 15
Editat de Guy Hedreenen Limba Engleză Hardback – 2 iun 2021
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Specificații
ISBN-13: 9789004423763
ISBN-10: 9004423761
Dimensiuni: 155 x 235 mm
Greutate: 0.73 kg
Editura: Brill
Colecția Brill
Seria NIKI Studies in Netherlandish-Italian Art History
ISBN-10: 9004423761
Dimensiuni: 155 x 235 mm
Greutate: 0.73 kg
Editura: Brill
Colecția Brill
Seria NIKI Studies in Netherlandish-Italian Art History
Cuprins
Director’s Remarks
Michael W. Kwakkelstein
Acknowledgements
List of Figures
Notes on Contributors
Introduction: The Material World and Its Limits
Guy Hedreen
1 Plato’s Attitude toward Painting and Mathematics
Ernesto Paparazzo
2 The Vitruvian Body in De architectura’s Third Preface: Architecture and Rhetoric between Nature and Art
Marden Fitzpatrick Nichols
3 Cera d’api: la storia naturale di un medium archetipico
Verity Platt
4 ‘We Penetrate the Earth’s Innards and Search for Riches’: Pliny’s Hierarchy of Materials and Its Influence in the Renaissance
Sarah Blake McHam
5 Moving Wood, Man Immobile: Hero’s Automata at the Urbino Court
Courtney Roby
6 Terremoti artificiali. La sismologia aristotelica nella guerra sotterranea del Rinascimento
Morgan Ng
7 The Heptaphonon and the Architecture of Echoes
Carolyn Yerkes
8 A Changing Earth: Strabo and Leonardo’s Scientific Humanism
Domenico Laurenza
9 Into the Wild: Living Landscape and Wonderment in Renaissance Art
Dennis Geronimus
10 Botticelli’s Venus and Mars, Lucretius and Empedocles
Gordon Campbell
11 Fantasia and Speciation: Traces of Empedocles in Ancient Poetry and Renaissance Art
Guy Hedreen
Coda: Temporality and the Reception of Ancient Culture: An Example from Dürer
Guy Hedreen
Index of Primary Literary Sources
Index of Works of Art
General Index
Michael W. Kwakkelstein
Acknowledgements
List of Figures
Notes on Contributors
Introduction: The Material World and Its Limits
Guy Hedreen
1 Plato’s Attitude toward Painting and Mathematics
Ernesto Paparazzo
2 The Vitruvian Body in De architectura’s Third Preface: Architecture and Rhetoric between Nature and Art
Marden Fitzpatrick Nichols
3 Cera d’api: la storia naturale di un medium archetipico
Verity Platt
4 ‘We Penetrate the Earth’s Innards and Search for Riches’: Pliny’s Hierarchy of Materials and Its Influence in the Renaissance
Sarah Blake McHam
5 Moving Wood, Man Immobile: Hero’s Automata at the Urbino Court
Courtney Roby
6 Terremoti artificiali. La sismologia aristotelica nella guerra sotterranea del Rinascimento
Morgan Ng
7 The Heptaphonon and the Architecture of Echoes
Carolyn Yerkes
8 A Changing Earth: Strabo and Leonardo’s Scientific Humanism
Domenico Laurenza
9 Into the Wild: Living Landscape and Wonderment in Renaissance Art
Dennis Geronimus
10 Botticelli’s Venus and Mars, Lucretius and Empedocles
Gordon Campbell
11 Fantasia and Speciation: Traces of Empedocles in Ancient Poetry and Renaissance Art
Guy Hedreen
Coda: Temporality and the Reception of Ancient Culture: An Example from Dürer
Guy Hedreen
Index of Primary Literary Sources
Index of Works of Art
General Index
Notă biografică
Guy Hedreen, Ph.D. (1988, Bryn Mawr College) is Amos Lawrence Professor of Art at Williams College. He is the author of three books, most recently The Image of the Artist in Archaic and Classical Greece: Art, Poetry, and Subjectivity (Cambridge University Press, 2015).