Mean Boys: A Personal History
Autor Geoffrey Maken Limba Engleză Hardback – 24 iul 2024
Preț: 104.96 lei
Preț vechi: 139.25 lei
-25% Nou
Puncte Express: 157
Preț estimativ în valută:
20.09€ • 20.94$ • 16.72£
20.09€ • 20.94$ • 16.72£
Carte disponibilă
Livrare economică 16-30 decembrie
Livrare express 29 noiembrie-05 decembrie pentru 62.20 lei
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9781635577945
ISBN-10: 1635577942
Pagini: 288
Ilustrații: B+W images throughout
Dimensiuni: 140 x 210 x 25 mm
Greutate: 0.44 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Publishing
Locul publicării:New York, United States
ISBN-10: 1635577942
Pagini: 288
Ilustrații: B+W images throughout
Dimensiuni: 140 x 210 x 25 mm
Greutate: 0.44 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Publishing
Locul publicării:New York, United States
Caracteristici
An immersive glimpse into contemporary Berlin: Much of Mean Boys takes place in the German capital's exclusive techno clubs and art galleries. Mak offers an inside account, detailing some of the unwritten rules that governed this much-discussed and much-romanticized scene: "You can only communicate with someone who wants to communicate with you. When you see something, don't assume you understand what's going on. Everyone is on their own journey, unless they're in trouble, then you intervene. Know when to leave the party."
Notă biografică
Geoffrey Mak is a queer Chinese American writer whose work has appeared in the Guardian, Artforum, the Nation, Art in America, Interview, Spike, Guernica, Highsnobiety, and other publications. He is cofounder of the reading and performance series Writing on Raving. Mak holds an MA in Cultural Reporting and Criticism from NYU's Arthur L. Carter Journalism Institute. He lives in Brooklyn.
Recenzii
Geoffrey Mak has a rare ability to inhabit and narrate the contemporary, that enticing hollow of the now, as seen and heard and felt from its current cores of Berlin and New York. There, art, fashion, and nightlife are one continuous attraction, best investigated through the art of hanging out, at which Mak is both a deft hand and delightfully self-aware. What emerges are many of the themes of our times: psychosis, vertigo, addiction, identity, status, casual sex, casual violence, the post-industrial hustle. In the corners lurk the mean boys, avatars of the sheer carelessness of power. Yet Mak also discovers something like a faith in the precious, passing quality of anything that can be truly cherished. His is a sensibility of shelter in the storm.