Mediterranean Slavery and World Literature: Captivity Genres from Cervantes to Rousseau: Routledge Interdisciplinary Perspectives on Literature
Editat de Mario Klareren Limba Engleză Hardback – 18 noi 2019
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Specificații
ISBN-13: 9781138291232
ISBN-10: 1138291234
Pagini: 338
Ilustrații: 22 Illustrations, black and white
Dimensiuni: 152 x 229 x 22 mm
Greutate: 0.59 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Interdisciplinary Perspectives on Literature
Locul publicării:Oxford, United Kingdom
ISBN-10: 1138291234
Pagini: 338
Ilustrații: 22 Illustrations, black and white
Dimensiuni: 152 x 229 x 22 mm
Greutate: 0.59 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Interdisciplinary Perspectives on Literature
Locul publicării:Oxford, United Kingdom
Public țintă
Postgraduate and UndergraduateCuprins
Introduction
Mario Klarer
Part 1
Accounts and Authenticities
Before Barbary Captivity Narratives: Slavery, Ransom, and the Economy of Christian Virtue in The Good Gerhard (c. 1220) by Rudolf of Ems
Mario Klarer
Toward a New Literary History of Captivity: Adventure and Generic Hybridity in the Late Sixteenth Century
Marcus Hartner
Swedish Barbary Captivity Tales: From Letters to Literature (1650–1770)
Joachim Östlund
Part 2
Genesis and Genres
Cervantes’ Algerian Swan Song: The Birth of Los Baños de Argel and Its Positive Portrayal of Jews
Michael Ross Gordon
Female Captivity in Penelope Aubin's The Noble Slaves (1722) and Elizabeth Marsh's The Female Captive (1769)
Stefanie Fricke
A Dystopia as Utopia: The Algerian City of Oran and Annette von Droste-Hülshoff’s The Jew’s Beech
Magnus Ressel
Part 3
Transformations and Translations
The Free Slave: Morality, Neostoicism, and Publishing Strategy in Emanuel d’Aranda’s Algiers and it’s Slavery (1640-82)
Lisa F. Kattenberg
The Robinsonade as a Literary Avatar of Early Nineteenth-Century Barbary Captivity Narration
Robert Spindler
Part 4
Media and Markets
Mozart, Islam, and the Hangman of Salzburg
Kurt Palm
Images from the Dey’s Court: The Artist as Slave in Algiers
Ernstpeter Ruhe
Jonathan Cowdery’s American Captives in Tripoli (1806): Experience of the Frigate Philadelphia Officers (1803-05)
Lotfi Ben Rejeb
Part 5
Captives and Concepts
Of Cross and Crescent: Analogies of Violence and the Topos of "Barbary Captivity" in Samuel Sewall’s The Selling of Joseph (1700), with a Postscript on Benjamin Franklin
Carsten Junker
Defoe, Slavery, and Barbary
G. A. Starr
Émile in Chains: A New Perspective on Rousseau, Slavery, and Hegel’s Phenomenology
Jeremy D. Popkin
Mario Klarer
Part 1
Accounts and Authenticities
Before Barbary Captivity Narratives: Slavery, Ransom, and the Economy of Christian Virtue in The Good Gerhard (c. 1220) by Rudolf of Ems
Mario Klarer
Toward a New Literary History of Captivity: Adventure and Generic Hybridity in the Late Sixteenth Century
Marcus Hartner
Swedish Barbary Captivity Tales: From Letters to Literature (1650–1770)
Joachim Östlund
Part 2
Genesis and Genres
Cervantes’ Algerian Swan Song: The Birth of Los Baños de Argel and Its Positive Portrayal of Jews
Michael Ross Gordon
Female Captivity in Penelope Aubin's The Noble Slaves (1722) and Elizabeth Marsh's The Female Captive (1769)
Stefanie Fricke
A Dystopia as Utopia: The Algerian City of Oran and Annette von Droste-Hülshoff’s The Jew’s Beech
Magnus Ressel
Part 3
Transformations and Translations
The Free Slave: Morality, Neostoicism, and Publishing Strategy in Emanuel d’Aranda’s Algiers and it’s Slavery (1640-82)
Lisa F. Kattenberg
The Robinsonade as a Literary Avatar of Early Nineteenth-Century Barbary Captivity Narration
Robert Spindler
Part 4
Media and Markets
Mozart, Islam, and the Hangman of Salzburg
Kurt Palm
Images from the Dey’s Court: The Artist as Slave in Algiers
Ernstpeter Ruhe
Jonathan Cowdery’s American Captives in Tripoli (1806): Experience of the Frigate Philadelphia Officers (1803-05)
Lotfi Ben Rejeb
Part 5
Captives and Concepts
Of Cross and Crescent: Analogies of Violence and the Topos of "Barbary Captivity" in Samuel Sewall’s The Selling of Joseph (1700), with a Postscript on Benjamin Franklin
Carsten Junker
Defoe, Slavery, and Barbary
G. A. Starr
Émile in Chains: A New Perspective on Rousseau, Slavery, and Hegel’s Phenomenology
Jeremy D. Popkin
Descriere
Mediterranean Slavery and World Literature, is a collection of selected essays which brings to light the literary transformations of the captivity experience in major early modern texts of world literature and popular media, including works by Cervantes, de Vega, Defoe, Rousseau, Mozart, and Droste.Where most studies of slavery, until now, have been limited to historial and autobiographical accounts, this mongraph look speicifically at the treatment of literary texts that touch upon on the subject, and does so from a multicutlural perspective.