Melodramatic Tactics: Theatricalized Dissent in the English Marketplace, 1800-1885
Autor Elaine Hadleyen Limba Engleză Hardback – 30 sep 1995
This pathbreaking work analyzes melodrama as not merely a theatrical genre but as a behavioral paradigm of the nineteenth century, manifest in the theater, in literature, and in society. It shows how the melodramatic mode reaffirmed the familial, hierarchical, and public grounds for ethical behavior and identity that characterized models of social exchange and organization.
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Specificații
ISBN-13: 9780804724036
ISBN-10: 0804724032
Pagini: 320
Dimensiuni: 160 x 234 x 25 mm
Greutate: 0.63 kg
Ediția:1
Editura: Stanford University Press
Colecția Stanford University Press
ISBN-10: 0804724032
Pagini: 320
Dimensiuni: 160 x 234 x 25 mm
Greutate: 0.63 kg
Ediția:1
Editura: Stanford University Press
Colecția Stanford University Press
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Recenzii
"This is a very significant and original contribution to our understanding of melodrama per se and, more generally, of Victorian social relations and cultural representations. Moreover, it is a masterful demonstration of the kind of historical research that many in literary studies now talk of doing, but few do with such vigor and thoroughness."—Christina Crosby, Wesleyan University
"Centering her discussion around the term 'melodramatic modes,' Hadley examines a response to the social, economic, and epistemological changes that characterized the Consolidation of market society in the nineteenth century. . . . In spite of the fact that she covers the whole of the nineteenth century and cites multiple examples, Hadley's approach is unified, fresh, and innovative. She suggests new and significant ways of looking at Victorian culture and challenging some traditional judgments."—Choice
Notă biografică
Elaine Hadley is Assistant Professor of English and of the Humanities at the University of Chicago.
Textul de pe ultima copertă
“This is a very significant and original contribution to our understanding of melodrama per se and, more generally, of Victorian social relations and cultural representations. Moreover, it is a masterful demonstration of the kind of historical research that many in literary studies now talk of doing, but few do with such vigor and thoroughness.”—Christina Crosby, Wesleyan University
“Centering her discussion around the term ‘melodramatic modes,’ Hadley examines a response to the social, economic, and epistemological changes that characterized the Consolidation of market society in the nineteenth century. . . . In spite of the fact that she covers the whole of the nineteenth century and cites multiple examples, Hadley’s approach is unified, fresh, and innovative. She suggests new and significant ways of looking at Victorian culture and challenging some traditional judgments.”—Choice
“Centering her discussion around the term ‘melodramatic modes,’ Hadley examines a response to the social, economic, and epistemological changes that characterized the Consolidation of market society in the nineteenth century. . . . In spite of the fact that she covers the whole of the nineteenth century and cites multiple examples, Hadley’s approach is unified, fresh, and innovative. She suggests new and significant ways of looking at Victorian culture and challenging some traditional judgments.”—Choice
Descriere
This pathbreaking work analyzes melodrama as not merely a theatrical genre but as a behavioral paradigm of the 19th century, manifest in the theater, in literature, and in society.