Memoir of a Gulag Actress
Autor Tamara Petkevich Traducere de Yasha Klots, Ross Ufberg Cuvânt înainte de Joshua Rubensteinen Limba Engleză Hardback – 14 oct 2010
In an abridged translation that retains the grace and passion of the original, Klots and Ufberg present the stunning memoir of a young woman who became an actress in the Gulag. Tamara Petkevich had a relatively privileged childhood in the beautiful, impoverished Petrograd of the Soviet regime’s early years, but when her father—a fervent believer in the Communist ideal—was arrested, 17-year- old Tamara was branded a “daughter of the enemy of the people.” She kept up a search for her father while struggling to support her mother and two sisters, finish school, and enter university. Shortly before the Russian outbreak of World War II, Petkevich was forced to quit school and, against her better judgment, she married an exiled man whom she had met in the lines at the information bureau of the NKVD (People’s Commissariat of Internal Affairs). Her mother and one sister perished in the Nazi siege of Leningrad, and Petkevich was herself arrested. With cinematic detail, Petkevich relates her attempts to defend herself against absurd charges of having a connection to the Leningrad terrorist center, counter-revolutionary propaganda, and anti-Semitism that resulted in a sentence of seven years’ hard labor in the Gulag.
While Petkevich became a professional actress in her own right years after her release from the Gulag, she learned her craft on the stages of the camps scattered across the northern Komi Republic. The existence of prisoner theaters and troupes of political prisoners such as the one Petkevich joined is a little-known fact of Gulag life. Petkevich’s depiction not only provides a unique firsthand account of this world-within-a-world but also testifies to the power of art to literally save lives. As Petkevich moves from one form of hardship to another she retains her desire to live and her ability to love.
More than a firsthand record of atrocities committed in Stalinist Russia, Memoir of a Gulag Actress is an invaluable source of information on the daily life and culture of the Soviet Union at the time. Russian literature about the Gulag remains vastly under-represented in the United States, and Petkevich’s unforgettable memoir will go a long way toward filling this gap. Supplemented with photographs from the author’s personal archive, Petkevich’s story will be of great interest to general readers, while providing an important resource for historians, political scientists, and students of Russian culture and history.
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Specificații
ISBN-13: 9780875804286
ISBN-10: 0875804284
Pagini: 495
Ilustrații: 29
Dimensiuni: 152 x 229 x 38 mm
Greutate: 0.89 kg
Ediția:1
Editura: Northern Illinois University Press
Colecția Northern Illinois University Press
ISBN-10: 0875804284
Pagini: 495
Ilustrații: 29
Dimensiuni: 152 x 229 x 38 mm
Greutate: 0.89 kg
Ediția:1
Editura: Northern Illinois University Press
Colecția Northern Illinois University Press
Recenzii
“Much of the literary power of Memoir of a Gulag Actress lies in Petkevich’s vivid recall of the people in her life: her first husband, Erik, and their lives together in Frunze where she joined a family that failed to accept her; Aleksandr Osipovich Gavronsky, a renowned theater director, who leads the prisoner troupe and adopts her as if she were his daughter; her lover, Nikolai Danilovich—’tall, slim, handsome, elegant and professional’—an actor whose devotion sustains her; and her sister, Vera, whom she locates upon her release. Their individual destinies, in the camps or ‘at liberty,’ reflect the full pathos of Stalin’s miserable kingdom.”
—From the foreword by Joshua Rubenstein, Fellow of Harvard’s Davis Center for Russian and Eurasian Studies and Northeast Regional Director of Amnesty International USA
"It is a great achievement that the translators have successfully produced an accurate and satisfying prose rendition of this Gulag memoir. . . This is a valuable addition to the primary source literature on the USSR in the twentieth century. Petkevich writes movingly about her life from childhood, through marriage, to arrest and internment in the Great Patriotic War, to eventual release. The book is thus about the fate of a member of the elite in a period when the Revolution devoured its own as well as its out-and-out enemies. . . . Ultimately this memoir will be read not only for what it tells us about the Soviet Union . . . but as a fascinating human story of individuals who were unjustly persecuted.”
—European History Quarterly
“First published in Russian in 1993, Tamara Petkevich’s memoir recounts a familiar but devastating story . . . Readers get a vivid picture of the collapse of justice in Stalinist Russia and the trajectory of a revolution that went so very wrong.”
—Canadian-American Slavic Studies
—From the foreword by Joshua Rubenstein, Fellow of Harvard’s Davis Center for Russian and Eurasian Studies and Northeast Regional Director of Amnesty International USA
"It is a great achievement that the translators have successfully produced an accurate and satisfying prose rendition of this Gulag memoir. . . This is a valuable addition to the primary source literature on the USSR in the twentieth century. Petkevich writes movingly about her life from childhood, through marriage, to arrest and internment in the Great Patriotic War, to eventual release. The book is thus about the fate of a member of the elite in a period when the Revolution devoured its own as well as its out-and-out enemies. . . . Ultimately this memoir will be read not only for what it tells us about the Soviet Union . . . but as a fascinating human story of individuals who were unjustly persecuted.”
—European History Quarterly
“First published in Russian in 1993, Tamara Petkevich’s memoir recounts a familiar but devastating story . . . Readers get a vivid picture of the collapse of justice in Stalinist Russia and the trajectory of a revolution that went so very wrong.”
—Canadian-American Slavic Studies
Notă biografică
Yasha Klots is a doctoral candidate in the Department of Slavic Languages and Literatures at Yale University.
Ross Ufberg is a doctoral candidate in the Department of Slavic Languages and Literatures at Columbia University.
Joshua Rubenstein is Fellow of Harvard’s Davis Center for Russian and Eurasian Studies and Northeast Regional Director of Amnesty International USA.
Ross Ufberg is a doctoral candidate in the Department of Slavic Languages and Literatures at Columbia University.
Joshua Rubenstein is Fellow of Harvard’s Davis Center for Russian and Eurasian Studies and Northeast Regional Director of Amnesty International USA.
Descriere
In an abridged translation that retains the grace and passion of the original, Klots and Ufberg present the stunning memoir of a young woman who became an actress in the Gulag. Tamara Petkevich had a relatively privileged childhood in the beautiful, impoverished Petrograd of the Soviet regime’s early years, but when her father—a fervent believer in the Communist ideal—was arrested, 17-year- old Tamara was branded a “daughter of the enemy of the people.” She kept up a search for her father while struggling to support her mother and two sisters, finish school, and enter university. Shortly before the Russian outbreak of World War II, Petkevich was forced to quit school and, against her better judgment, she married an exiled man whom she had met in the lines at the information bureau of the NKVD (People’s Commissariat of Internal Affairs). Her mother and one sister perished in the Nazi siege of Leningrad, and Petkevich was herself arrested. With cinematic detail, Petkevich relates her attempts to defend herself against absurd charges of having a connection to the Leningrad terrorist center, counter-revolutionary propaganda, and anti-Semitism that resulted in a sentence of seven years’ hard labor in the Gulag.
While Petkevich became a professional actress in her own right years after her release from the Gulag, she learned her craft on the stages of the camps scattered across the northern Komi Republic. The existence of prisoner theaters and troupes of political prisoners such as the one Petkevich joined is a little-known fact of Gulag life. Petkevich’s depiction not only provides a unique firsthand account of this world-within-a-world but also testifies to the power of art to literally save lives. As Petkevich moves from one form of hardship to another she retains her desire to live and her ability to love.
More than a firsthand record of atrocities committed in Stalinist Russia, Memoir of a Gulag Actress is an invaluable source of information on the daily life and culture of the Soviet Union at the time. Russian literature about the Gulag remains vastly under-represented in the United States, and Petkevich’s unforgettable memoir will go a long way toward filling this gap. Supplemented with photographs from the author’s personal archive, Petkevich’s story will be of great interest to general readers, while providing an important resource for historians, political scientists, and students of Russian culture and history.