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Memory, Narrative and the Great War – Rifleman Patrick MacGill and the Construction of Wartime Experience

Autor David Taylor
en Limba Engleză Hardback – 2 apr 2013
Memory, Narrative and the Great War examines the varied and complex war writings of Patrick MacGill within a contemporary framework. David Taylor tracks how MacGill shifted from heroic wartime narratives in his autobiographical writings to the pessimistic, guiltridden characters in his postwar novel, Fear!, and play, Suspense. Using these texts to show how MacGill remembered and reremembered his wartime experiences, Taylor analyzes MacGill’s writings with implications for a broader interpretation of Great War literature, highlighting wartime memory and narrative as an ever-changing kaleidoscope in which pieces of memory take on different—but equally valid—shapes with the passing of time.
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Specificații

ISBN-13: 9781846318719
ISBN-10: 1846318718
Pagini: 227
Ilustrații: 3 halftones
Dimensiuni: 162 x 239 x 19 mm
Greutate: 0.54 kg
Editura: Liverpool University Press

Notă biografică

David Taylor is professor emeritus of history at the University of Huddersfield. He is the author of several books, most recently Hooligans, Harlots, and Hangmen: Crime and Punishment in Victorian Britain (A Criminal History of Britain). 

Cuprins

Acknowledgements
List of Illustrations

Introduction: The Problem with Pat
Part I: The Broader Context
1. Some Changing Perspectives on the Great War
2. Memories and Narratives of War
3. Sources: Some Problems and Findings
Part II: The War Writings of Patrick MacGill
4. At the Front: Fighting and Writing the War
5. Writing the War from the Home Front
6. The War in Retrospect
Conclusion: Changing Perspectives and Coming to Terms with the War

Select Bibliography
Index

Recenzii

“With clarity, structure, consistency of argument, and a deep awareness of the literary and historical analysis of the Great War, the case is well made. . . .that a study of Patrick MacGill’s writings illuminates the narrative constructions of wartime experience within the context of changing perspectives on ‘writing up’ the war through the twentieth century.”