Men's Bodies: Paragraph Special Issues Eup

Judith Still is Chair of French and Critical Theory at the University of Nottingham.

(Re)presenting Masculinities: Introduction to Men's Bodies, JUDITH STILL; SECTION I: Re-posing Men; Masculinity and Muscularity: Dr Paul Richer and Modern Manhood, ANTHEA CALLEN; Kitsch and Classicism: the Male Nude in the 20th Century, EDWARD LUCIE-SMITH; Morimura/Duchamp: 'Image Recycling' and Parody, KERSTIN BRANDES; Show your Wounded Manliness: Promises of Salvation in the Work of Joseph Beuys, CORINNA TOMBERGER; Tom's Men: the Masculinization of Homosexuality and the Homosexualization of Masculinity at the end of the Twentieth Century, GUY SNAITH; Freak Flag: Humour and the Photography of George Dureau, MELODY D. DAVIS; In Conversation: Photographer Ajamu and Cultural Critic Anita Naoko Pilgrim, AJAMU X AND ANITA NAOKO PILGRIM; What is a Man? Looking at the Traces of Men's Sexuality, Race and Class in the Work of Some Contemporary Photographers, JUDITH STILL; Fellas in Full Frontal Frolics: Naked Men in For Women magazine, CLARISSA SMITH; Underexposed: Spectatorship and Pleasure in Men's Underwear Advertising in the Twentieth Century, PAUL JOBLING; The Language of Bodybuilding, JEREMY STRONG; 'Support our Boys': AIDS, Nationalism and the Male Body, JOHN LYNCH; A Genealogical Approach to Idealised Male Body Imagery, ROSALIND GILL, KAREN HENWOOD AND CARL McLEAN; Section II: Moving Men: Masculinity and the Moving Image; Reclaiming the Corporeal: The Black Male Body and the 'Racial' Mountain in Looking for Langston, CHI-YUN SHIN; Exposing Himself: Sweet Sweetback's Body, DOROTHY C. BROADDUS The W/hole and the Abject, PHIL POWRIE; Queer Masculinity: The Representation of John Paul Pitoc's Body in Trick, NIALL RICHARDSON; Racing Forms and the Exhibition(ist) (Mis)Match: Second Thoughts on the Anxiety of Production, CALVIN THOMAS; Mainstreaming the Money Shot. Reflections on the Representation of Ejaculation in Contemporary American Cinema, GREG TUCK; Homosexual Prototypes: Repetition and the Construction of the Generic in the Iconography of Gay Pornography, JOHN MERCER.