Mira Calligraphiae Monumenta: A Sixteenth-Century Calligraphic Manuscript Inscribed by Georg Bocskay and Illuminated by Joris Hoefnagel: Getty Publications - (Yale)
Autor Lee Hendrix, Thea Vignau-Wilbergen Limba Engleză Hardback – 29 sep 2020
In 1561–62 the master calligrapher Georg Bocskay (died 1575), imperial secretary to the Holy Roman Emperor Ferdinand I, created Mira calligraphiae monumenta (Model Book of Calligraphy) as a demonstration of his own preeminence among scribes. Some thirty years later, Ferdinand’s grandson, the Emperor Rudolf II, commissioned Europe’s last great manuscript illuminator, Joris Hoefnagel (1542–1600), to embellish the work. The resulting book is at once a treasury of extraordinary beauty and a landmark in the cultural debate between word and image.
Bocskay assembled a vast selection of contemporary and historical scripts for a work that summarized all that had been learned about writing to date—a testament to the universal power of the written word. Hoefnagel, desiring to prove the superiority of his art over Bocskay’s words, employed every resource of illusionism, color, and form to devise all manner of brilliant grotesques, from flowers, fruit, insects, and animals to monsters and masks.
Unavailable for nearly a decade, this gorgeous volume features over 180 color illustrations, as well as scholarly commentary and biographies of both artists to inspire scholars, bibliophiles, graphic designers, typographers, and calligraphers.
Praise for the first edition:
“A superb . . . gift for anyone enchanted with, or enchantable by, printed words and the natural world.”
—Wall Street Journal
“It’s hard to think of a more exquisite book than this reproduction of Europe’s last great illuminated manuscript. Brilliant grotesques embellish gilded inscriptions on God, the universe and its owner (viz. Emperor Rudolf II).”
—Harper’s Bazaar
“Spectacular jewel of a book.”
—Times Literary Supplement
“An exquisite and unusual book, a book to be treasured for a long time by collectors, calligraphers, art connoisseurs, graphic designers, and nature lovers.”
—Bloomsbury Review
Preț: 437.14 lei
Preț vechi: 475.15 lei
-8% Nou
Puncte Express: 656
Preț estimativ în valută:
83.67€ • 90.92$ • 70.33£
83.67€ • 90.92$ • 70.33£
Carte disponibilă
Livrare economică 31 martie-14 aprilie
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9781606066584
ISBN-10: 1606066587
Pagini: 424
Ilustrații: 183 color and 3 b-w illustrations
Dimensiuni: 127 x 178 x 43 mm
Greutate: 0.82 kg
Ediția:2nd Edition
Editura: Getty Publications
Colecția J. Paul Getty Museum
Seria Getty Publications - (Yale)
ISBN-10: 1606066587
Pagini: 424
Ilustrații: 183 color and 3 b-w illustrations
Dimensiuni: 127 x 178 x 43 mm
Greutate: 0.82 kg
Ediția:2nd Edition
Editura: Getty Publications
Colecția J. Paul Getty Museum
Seria Getty Publications - (Yale)
Notă biografică
Lee Hendrix retired in 2016 from her position as senior curator and head of the Department of Drawings at the J. Paul Getty Museum.
Thea Vignau-Wilberg is the retired curator of Netherlandish prints and drawings at the Staatliche Graphische Sammlung, Munich. She is the author of Joris and Jacob Hoefnagel: Art and Science around 1600.
Thea Vignau-Wilberg is the retired curator of Netherlandish prints and drawings at the Staatliche Graphische Sammlung, Munich. She is the author of Joris and Jacob Hoefnagel: Art and Science around 1600.
Recenzii
“It’s back! Out of print for a decade, this gorgeously produced, slip-cased facsimile edition of an exquisite Renaissance manuscript unfurls a battle between brilliant advocates for the beauty of the written word (Hungarian scribe Georg Bocskay) and the painted image (Flemish illuminator Joris Hoefnagel). The small volume, with a bonus alphabet book tucked in at the end, is a sheer pleasure to hold in your hands.”
“Those who do not own the 1992 edition will find the book of interest, particularly as a resource for graphic design, calligraphy, and art history in general. . . . Summing Up: Recommended.”
Descriere
Now back in print, “the ultimate booklover’s gift book” —Los Angeles Times