Miracles and Murders: An Introductory Anthology of Breton Ballads: British Academy Monographs Series
Autor Mary-Ann Constantine, Éva Guillorelen Limba Engleză Hardback – 4 mai 2017
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Specificații
ISBN-13: 9780197266199
ISBN-10: 0197266193
Pagini: 250
Ilustrații: 4 colour plates
Dimensiuni: 195 x 253 x 23 mm
Greutate: 0.75 kg
Editura: OUP OXFORD
Colecția OUP Oxford
Seria British Academy Monographs Series
Locul publicării:Oxford, United Kingdom
ISBN-10: 0197266193
Pagini: 250
Ilustrații: 4 colour plates
Dimensiuni: 195 x 253 x 23 mm
Greutate: 0.75 kg
Editura: OUP OXFORD
Colecția OUP Oxford
Seria British Academy Monographs Series
Locul publicării:Oxford, United Kingdom
Recenzii
For anyone interested in the music of our nearest neighbours it is an essential addition to their bookshelf.
Miracles & Murders is almost the perfect book within the scope it sets itself, being an 'introductory anthology'. If you read only one book about gwerzioù (and if you are in any branch of Celtic studies whatsoever, you should), this is it ... [F]or someone not looking for more avenues of research to pursue, but simply wanting to get a taste of the gwerzioù, there is little more to be said. I praise the book highly.
[Although], the widely accepted notion that the menacing impact of globalisation and consequent cultural homogeneity have provoked a renewed and defensive interest in 'smaller', local identities and cultural heritage indicates that Miracles and Murders will attract a much wider, general readership. The provision of these scholarly, literary translations into English of the Breton ballads thus has the potential not merely to enrich the pursuits of academic researchers, but also to stimulate the imagination of all those who look to the past, or to a Celtic heritage, to reinforce a sense of belonging in this modern age. In achieving this dual appeal, Constantine and Guillorel will undoubtedly succeed in their aim to 'give the Breton gwerziou a new lease of life' (p. 29).
Miracles & Murders is almost the perfect book within the scope it sets itself, being an 'introductory anthology'. If you read only one book about gwerzioù (and if you are in any branch of Celtic studies whatsoever, you should), this is it ... [F]or someone not looking for more avenues of research to pursue, but simply wanting to get a taste of the gwerzioù, there is little more to be said. I praise the book highly.
[Although], the widely accepted notion that the menacing impact of globalisation and consequent cultural homogeneity have provoked a renewed and defensive interest in 'smaller', local identities and cultural heritage indicates that Miracles and Murders will attract a much wider, general readership. The provision of these scholarly, literary translations into English of the Breton ballads thus has the potential not merely to enrich the pursuits of academic researchers, but also to stimulate the imagination of all those who look to the past, or to a Celtic heritage, to reinforce a sense of belonging in this modern age. In achieving this dual appeal, Constantine and Guillorel will undoubtedly succeed in their aim to 'give the Breton gwerziou a new lease of life' (p. 29).
Notă biografică
Mary-Ann Constantine is a Reader in Welsh and English literature at the University of Wales Centre for Advanced Welsh and Celtic Studies. Her work is concerned with the relations between and mutual influence of the different cultures and languages of Britain (and to some extent beyond) in the late-C18th and early-C19th centuries. She has published books on Breton folklore, ballads and songs, Romantic-era forgery, and Welsh responses to the French Revolution. Her current work is focused on travel writing, the Welsh Tour, and the writings of Thomas Pennant (1726-98).Éva Guillorel is an Associate Professor in Early Modern History at the Université de Caen Normandie. Her studies have included History, Ethnology and Celtic Languages, and she has held postdoctoral fellowships in Brittany, Québec, United States and England. Her works is concerned with oral cultures and languages in early modern Europe and Americas, mainly songs. She published her Ph.D. on the links between Breton Ballads and History. Her current work is focused on the circulation and transformation of oral cultures over space and time, including cultural transfers between Europe and North America.