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Mobility of Imagination

Autor Dragan Klaic
en Limba Engleză Hardback – 31 aug 2007
This concise guidebook explains the purpose and expected benefits of international cultural cooperation, its risks and strategic issues, models and success factors. International cultural cooperation is analyzed here as a trajectory of professional development of individual and institutional operators and as a strategy to build an integrated, inclusive cultural space that will enhance the notion of European citizenship. Examples are offered from all parts of Europe and all disciplines. Cultural cooperation has been traditionally conceived as a matter of national governments and national cultural and foreign policy, not in a broad supranational perspective and not from the point of view of cultural operators themselves. Students previously had to rely on occasional articles and some governmental and academic studies of a rather narrow focus and national perspective.
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Specificații

ISBN-13: 9789639776067
ISBN-10: 9639776068
Pagini: 174
Dimensiuni: 152 x 229 x 14 mm
Greutate: 0.4 kg
Editura: Central European University Press

Descriere

This concise guidebook explains the purpose and expected benefits of international cultural cooperation, its risks and strategic issues, models and success factors. International cultural cooperation is analyzed here as a trajectory of professional development of individual and institutional operators and as a strategy to build an integrated, inclusive cultural space that will enhance the notion of European citizenship. Examples are offered from all parts of Europe and all disciplines. Cultural cooperation has been traditionally conceived as a matter of national governments and national cultural and foreign policy, not in a broad supranational perspective and not from the point of view of cultural operators themselves. Students previously had to rely on occasional articles and some governmental and academic studies of a rather narrow focus and national perspective.


Notă biografică

From 1978-1991 Dragan was Professor of Theatre History and Drama at the University of Arts in Belgrade and worked as theatre critic for the Belgrade newspaper, Politika, from 1982-1984. After the outbreak of the Yugoslav wars in 1991 he left Belgrade and settled in Amsterdam, where he took up the post of Director of Theater Instituut Nederland (TIN) from 1992-2001.