Mock Ritual in the Modern Era: OXFORD RITUAL STUDIES SERIES
Autor Reginald McGinnis, John Vignaux Smythen Limba Engleză Hardback – 13 noi 2022
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Specificații
ISBN-13: 9780197637432
ISBN-10: 0197637434
Pagini: 264
Dimensiuni: 238 x 163 x 22 mm
Greutate: 0.52 kg
Editura: Oxford University Press
Colecția OUP USA
Seria OXFORD RITUAL STUDIES SERIES
Locul publicării:New York, United States
ISBN-10: 0197637434
Pagini: 264
Dimensiuni: 238 x 163 x 22 mm
Greutate: 0.52 kg
Editura: Oxford University Press
Colecția OUP USA
Seria OXFORD RITUAL STUDIES SERIES
Locul publicării:New York, United States
Recenzii
At the heart of this lively and astute study is the vexed entwinement of ritual with ridicule. In a briskly paced series of readings of literary works from Voltaire and Diderot to Michel Houellebecq and Charlie Hebdo, McGinnis and Smyth show us that while every ritual threatens to become a parody of itself, so does even the fiercest mockery of ritual inevitably assume its own ritualistic aspect. We are as ensnared today as were the writers and philosophers of the Enlightenment, in the joke of jokes: that to laugh at high seriousness is to claim a no less risible high seriousness for ourselves.
Imbued with a wide-ranging spirit of inquiry, this book takes us through a bold review of 'mock rituals': a complex category with a double meaning. The authors pursue their topic with gusto from eighteenth century French literature to a sweeping interpretation of contemporary issues. Much food for thought is in this feast of representations of rituals.
Ranging in focus from Diderot to Charlie Hebdo, McGinnis and Smyth succeed brilliantly in providing us with a new cultural hermeneutics that both reveals and transcends the limitations of traditional literary analysis, cultural anthropology, and film and media theory. This capacious book offers nothing less than a theory of virtual sacrifice-that is to say, a new theory of sacrifice.
The book is divided into an introduction, seven chapters, a summation, and a "Concluding Unscientific Postscript." It discusses the role of mockery in several, generally French, examples of cinema and literature. As the first full-length study of its kind, the book offers an insightful groundwork into mock ritual and how it can transform into genuine ritual, a beneficial source for academics discussing anything from religious practices to parody.
Imbued with a wide-ranging spirit of inquiry, this book takes us through a bold review of 'mock rituals': a complex category with a double meaning. The authors pursue their topic with gusto from eighteenth century French literature to a sweeping interpretation of contemporary issues. Much food for thought is in this feast of representations of rituals.
Ranging in focus from Diderot to Charlie Hebdo, McGinnis and Smyth succeed brilliantly in providing us with a new cultural hermeneutics that both reveals and transcends the limitations of traditional literary analysis, cultural anthropology, and film and media theory. This capacious book offers nothing less than a theory of virtual sacrifice-that is to say, a new theory of sacrifice.
The book is divided into an introduction, seven chapters, a summation, and a "Concluding Unscientific Postscript." It discusses the role of mockery in several, generally French, examples of cinema and literature. As the first full-length study of its kind, the book offers an insightful groundwork into mock ritual and how it can transform into genuine ritual, a beneficial source for academics discussing anything from religious practices to parody.
Notă biografică
Reginald McGinnis is Professor of French at the University of Arizona. He is the author of Essai sur l'origine de la mystification and coeditor, with Fayçal Falaky, of Modes of Play in Eighteenth-Century France.John Vignaux Smyth is Professor of English at Portland State University. He is the author of The Habit of Lying.